The Victorian novel clearly joins with science in the pervasive secularizing of nature and society and in the exploration of the consequences of secularization that characterized mid-Victorian England. p. viii.

Insisting on gradual and regular--lawful--change, Darwinian thought nevertheless requires acknowledgment of chance and randomness for a full explanation of biological phenomena. Levine shows how these conceptions affected 19th-century novelists--from Dickens and Trollope to Conrad--and draws contrasts with the pre-Darwinian novel.

Charles Darwin's On the Origin of Species, arguably the most important book written in English in the nineteenth century, transformed the way we looked at the world. It is usually assumed that this is because the idea of evolution was so staggeringly powerful. Prize-winning author George Levine suggests that much of its influence was due, in fact, to its artistry; to the way it was written. Alive with metaphor, vivid descriptions, twists, hesitations, personal exclamations, and humour, the prose is imbued with the sorts of tensions, ambivalences, and feelings characteristic of great literature. Although it is certainly a work of "science," the Origin is equally a work of "literature," at home in the company of celebrated Victorian novels such as Middlemarch and Bleak House, books that give us a unique yet recognisable sense of what the world is really like, while not being literally 'true'. Darwin's enormous cultural success, Levine contends, depended as much on the construction of his argument and the nature of his language, as it did on the power of his ideas and his evidence. By challenging the dominant reading of his work, this impassioned and energetic book gives us a Darwin who is comic rather than tragic, ebullient rather than austere, and who takes delight in the wild and fluid entanglement of things.

Are Jane Austen and Charles Darwin the two great English empiricists of the nineteenth century? Peter W. Graham poses this question as he brings these two icons of nineteenth-century British culture into intellectual conversation in his provocative new book. Graham shows that while the one is generally termed a naturalist (Darwin's preferred term for himself) and the other a novelist, these characterizations are at least partially interchangeable, as each author possessed skills that would serve well in either arena. Both Austen and Darwin are naturalists who look with a sharp, cold eye at the concrete particulars of the world around them. Both are in certain senses novelists who weave densely particularized and convincingly grounded narratives that convey their personal observations and perceptions to wide readerships. When taken seriously, the words and works of Austen and Darwin encourage their readers to look closely at the social and natural worlds around them and form opinions based on individual judgment rather than on transmitted opinion. Graham's four interlocked essays begin by situating Austen and Darwin in the English empirical tradition and focusing on the uncanny similarities in the two writers' respective circumstances and preoccupations. Both Austen and Darwin were fascinated by sibling relations. Both were acute observers and analysts of courtship rituals. Both understood constant change as the way of the world, whether the microcosm under consideration is geological, biological, social, or literary. Both grasped the importance of scale in making observations. Both discerned the connection between minute, particular causes and vast, general effects. Employing the trenchant analytical talents associated with his subjects and informed by a wealth of historical and biographical detail and the best of recent work by historians of science, Graham has given us a new entree into Austen's and Darwin's writings.

A compelling portrait of a unique moment in American history when the ideas of Charles Darwin reshaped American notions about nature, religion, science and race “A lively and informative history.” – The New York Times Book Review Throughout its history America has been torn in two by debates over ideals and beliefs. Randall Fuller takes us back to one of those turning points, in 1860, with the story of the influence of Charles Darwin’s just-published On the Origin of Species on five American intellectuals, including Bronson Alcott, Henry David Thoreau, the child welfare reformer Charles Loring Brace, and the abolitionist Franklin Sanborn. Each of these figures seized on the book’s assertion of a common ancestry for all creatures as a powerful argument against slavery, one that helped provide scientific credibility to the cause of abolition. Darwin’s depiction of constant struggle and endless competition described America on the brink of civil war. But some had difficulty aligning the new theory to their religious convictions and their faith in a higher power. Thoreau, perhaps the most profoundly affected all, absorbed Darwin’s views into his mysterious final work on species migration and the interconnectedness of all living things. Creating a rich tableau of nineteenth-century American intellectual culture, as well as providing a fascinating biography of perhaps the single most important idea of that time, The Book That Changed America is also an account of issues and concerns still with us today, including racism and the enduring conflict between science and religion.

2010 Outstanding Academic Title, Choice Magazine Charles Darwin and his revolutionary ideas inspired pundits the world over to put pen to paper. In this unique dictionary of quotations, Darwin scholar Thomas Glick presents fascinating observations about Darwin and his ideas from such notable figures as P. T. Barnum, Anton Chekhov, Mahatma Gandhi, Carl Jung, Martin Luther King, Mao Tse-tung, Pius IX, Jules Verne, and Virginia Woolf. What was it about Darwin that generated such widespread interest? His Origin of Species changed the world. Naturalists, clerics, politicians, novelists, poets, musicians, economists, and philosophers alike could not help but engage his theory of evolution. Whatever their view of his theory, however, those who met Darwin were unfailingly charmed by his modesty, kindness, honesty, and seriousness of purpose. This diverse collection drawn from essays, letters, novels, short stories, plays, poetry, speeches, and parodies demonstrates how Darwin’s ideas permeated all areas of thought. The quotations trace a broad conversation about Darwin across great distances of time and space, revealing his profound influence on the great thinkers of the nineteenth and twentieth centuries.

'Darwinism as Religion' argues that the theory of evolution given by Charles Darwin in the 19th-century has always functioned as much as a secular form of religion as anything purely scientific. Through the words of novelists and poets, Michael Ruse argues that Darwin took us from the secure world of Christian faith into a darker, less friendly world of chance and lack of meaning.

"Quammen brilliantly and powerfully re-creates the 19th century naturalist's intellectual and spiritual journey."--Los Angeles Times Book Review Twenty-one years passed between Charles Darwin's epiphany that "natural selection" formed the basis of evolution and the scientist's publication of On the Origin of Species. Why did Darwin delay, and what happened during the course of those two decades? The human drama and scientific basis of these years constitute a fascinating, tangled tale that elucidates the character of a cautious naturalist who initiated an intellectual revolution.

From the author of Death and the Maiden and other works that explore relations of power in the postcolonial world comes the story of a man whose distant past comes to haunt him. Is the sordid story behind human zoos that flourished in Europe in the nineteenth century connected somehow to a boy's life a hundred years later? On Fitzroy Foster's fourteenth birthday on September 11, 1981, he receives an unexpected and unwelcome gift: when his father snaps his picture with a Polaroid, another person's image appears in the photo. Fitzroy and his childhood sweetheart, Cam, set out on a decade-long journey in search of this stranger's identity—and to reinstate his own—across seas and continents, into the far past and the evil and good that glint in the eyes of the elusive visitor. Seamlessly weaving together fact and fiction, Darwin's Ghosts holds up a different light to Conrad's "The horror! The horror!" and a different kind of answer to the urgent questions, Who are we? And what can we do about it?