Orsina of Melidrie is a paladin of the Order of the Sun, sworn to drive out corruption and chaos wherever she finds it. She has been ordered to leave her home and travel around Vesolda in search of a great evil she is supposedly destined to destroy. But after two years of fighting monsters and demons and evil gods, she does not seem to be any closer to her goal--or ever returning home. Aelia is the Goddess of Caprice, the personification of poor decision-making. The Order of the Sun has classified her as a chaos goddess, meaning that her worship has been outlawed. During a run-in with Orsina, she is trapped in a mortal body, rendering her unable to leave Inthya. Aelia is found by Orsina again, but this time Orsina does not recognize her in her new body. So Aelia pretends to be a mortal woman who is fleeing an abusive family. Aelia plans to use Orsina as protection as she hunts down the magical relic that will free her from her mortal body. As Aelia and Orsina grow closer to one another, Aelia wrestles with her own desire to tell Orsina the truth about who she is, and her fear that Orsina will turn on her if she does. But the decision might not be hers after all, because their actions have not gone unnoticed by Aelia's siblings.

In 1526, when the nomadic Timurid warrior-scholar Babur rode into Hindustan, his wives, sisters, daughters, aunts and distant female relatives travelled with him. These women would help establish a dynasty and empire that would rule India for the next 200 years and become a byword for opulence and grandeur. By the second half of the seventeenth century, the Mughal empire was one of the largest and richest in the world. The Mughal women-unmarried daughters, eccentric sisters, fiery milk mothers and powerful wives-often worked behind the scenes and from within the zenana, but there were some notable exceptions among them who rode into battle with their men, built stunning monuments, engaged in diplomacy, traded with foreigners and minted coins in their own names. Others wrote biographies and patronised the arts. In Daughters of the Sun, we meet remarkable characters like Khanzada Begum who, at sixty-five, rode on horseback through 750 kilometres of icy passes and unforgiving terrain to parley on behalf of her nephew, Humayun; Gulbadan Begum, who gave us the only document written by a woman of the Mughal royal court, a rare glimpse into the harem, as well as a chronicle of the trials and tribulations of three emperors-Babur, Humayun and Akbar-her father, brother and nephew; Akbar's milk mothers or foster-mothers, Jiji Anaga and Maham Anaga, who shielded and guided the thirteen-year-old emperor until he came of age; Noor Jahan, 'Light of the World', a widow and mother who would become Jahangir's last and favourite wife, acquiring an imperial legacy of her own; and the fabulously wealthy Begum Sahib (Princess of Princesses) Jahanara, Shah Jahan's favourite child, owner of the most lucrative port in medieval India and patron of one of its finest cities, Shahjahanabad. The very first attempt to chronicle the women who played a vital role in building the Mughal empire, Daughters of the Sun is an illuminating and gripping history of a little known aspect of the most magnificent dynasty the world has ever known.

Once there was a time when the people of the earth did not have to tend the fields, for the Sun's daughters--Maize, Pumpkin, and Red Bean--walked among them, leaving lush crops wherever they stepped. But then headstrong Maize disobeyed her mother and was trapped by cold, lonely Silver, and the Sun vowed not to touch the earth again until Maize was returned. How the tiny pewee bird saved Maize and kept the people from starving is eloquently told in this tale, which, though based on an Iroquois legend, parallels the Greek myth of Persephone and Demeter. The lovely, unusual images in the text are dramatically complemented by R. Gregory Christie's masterful paintings. Afterword.

Seventeen-year-old Hoshi'tiwa had a simple life: The daughter of a humble corn grower, she planned to marry a storyteller's apprentice. But her world is turned upside down when she is captured by the powerful and violent ruler of an infamous city with legends of untold wealth and unspeakable acts of violence to its name. Hoshi'tiwa is suddenly thrown into the court of the Dark Lord, and as she struggles for power, she begins an illicit affair with the one man who has the ability to destroy her. Bestselling author Barbara Wood has crafted a sweeping saga of one woman's struggle to survive within the dangerous and exotic world of the Toltec court. Set against the backdrop of Chaco Canyon and the mysterious Anasazi people, Daughter of the Sun is an unforgettable novel of power, seduction, murder, and betrayal.

“Here is a memoir that takes us through many worlds, through heartache and noble hopes, through the mysteries of family love and toward a beautiful, light filled conclusion. Read Bending Toward the Sun and enrich your life.” — Rabbi David Wolpe, author of Why Faith Matters and Making Loss Matter-Creating Meaning in Difficult Times A beautifully written family memoir, Bending Toward the Sun explores an emotional legacy—forged in the terror of the Holocaust—that has shaped three generations of lives. Leslie Gilbert-Lurie tells the story of her mother, Rita, who like Anne Frank spent years hiding from the Nazis, and whose long-hidden pain shaped both her daughter and granddaughter’s lives. Bringing together the stories of three generations of women, Bending Toward the Sun reveals how deeply the Holocaust lives in the hearts and minds of survivors and their descendants.

Solvake, the son of the sun, wants to marry the daughter of the moon, but she has other plans.

Presents detailed coverage of the deities, legendary heroes and heroines, important animals, objects, and places that make up the mythic lore of the many peoples of North America.