This is a cross-cultural study of the political economy of war in South Asia. Randolf G. S. Cooper combines an overview of Maratha military culture with a battle-by-battle analysis of the 1803 Anglo-Maratha Campaigns. Building on that foundation he challenges ethnocentric assumptions about British superiority in discipline, drill and technology. He argues that these campaigns, in which Arthur Wellesley served with distinction, represent the military high-water mark of the Marathas who posed the last serious opposition to the formation of the British Raj. Dr Cooper asserts that the real contest for India was never a single decisive battle for the subcontinent. Rather it turned on a complex social and political struggle for control of the South Asian military economy. The author shows that victory in 1803 hinged as much on finance, diplomacy, politics and intelligence as it did on battlefield manoeuvre and war itself.

The years 1790 to 1830 saw Britain engage in an extensive period of war-waging and empire-building which transformed its position as an imperial state, established its reputation as a distinctive military power and secured naval preeminence. Despite this apparent success, Britain did not become a world super power in the conventional sense. Instead, as Professor Collins demonstrates, it operated as an enclave power, influencing or dominating many regions of the world without ever asserting global hegemony. Even in the 1820s, Britain still had to fight to maintain influence, and sometimes struggled to assert dominance on the borderlands of the empire. By locating naval and military power at the heart of Britain's relationship with the wider world, Bruce Collins offers an insightful reinterpretation of the interaction between military and naval war-making, the expansion of the empire, and the nature of the British regime. Using examples of conflicts ranging from continental Europe and Ireland to North America, Africa and India, he argues that the state’s effectiveness in war was crucial to its imperial expansion and gives new significance to British military conduct in an age of revolution and war.

Krishna Kumari: The Tragedy of India introduces readers to the first English language play in modern India. Written in 1826 by English Subba Rao, one of the first Indians to be schooled in English, Krishna Kumari depicts the true story of a princess of Udaipur who is forced to commit suicide in order to end a war started by her suitors, the rulers of the neighboring kingdoms of Jaipur and Jodhpur. Tragically, her death proves to be in vain because the mercenaries recruited by the contending rulers nevertheless proceed to plunder the region. All three kingdoms are then compelled to seek the protection of the East India Company, bringing their independence to an end. Sharp and witty, Krishna Kumari was intended to warn Indian principalities against the follies that led to the downfall of the Rajputs. Unfortunately, the play scarcely saw the light of day. Angered by Subba Rao's opposition to their power, the British forced him to withdraw from public life. This is why audiences have never heard of Krishna Kumari-until now. Building on extensive archival research, this volume brings Subba Rao's pioneering drama back to life. The introductory essay by Rahul Sagar, a leading scholar of nineteenth century India, familiarizes readers with the remarkable characters in the play and the violent era in which they lived. By shedding light on Subba Rao's extraordinary life and career, it also reveals how important principalities like Tanjore and Travancore were in battling colonialism and shaping modern India.

The Volume Contains Research Papers And A Few Original Documents Relating To Various Aspects Like Religions, Society And Culture, Economy, Polity And Administration Of The History Of Deccan. These Fresh Studies Would Help Scholars In Better Understanding Of Various Aspects Of Deccan History.