This book explores the relevance of David Bowie’s life and music for contemporary legal and cultural theory. Focusing on the artist and artworks of David Bowie, this book brings to life, in essay form, particular theoretical ideas, creative methodologies and ethical debates that have contemporary relevance within the fields of law, social theory, ethics and art. What unites the essays presented here is that they all point to a beyond law: to the fact that law is not enough, or to be more precise, too much, too much to bear. For those who, like Bowie, see art, creativity and love as what ought to be the central organising principles of life, law will not do. In the face of its certainties, its rigidities, and its conceits, these essays, through Bowie, call forth the monster who laughs at the law, celebrate inauthenticity as a deeper truth, explore the ethical limits of art, cut up the laws of writing and embrace that which is most antithetical to law, love. This original engagement with the limits of law will appeal to those working in legal theory, ethics and law and popular culture, as well as in art and cultural studies.

From the Washington Post columnist and James Beard Award-winning author of Poor Man’s Feast comes a story of seeking truth, acceptance, and self in a world of contradiction... Treyf: According to Leviticus, unkosher and prohibited, like lobster, shrimp, pork, fish without scales, the mixing of meat and dairy. Also, imperfect, intolerable, offensive, undesirable, unclean, improper, broken, forbidden, illicit. Fans of Augusten Burroughs and Jo Ann Beard will enjoy this kaleidoscopic, universal memoir in which Elissa Altman explores the tradition, religion, family expectations, and the forbidden that were the fixed points in her Queens, New York, childhood. Every part of Altman’s youth was laced with contradiction and hope, betrayal and the yearning for acceptance: synagogue on Saturday and Chinese pork ribs on Sunday; bat mitzvahs followed by shrimp-in-lobster-sauce luncheons; her old-country grandparents, whose kindness and love were tied to unspoken rage, and her bell-bottomed neighbors, whose adoring affection hid dark secrets. While the suburban promise of The Brady Bunch blared on television, Altman searched for peace and meaning in a world teeming with faith, violence, sex, and paradox. Spanning from 1940s wartime Brooklyn to 1970s Queens to present-day rural New England, Treyf captures the collision of youthful cravings and grown-up identities. It is a vivid tale of what it means to come to yourself both in spite and in honor to your past.

Based on interviews with family members, colleagues, lovers, and the previously silent William Burroughs, this unsparing yet evenhanded biography guides the reader through the many personas, crises, and musical metamorphoses of David Bowie—also known as Davy Jones, the Laughing Gnome, Major Tom, Ziggy Stardust, Aladdin Sane, the Thin White Duke, a drug-addled grandfather of punk, actor, art aficionado, political activist, one of rock's most resonant icons, and a totem of modern pop culture. Nowhere else is the man and musician so convincingly deconstructed and so compellingly humanized.

After his breakthrough with Ziggy Stardust and before his U.S. pop hits "Fame" and "Golden Years" David Bowie produced a dark and difficult concept album set in a post-apocalyptic "Hunger City" populated by post-human "mutants." Diamond Dogs includes the great glam anthem "Rebel Rebel" and utterly unique songs that combine lush romantic piano and nearly operatic singing with scratching, grungy guitars, creepy, insidious noises, and dark, pessimistic lyrics that reflect the album's origins in a projected Broadway musical version of Orwell's 1984 and Bowie's formative encounter with William S. Burroughs. In this book Glenn Hendler shows that each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different "I" who directly addresses a different "you." Diamond Dogs is the product of a performer at the peak of his powers but uncomfortable with the rock star role he had constructed. All of the album's influences looked to Bowie like ways of escaping not just the Ziggy role, but also the constraints of race, gender, sexuality, and nationality. These are just some of the reasons many Bowie fans rate Diamond Dogs his richest and most important album of the 1970s.

Addressing their shared passion for literature, art, and music, this book documents how Samuel Beckett and David Bowie produce extraordinarily empathetic creative outputs that reflect the experience and the effect of alienation. Through an exploration of their artistic practices, the study also illustrates how both artists articulate shared forms of human experience otherwise silenced by normative modes of representation. To liberate these experiences, Bowie and Beckett create alternative theatrical, musical, and philosophical spaces, which help frame the power relations of the psychological, verbal, and material places we inhabit. The result is that their work demonstrates how individuals are disciplined by the implicitly repressive social order of late capitalism, while, simultaneously, offering an informed political alternative. In making the injunctions of the social order apparent, Beckett and Bowie also transgress its terms, opening up new spaces beyond the conventional identities of family, nation, and gender, until both artists finally coalesce in the quantum space of the posthuman.

After ten years of surviving as a walking, talking, living doll, Laura feels dead inside. She has sacrificed everything for her family, marrying a man she could never love. Her husband doesn't beat her, doesn't berate her. He transforms her, forcing her to live as a stand-in for his long dead wife. She stays silent as piece after piece of herself disappears, willing to do anything to protect the people she loves.When his demands go too far, she finally tells her brother the ugly truth.Wanting to protect her without putting the rest of their family at risk, he sends her to the one place he knows she'll be safe. He places her into the hands of his best friend, Vice President of the Savage Outlaws MC.Once again, she is transformed into someone new; Shay.Bowie has spent many nights dreaming about his best friend's little sister. The reality is so much sweeter than his dreams. He wants to be more for Shay, needs to protect her, but he's not sure if he knows how.Can an Outlaw show her how beautiful life should be?

Beloved by millions of fans the world, David Bowie was the ultimate icon, the perfect pop package that united sound with vison. In his fifty-year career, and across more than 26 studio albums, Bowie sold more than 140 million records, malking him one of the most successful artists of all time. Since his passing, he has been greatly missed, and remembered, by those who loved him the most. Filled with quotations by, and about, one of the most innovative artists in history. A perfect companion for Bowie fans everywhere, this collection of bite-sized quips helps capture exactly what made Ziggy Stardust so special. From insightful quotes by fellow artists, collaborators, and friends, to words of wit and wisdom from David Robert Jones himself, you'll find more than 170 amusing and inspiring soundbites inside. "I don't know where I'm going from here but I promise it won't be boring." David Bowie, 1997 David Bowie shared the same birthday as his childhood hero, Elvis Presley – the 8th January. The two met in 1972.

Named one of Entertainment Weekly’s 12 biggest music memoirs this fall. “An artful and wildly enthralling path for Bowie fans in particular and book lovers in general.” —Publishers Weekly (starred review) “The only art I’ll ever study is stuff that I can steal from.” ―David Bowie Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. In 100 short essays, music journalist John O’Connell studies each book on Bowie’s list and contextualizes it in the artist’s life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie’s own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O’Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie’s lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? Heartfelt, analytical, and totally original, Bowie’s Bookshelf is one part epic reading guide and one part biography of a music legend.

For nearly 25 years, Greg Kot of the Chicago Tribune has been reviewing all parts of the popular music world: from indie up-and-comers and underground hip-hop artists to arena-filling rock-and-rollers and celebrity pop superstars. Turn It Up: A Guided Tour Through the Worlds of Pop, Rock, Rap and More is the first-ever collection of Kot's Tribune articles, covering the years of 2000–2013. Beyond informative and entertaining features, concert recaps, and album reviews, Turn It Up covers major issues associated with music and the music industry since the turn of the millennium. Kot delves deeply into issues that matter regarding the essential acts of the 21st century, the business of music as a whole, and the Chicago music scene in particular. With chapters grouped by genre—pop, rock, and rap—and a catch-all final chapter containing insights on digital music, record labels, and the evolving "music biz," Turn It Up is an easy-to-follow guide to where the music world has come from and where it is going. Kot's deep knowledge of the subject matter and unpretentious writing will make this a fascinating read for his longtime local fans, as well as music lovers far and wide.