by Dave Cooper A collection of luscious oil paintings in tribute to pillowy female forms. Subtitled "Additional Observations on the Beauty/Ugliness of Mostly Pillowy Girls," Underbelly is a hardcover art book featuring over 50 of Cooper's luminescent oil paintings and lush drawings, each focusing on the female form. Underbelly is the follow-up to Cooper's acclaimed first book of paintings, Overbite. Since then, Cooper has been producing new work at a fevered pitch for gallery shows and patrons alike. Although much of the work in Underbelly appears to have slithered out of a similar same place as Overbite, this latest batch has a decidedly darker and more urban flavor.

by Dave Cooper A collection of luscious oil paintings in tribute to pillowy female forms. Subtitled "Additional Observations on the Beauty/Ugliness of Mostly Pillowy Girls," Underbelly is a hardcover art book featuring over 50 of Cooper's luminescent oil paintings and lush drawings, each focusing on the female form. Underbelly is the follow-up to Cooper's acclaimed first book of paintings, Overbite. Since then, Cooper has been producing new work at a fevered pitch for gallery shows and patrons alike. Although much of the work in Underbelly appears to have slithered out of a similar same place as Overbite, this latest batch has a decidedly darker and more urban flavor.

In “a worthy companion to . . . Boys of Summer,” a Pulitzer prize winning journalist “exploits the power of memory and nostalgia with literary grace” (New York Times). From award-winning New York Times columnist Dan Barry comes the beautifully recounted story of the longest game in baseball history—a tale celebrating not only the robust intensity of baseball, but the aspirational ideal epitomized by the hard-fighting players of the minor leagues. On April 18, 1981, a ball game sprang eternal. For eight hours, the night seemed to suspend a town and two teams between their collective pasts and futures, between their collective sorrows and joys—the shivering fans; their wives at home; the umpires; the batboys approaching manhood; the ejected manager, peering through a hole in the backstop; the sportswriters and broadcasters; and the players themselves—two destined for the Hall of Fame (Cal Ripken and Wade Boggs), the few to play only briefly or forgettably in the big leagues, and the many stuck in minor-league purgatory, duty bound and loyal forever to the game. With Bottom of the 33rd, Barry delivers a lyrical meditation on small-town lives, minor-league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. An unforgettable portrait of ambition and endurance, Bottom of the 33rd is the rare sports book that changes the way we perceive America’s pastime—and America’s past. “Destined to take its place among the classics of baseball literature.” —Kirkus Reviews (starred review) “Bottom of the 33rd is chaw-chewing, sunflower-spitting, pine tar proof that too much baseball is never enough.” —Jane Leavy, author of The Last Boy and Sandy Koufax

Ripple is a breakthrough graphic novel for Dave Cooper, creator of the wildly surreal and critically-acclaimed graphic novels Crumple and Suckle. Unlike those works, Ripple is a highly realistic story in terms of subject matter and drawing style. Martin is a floundering painter desperately attempting to pursue his fine art inclinations rather than toil in the world of commercial art. He hires a homely model, Tina, to pose for a series of "erotic" paintings that he hopes will be his breakthrough into the gallery world. Over time, Martin and Tina's relationship evolves from a tenuous working relationship to a confused sexual one. Martin's initial repulsion for Tina slowly turns to attraction and eventually lust, causing him to re-evaluate his own notions of beauty and sexuality. Meanwhile, Tina's own motives behind working for Martin are slowly turned upside down as well, building the book towards its inevitably explosive end. Throughout it all, Ripple is a complex love story poked and prodded fromall angles, from Martin and Tina's physical and emotional feelings toward each other, Martin's dishonesty to himself, Tina's self-loathing, and everything in between. Sad, funny, and often uncomfortably titillating, Ripple is a remarkably introspective graphic novel, rendered with kinetic realism in a pen technique that calls to mind a more controlled Edward Sorel and Jules Feiffer.

An award-winning author tells the stories of the audacious American politicians, military commanders, and business executives who took it upon themselves to depose monarchs, presidents, and prime ministers of other countries with disastrous long-term consequences.

What's it like to reach out and touch history in the moment, to peel back the layers of hyperbole and political deception for yourself as a simple soldier? Try the Philippine-American War, sometimes referred to as "the first Vietnam" (1899-1902). You might find that "desertion" really means conversion to a noble cause and "enlisting" is just another form of surrender... Three American infantrymen in the last months of major hostilities, the Filipinos all but beaten. Each man is quietly running from a prior life. One, a young corporal, naïve and inexperienced, is hiding from a gallows in Pennsylvania. Another is a disillusioned Catholic priest, running from God and himself. The third is a proud "Negro" soldier from the 24th U.S. Colored Infantry, a man who has deserted the army to actively join the Filipino forces. Their lives intersect with a beguiling and mysterious young Filipina, a respected figure of inexplicable influence among her people. All four join forces to hold back the tide of greed and racially motivated barbarity from a ravenous Eagle. One will die. One will find himself by learning that truth stands alone, wears no flag and employs no spokesman. The other two will live forever, legends in the minds and hearts of the Philippine people.

Cooper's latest novel following the ultra successful 'Suckle and Crumple'. A highly uncomfortable and thinly veiled portrait of adolescence, this is a story of lost innocence as told through a surreal landscape and anthropomorphized 'funny animals' cast as children, all rendered with Cooper's impeccable composition and linework. The story addresses themes of sexual and verbal abuse with unflinching candour, while Cooper's dark sense of humour resonates throughout his wildly imaginative visuals.

This volume from The NASA History Series presents an overview of the science of hypersonics, the study of flight at speeds at which the physics of flows is dominated by aerodynamic heating. The survey begins during the years immediately following World War II, with the first steps in hypersonic research: the development of missile nose cones and the X-15; the earliest concepts of hypersonic propulsion; and the origin of the scramjet engine. Next, it addresses the re-entry problem, which came to the forefront during the mid-1950s, showing how work in this area supported the manned space program and contributed to the development of the orbital shuttle. Subsequent chapters explore the fading of scramjet studies and the rise of the National Aerospace Plane (NASP) program of 1985–95, which sought to lay groundwork for single-stage vehicles. The program's ultimate shortcomings — in terms of aerodynamics, propulsion, and materials — are discussed, and the book concludes with a look at hypersonics in the post-NASP era, including the development of the X-33 and X-34 launch vehicles, further uses for scramjets, and advances in fluid mechanics. Clearly, ongoing research in hypersonics has yet to reach its full potential, and readers with an interest in aeronautics and astronautics will find this book a fascinating exploration of the field's history and future.