In historical records, women appear as widows, sometimes as wives or singlewomen, but one thing they had in common was they all were daughters. Through an examination of the Husting wills, Kate Staples focuses on daughters in the late medieval capital and their chances to own, rent, and manage property. These daughters were provided opportunities to be active economic agents in a world often described as hostile to women. Daughters of London also considers parents’ influence through their bequests to daughters and the visualization of daughters’ household spaces that these bequests allow. By focusing on daughterhood, and particularly urban daughters’ experiences of inheritance, we can refocus the lens through which we see and understand women’s lives in the medieval past

From an examination of medieval London's Husting wills, Daughters of London offers a new framework for considering urban women’s experiences as daughters. The wills reveal daughters equipped with economic opportunities through bequests of real estate and movable property.

A Daughter of the Snows (1902) is Jack London's first novel. Set in the Yukon, it tells the story of Frona Welse, "a Stanford graduate and physical Valkyrie" who takes to the trail after upsetting her wealthy father's community by her forthright manner and befriending the town's prostitute. She is also torn between love for two suitors: Gregory St Vincent, a local man who turns out to be cowardly and treacherous; and Vance Corliss, a Yale-trained mining engineer. The novel is noteworthy for its strong and self-reliant heroine, one of many who would people his fiction. Her name echoes that of his mother, Flora Wellman, though her inspiration has also been said to include London's friend Anna Strunsky. Modern commentators have criticized the novel for its approval of the main character's view that Anglo-Saxons are racially superior. The novel was commissioned by publisher S. S. McClure, who provided London a $125 a month stipend to write it.

"The story of the fascinating and fateful "daughter diplomacy" of Anna Roosevelt, Sarah Churchill, and Kathleen Harriman, three glamorous young women who accompanied their famous fathers to the Yalta Conference with Stalin in the waning days of World War II"--

Winner of the 2004 Book Award from the Society for the Study of Early Modern Women and the 2003 Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference. Our common definition of literacy is the ability to read and write in one language. But as Margaret Ferguson reveals in Dido's Daughters, this description is inadequate, because it fails to help us understand heated conflicts over literacy during the emergence of print culture. The fifteenth through seventeenth centuries, she shows, were a contentious era of transition from Latin and other clerical modes of literacy toward more vernacular forms of speech and writing. Fegurson's aim in this long-awaited work is twofold: to show that what counted as more valuable among these competing literacies had much to do with notions of gender, and to demonstrate how debates about female literacy were critical to the emergence of imperial nations. Looking at writers whom she dubs the figurative daughters of the mythological figure Dido—builder of an empire that threatened to rival Rome—Ferguson traces debates about literacy and empire in the works of Marguerite de Navarre, Christine de Pizan, Elizabeth Cary, and Aphra Behn, as well as male writers such as Shakespeare, Rabelais, and Wyatt. The result is a study that sheds new light on the crucial roles that gender and women played in the modernization of England and France.

Fight your darkness. Or embrace it. Reborn. Otylia's time in Nawia granted her great power and even greater questions. After years of following her goddesses' commands, her path is now her own. But she doubts her decisions at every turn. She'd anticipated her return home for a moon, but this strange land where desert and winter clash is no more familiar than the kingdom of the dead. Conquered and enslaved by Marzanna's Frostmarked, these people see her as their only hope. How can she trust herself to save them, though, when she can't even protect the boy she loves? Corrupted. Struggling against the demon's growing strength, Wacław knows he fights a war he cannot win. His soul is gone, and his hope vanished with it. All that holds back the darkness is his bond with Otylia, but he senses her fear of what he's become. He isn't the same boy who left Dwie Rzeki moons ago. To free the people of this new land from Marzanna, he needs his power more than ever. But as the demon's hunger grows, will he resist its temptations or surrender to the rage within? Travel to distant lands and face the dark heart of Slavic myths as The Frostmarked Chronicles continue after the shocking conclusion to The Trials of Ascension.

INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.

The first three books in the romantic multigenerational saga by a New York Times–bestselling author whose novels have sold over 100 million copies. The Miracle at St. Bruno’sDuring the tumultuous reign of King Henry VIII, Damask Farland, named after a rose, is captivated by the mysterious orphan Bruno. Discovered upon the abbey altar on Christmas morning, then raised by monks, Bruno becomes the great man whom Damask grows to love—only to be shattered by his cruel betrayal. The Lion TriumphantWhile the rivalry between Inquisition-torn Spain and Elizabethan England seethes, Captain Jake Pennlyon thrives as a fearsome and virile plunderer who takes what he wants—and his sights are set on Catherine Farland. Blackmailed into wedlock, Cat vows to escape. Fate intervenes when she’s taken prisoner aboard a Spanish galleon . . . unaware that she’s a pawn in one man’s long-awaited revenge. The Witch from the SeaLinnet Pennlyon, proud daughter of a sea captain, finds herself in a vicious trap: Pregnancy has forced her to marry the cunning Squire Colum Casvellyn. Once their baby is born, she devotes herself to their son. Yet, little by little, against her will, Linnet finds herself drawn to her passionate, mercurial husband. Dark secrets lurk in their castle, and when a beautiful stranger washes up on the shore, Linnet suddenly finds she’s no longer in control of her family—or her life. A legendary literary talent who also wrote as Victoria Holt and Jean Plaidy, among other names, Philippa Carr was a master of romance, mystery, and historical sweep—and the Daughters of England series is among her greatest accomplishments.

THE INTERNATIONAL BESTSELLER, “A captivating mystery: beautifully written, with a rich sense of place, a cast of memorable characters, and lots of deep, dark secrets.”—Kate Morton, New York Times bestselling author of The Clockmaker's Daughter “Extraordinary…Absolutely her best yet.”—Lisa Jewell, New York Times bestselling author of The Family Upstairs Three generations. Three daughters. One house of secrets. The truth can shatter everything . . . When the Harrington family discovers an abandoned baby deep in the woods, they decide to keep her a secret and raise her as their own. But within days a body is found in the grounds of their house and their perfect new family implodes. Years later, Sylvie, seeking answers to nagging questions about her life, is drawn into the wild beautiful woods where nothing is quite what it seems. Will she unearth the truth? And dare she reveal it? (Published in the UK as The Glass House) “The Daughters of Foxcote Manor is not really about a murder, or a creepy house, but about families - the ones we're born into, the ones we make and especially the ones we flee.”—The New York Times One of the New York Times "Novels of Suspense and Isolation" One of The Washington Posts' Best New Audiobooks One of Bustle's Most Anticipated Books of Summer One of PopSugar's Best Books of July One of New York Posts Best Books of the Week