Throughout Walter Brueggemann's career, he has repeatedly found his way back to the David and royal traditions. From some of his earliest articles and essays to monographs, commentaries, and sermons, he has explored this rich field in literary, social, and theological depth. As he has said, "My preoccupation with David rests on the awareness that David occupies a central position in the imagination of ancient Israel and in the rendering of 'faith and history' by that community. As the genealogies locate David, he stands mid-point between the rigors of Mosaic faith and the destruction of Jerusalem; as a consequence he becomes, in the artistry of Israel, the carrier of all the ambivalence Israel knew about guarantees and risks in the world YHWH governs." This volume brings together some of Brueggemann's key essays on the David traditions, as well as their interrelationships with traditions in the book of Genesis. --from the Foreword .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.

Publishers Weekly Best Book in Religion 2020 Foreword Review's INDIES Book of the Year Award, Religion In Theological Territories, David Bentley Hart, one of America's most eminent contemporary writers on religion, reflects on the state of theology "at the borders" of other fields of discourse—metaphysics, philosophy of mind, science, the arts, ethics, and biblical hermeneutics in particular. The book advances many of Hart's larger theological projects, developing and deepening numerous dimensions of his previous work. Theological Territories constitutes something of a manifesto regarding the manner in which theology should engage other fields of concern and scholarship. The essays are divided into five sections on the nature of theology, the relations between theology and science, the connections between gospel and culture, literary representations of and engagements with transcendence, and the New Testament. Hart responds to influential books, theologians, philosophers, and poets, including Rowan Williams, Jean-Luc Marion, Tomáš Halík, Sergei Bulgakov, Jennifer Newsome Martin, and David Jones, among others. The twenty-six chapters are drawn from live addresses delivered in various settings. Most of the material has never been printed before, and those parts that have appear here in expanded form. Throughout, these essays show how Hart's mind works with the academic veneer of more formal pieces stripped away. The book will appeal to both academic and non-academic readers interested in the place of theology in the modern world.

"A book you will want to read and read again." -- Eugene Peterson Afterword by Bono. How can you find a more transparent, resilient, and fearless life of faith? Open and Unafraid by David Taylor takes readers on a profound journey through the book of Psalms, which has been a central pillar for God's people for millennia, across all walks of life and cultural contexts. In reading it, we discover that we are never alone in our joys, sorrows, angers, doubts, praises, or thanksgivings. In it, we learn about prayer and poetry, honesty and community, justice and enemies, life and death, nations and creation. As a professor, pastor, author, and producer of the short film Bono and Eugene Peterson: The Psalms, David Taylor has created an accessible guide to the psalms that resonates deeply with first-time and long-time Bible readers, poets and artists, devout believers and spiritual seekers alike. Open and Unafraid shows you how to read the psalms in a fresh, life-giving way, and so access the bottomless resources for life and experience the presence of God--in order to deepen discipleship and worship. Endorsements: "David Taylor’s take is 'open and unafraid' alright. He really goes there, exposing himself before God in the most beautiful way. He might have called the book Naked, because if you don’t find your own self feeling a little exposed here, it might be time to take some armor off." -- Bono, from the Afterword "A book that you will want to read and read again, and yet again, in order to discover the wisdom of the Psalms that shows us how to walk in the life-giving way of Jesus." -- Eugene Peterson, from the Foreword "A winsome, accessible entry into the Book of Psalms…Connects the poetry of the psalms to real-life wonders and struggles." -- Walter Brueggemann, Columbia Theological Seminary "Taylor reads these biblical prayers with Dr. Seuss, rappers, and other poets, along with theologians and the daily news....Guides readers in tracing out patterns of holy speech that have the potential for healing our hearts and our communities." -- Ellen F. Davis, Duke Divinity School "I have always loved the psalms--for their defiant devotion, their deep joy, and their brutal yet beautiful honesty. And after reading this fantastic book about them, I love them even more." -- Matt Redman, worship leader and song writer "In these fraught and fearsome days, we need the psalms more than ever. And we need more faithful artists and thinkers like David Taylor to mine the infinite gifts the psalms offer across the ages." -- Karen Swallow Prior, author of Fierce Convictions

At 14, David Bennett came out to his parents. At 19, he encountered Jesus Christ. At that moment, his life changed forever. As a young gay man, David Bennett saw Christianity as an enemy to freedom for LGBTQI people, and his early experiences with prejudice and homophobia led him to become a gay activist. But when Jesus came into his life in a highly unexpected way, he was led down a path he never would have predicted or imagined. In A War of Loves, David recounts his dramatic story, from his early years exploring new age religions and French existentialism to his university experiences as an activist. Following supernatural encounters with God, he embarked on a journey not only of seeking to reconcile his faith and sexuality but also of discovering the higher call of Jesus Christ. A War of Loves investigates what the Bible teaches about sexuality and demonstrates the profligate, unqualified grace of God for all people. David describes the joy and intimacy he found in following Jesus Christ and how love has taken on a radically new and far richer meaning for him.

Sometimes described as “a theologian’s theologian,” David Tracy’s scholarship has impacted countless thinkers around the globe. The complexity of his thought, however, has often made engaging his work into a daunting challenge. Combining analysis of the most influential features of Tracy’s theology (theological method, the religious classic, public theology) with a retrieval of his more overlooked interests (Christology, God), Stephen Okey presents the essential themes of Tracy’s career in accessible and insightful prose.

The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.

The Future of Christian Theology represents a personal manifesto from one of the world's leading theologians, exploring the ways Christian theology in the twenty-first century has been, and can now continue to be, both creative and wise. Represents an outstanding and engaging account of the task of theology today Offers an insightful description of what makes for discerning and creative theology. Written from the perspective of decades of experience, and in close dialogue with theologians of other faiths Features a strong interfaith and public theology dimension, and a contemporary portrait of the field from the inside A hopeful and illuminating search for wisdom and understanding in the increasingly complex religious and secular world of the twenty-first century.

A theological framework for the liturgical arts rooted in John Calvin Both detractors and supporters of John Calvin have deemed him an enemy of the physical body, a pessimist toward creation, and a negative influence on the liturgical arts. But, says W. David O. Taylor, that only tells half of the story. Taylor examines Calvin's trinitarian theology as it intersects his doctrine of the physical creation in order to argue for a positive theological account of the liturgical arts. He does so believing that Calvin's theology can serve, perhaps surprisingly, as a rich resource for understanding the theological purposes of the arts in corporate worship. Drawing on Calvin's Institutes, biblical commentaries, sermons, catechisms, treatises, and worship orders, this book represents one of the most thorough investigations available of John Calvin's theology of the physical creation—and the promising possibilities it opens up for the formative role of the arts in worship.

Think of your local church. Without art--music, song, dance, etc.--it would be a much poorer place. But if protestants have any vision for the arts, it tends to be a thin one. This unique book is an attempt to contribute to a robust, expansive vision for the church and the arts. Its specific aim is to show how the many parts of the landscape of church and art hold together. You can think of it as a kind of helicopter flyover, but one with expert pilots. The guides include the likes of Eugene Peterson, Lauren Winner, Jeremy Begbie, Andy Crouch, and John Witvliet, helping to inspire readers and empower pastor-leaders with a vision of the church and the arts that is compelling, far-seeing, and profoundly transformative.