Greatly expanded bilingual edition of the 1994 Marsilio edition, Songs in Flight.

Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction

Why would you pay for a debt that you did not owe? Why would you have to be what the enemies want your life to be? The plan of God for you is to live freely and prosper as He has promised in the Scriptures. You do not have to pay for the sins of your parents or ancestors; you donâe(tm)t have to go through what they went through, your life is different and your case is different. If you can just believe, the Bible says, âeoeYou will see the glory of God.âe âe" John 11:40.This book is loaded with prayers that will transform your life, deliver you from ancestral curses, generational and foundational curses, self-inflicted curses, break yokes and destroy bondages no matter how long itâe(tm)s been there.

Many struggle to live a victorious life as a result of their ignorance of the potency, which the Spoken Word carries. Challenges are made to be faced, but it is only revelation and incessant confession of Gods Word that is capable of making any man triumphant. The Spoken Word is 365 days devotional, exploring all areas of life, and revealing the power of God to heal, transform, enrich and bless. This devotional is released by God in this season to satisfy the hunger of men, heal the broken hearted, liberate the captives, and empower the weak. Who would ever believe that the wisest man Solomon, was born out of the erroneous affair of David and Bathsheba? In this case, the author recounts, From the shells of total shame, and from the marrows of the utmost disgrace, God can still birth fame When you think all is over, and when you have given up to an ill fate; God will start something fabulously new in your life.

This story is how the most unlikely of people can become something more than they could ever imagine. Love and loss, death and new life. All of these come together in a classic tale of good versus evil and who you thought would be the hero ends up being more than that. Omeera has been torn apart by invaders, what happens next will bring you on a journey of betrayal, love both lost and found. Unlikely allies and secret enemies. Wren goes on a trek that takes him to places he has never been and some he never wants to go back to. He meets great and terrible people and goes through changes he never thought was possible. Farm hand to Hero read to find out more!

This monumental multi-volume commentary on the Aeneid, published between 1873 and 1892, remains a landmark in Virgilian scholarship.

These two fragments of novels, Ingeborg Bachmann's only untranslated works of fiction, were intended to follow the widely acclaimed Malina in a cycle to be entitled Todesarten, or Ways of Dying. Although Bachmann died before completing them, The Book of Franza and Requiem for Fanny Goldmann stand on their own, continuing Bachmann's tradition of using language to confront the disease plaguing human relationships. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted upon the living from outside and from within, through history, politics, religion, family, gender relations, and the self.Bachmann's allegiance to the twin muses of memory and history, as well as her perception of fascism as not being limited to the context of the war but also existing within the intimate relations of everyday life between husbands and wives, brothers and sisters, psychiatrists and patients' are supremely evident in The Book of Franza. Here, Bachmann follows a woman who escapes from a sanitorium and, after years of silence, sends her brother a cryptic telegram. Rightly suspecting that she has fled her sadistic husband -- a renowned Austrian psychiatrist whose intimate relations have merged with his studies of concentration camps -- her brother finds her in their childhood home. Together they travel to Egypt, where Franza slowly begins to regain her bearings. But Franza's desire to cleanse herself by journeying into the heart of the desert's void ends in tragedy, as she becomes the victim of a horrible act of violence.Unlike Franza, who attempts to flee her past but fails, the heroine of Requiem for Fanny Goldmann makes no attempt to escape her history. Thisnovel tells of the demise of a Viennese actress who is manipulated by a younger, ambitious playwright to advance his career. Deception follows disloyalty; the final treachery comes when the playwright portrays her in a novel, which secures his fame and, in Fanny's eyes, robs her of her future. Caught in a perpetual stasis, Fanny suffers in total obscurity, as her present is stolen from her as well.Whether analyzing the place where the self begins and the power of history ends or the ways in which women are forced to be complicit in their mistreatment at the hands of men, Bachmann's critical approach to the human psyche is unparalleled. Mesmerizing and profound, The Book of Franza and Requiem for Fanny Goldmann constitute the final evidence that Ingeborg Bachmann is the most important female German-language writer of the postwar period.