LGBT musicians have shaped the development of music over the last century, with a sexually progressive soundtrack in the background of the gay community’s struggle for acceptance. With the advent of recording technology, LGBT messages were for the first time brought to the forefront of popular music. David Bowie Made Me Gay is the first book to cover the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today.

In this tender-hearted debut, set against the tumultuous backdrop of life in 1973, when homosexuality is still considered a mental illness, two boys defy all the odds and fall in love. Now in paperback. The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie's Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely "normal" and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay. Jonathan doesn't want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be "fixed" once and for all. But he's drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he's perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.

"Concentrating on the friendship between impresario Larry Parnes, Beatles manager Brian Epstein, and showbiz solicitor David Jacobs, the book details how they shaped the Swinging 60s, along with their associates including songwriter Lionel Bart (author of the hit musical Oliver!), record producer Joe Meek, Sir Joseph Lockwood (the head of EMI), Vicki Wickham (manager of Dusty Springfield and assistant producer on the influential TV show Ready Steady Go), songwriter and record label head Norman Newell, Simon Napier-Bell (manager of Marc Bolan), Kit Lambert (manager of the Who), playwright Joe Orton, and Robert Stigwood (manager of the Bee Gees and Cream). Drawing on rare and unpublished archive material, personal diaries, and new interviews from some of the survivors of that turbulent decade, The Velvia Mafia shows how--in the period leading up to the partial decriminalisation of homosexuality and the founding of the Gay Liberation movement--LGBT professionals in the music industry were working together, supporting each other and changing history."--Publisher description

An electric and intimate story of 1970s gay Atlanta through its bedazzling drag clubs and burgeoning rights activism. Coursing with a pumped-up beat, gay Atlanta was the South's mecca—a beacon for gays and lesbians growing up in its homophobic towns and cities. There, the Sweet Gum Head was the club for achieving drag stardom. Martin Padgett evokes the fantabulous disco decade by going deep into the lives of two men who shaped and were shaped by this city: John Greenwell, an Alabama runaway who found himself and his avocation performing as the exquisite Rachel Wells; and Bill Smith, who took to the streets and city hall to change antigay laws. Against this optimism for visibility and rights, gay people lived with daily police harassment and drug dealing and murder in their discos and drag clubs. Conducting interviews with many of the major figures and reading through deteriorating gay archives, Padgett expertly re-creates Atlanta from a time when a vibrant, new queer culture of drag and pride came into being.

An inspiring biography of the socialite and amateur soprano who didn’t let her terrible voice stop her—Now the subject of a major motion picture. Magazine Madame Jenkins couldn’t carry a tune in a bucket: despite that, in 1944 at the age of seventy-six, she played Carnegie Hall to a capacity audience and had celebrity fans by the score. Her infamous 1940s recordings are still highly prized today. In his well-researched and thoroughly entertaining biography, Darryl W. Bullock tells of Florence Foster Jenkins’s meteoric rise to success and the man who stood beside her, through every sharp note. Florence was ridiculed for her poor control of timing, pitch, and tone, and terrible pronunciation of foreign lyrics, but the sheer entertainment value of her caterwauling packed out theatres around the United States, with the “singer” firmly convinced of her own talent, partly thanks to the devoted attention for her husband and manager St. Clair Bayfield. Her story is one of triumph in the face of adversity, courage, conviction and of the belief that with dedication and commitment a true artist can achieve anything. “Darryl W. Bullock’s charming FLORENCE! FOSTER!! JENKINS!!! is just about right for those who want to know more about the world’s worst opera singer. . . . Thoroughly readable and entertaining. This appealing little biography―which arrives just as a film version of its heroine’s story, starring Meryl Streep and Hugh Grant, has been released in the U.S.―is warmhearted and delightful. At its core is a touching love story, as well as a message about the human spirit.” —Alexander McCall Smith, The New York Times Book Review

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.

An affectionate look at some of the worst recordings ever made, The World’s Worst Records tells the extraordinary but true stories behind some of the most appalling audio crimes ever committed. Extensively researched, and featuring music by major stars, ‘outsider’ artists and almost forgotten singers and songwriters, read about how Elvis Presley came to record a rock ‘n’ roll version of the nursery rhyme Old Macdonald; discover the truth behind actor Peter Wyngarde’s one attempt at pop immortality; meet the beautifully bonkers Florence Foster Jenkins – possibly the most deluded singer in history; fi nd out which Paul McCartney record is most hated world over. Puzzle over why 60’s flower-power icon Donovan would record a song about the toilet habits of astronauts.

From the New York Times bestselling author of Love Is a Mix Tape, a thoughtful and loving meditation on the life of the late David Bowie that explores his creative legacy and the enduring and mutual connection he enjoyed with his fans. Innovative. Pioneering. Brave. Until his death in January 2016, David Bowie created art that not only pushed boundaries, but helped fans understand themselves and view the world from fantastic new perspectives. When the shocking news of his death on January 10, 2016 broke, the outpouring of grief and adulation was immediate and ongoing. Fans around the world and across generations paid homage to this brilliant, innovate, ever evolving artist who both shaped and embodied our times. In this concise and penetrating book, featuring color photographs, highly regarded Rolling Stone critic, bestselling author, and lifelong Bowie fan Rob Sheffield shares his own feelings about the passing of this icon and explains why Bowie’s death has elicited such an unprecedented emotional outpouring from so many lives.

An illuminating biography of Lou Reed, featuring interviews with over 140 people who knew him intimately, plus previously unpublished photographs. As band leader of the Velvet Underground and later a successful solo artist, Reed was much more than what the general public came to know as the grumpy New Yorker in black who sang “Walk on the Wild Side.” To his dedicated admirers, he was one of the most innovative and intelligent songwriters of modern times—a natural outsider who lived a tumultuous and tortured life. In the course of his deep research into Reed’s life, from a humble upbringing on Long Island to death from liver disease in 2013, Howard Sounes interviewed more than 140 people who knew the artist intimately—some of whom have not spoken publicly about him before. With new revelations from former wives and lovers, family members, fellow band members and celebrities, and music industry figures, this book offers an updated, unfettered look at Reed’s creative process, his mental health problems, his bisexuality, his three marriages, and his addictions to drugs and alcohol. Featuring previously unpublished photographs of some of Reed’s most private moments, this is the definitive account of one of rock ’n’ roll’s most complicated and brilliant prophets. “Compelling . . . Sounes takes pride in carefully debunking the myths that have crept in from Reed’s own fictionalizations.” —The Sunday Telegraph “Controversial . . . Sounes’ book pushes the standard Reed narrative.” —New York Times “A measured chronicle of the life and music of Lou Reed . . . Sounes proves to be an amiable narrator who successfully reveals Reed as an innovative, influential musician.” —Publishers Weekly “A walk on the dark side.” —Independent “A must read . . . Sounes chronicles Reed’s turbulent, and often brutal, relationships with men and women . . . and the wayward talent that produced such classics as ‘Walk On The Wild Side.’” —Daily Mail

Steeped in sex, drugs, and rock 'n' roll, Lick Me takes the reader on a juicy journey through the life and times of the infamous Cherry Vanilla. A wunderkind on Madison Avenue in the swinging sixties, Cherry soon found fame as a DJ in clubs in Manhattan and on the French Riviera. She starred in Andy Warhol's play Pork in London while gaining notoriety as a groupie, sleeping with musicians ranging from Leon Russell to Kris Kristofferson. Working as David Bowie's PR lady (and occasional lover), she played a major part in introducing him to the U.S. market. She was on the front lines when punk broke, one of the few successful women in the genre; her backing band was the Police, and she released two insouciant albums on RCA. Cherry's memoir takes us on a journey from the birth of rock to the explosion of punk, exploring every aspect of the music industry during its most electrifying era, with memorable detours through the sexual revolution, the women's liberation movement, and the theater of the ridiculous. But Cherry's life wasn't all excitement and high times. From unwanted pregnancies to poverty and public ridicule, Lick Me also takes us through Cherry's own problems, including sex addiction and OCD, and reveals how she dealt with them. Lick Me reveals the thrilling life of a woman who pulled herself up from humble beginnings and fearlessly lived her dreams.