An exploration of secret languages, moving among hermetic artificial tongues as diverse as criminal jargons and divine speech. Dark Tongues constitutes a sustained exploration of a perplexing fact that has never received the attention it deserves. Wherever human beings share a language, they also strive to make from it something new: a cryptic idiom, built from the grammar that they know, which will allow them to communicate in secrecy. Such hidden languages come in many shapes. They may be playful or serious, children's games or adults' work. They may be as impenetrable as foreign tongues, or slightly different from the idioms from which they spring, or barely perceptible, their existence being the subject of uncertain, even unlikely, suppositions. The first recorded jargons date to the time of the Renaissance, when writers across Europe noted that obscure languages had suddenly come into use. A varied cast of characters--lawyers, grammarians, and theologians--denounced these new forms of speech, arguing that they were tools of crime, plotted in tongues that honest people could not understand. Before the emergence of these modern jargons, however, the artificial twisting of languages served a different purpose. In epochs and regions as diverse as archaic Greece and Rome and medieval Provence and Scandinavia, singers and scribes also invented opaque varieties of speech. They did so not to defraud, but to reveal and record a divine thing: the language of the gods, which poets and priests alone were said to master. Dark Tongues moves among these various artificial and hermetic tongues. From criminal jargons to sacred idioms, from Saussure's work on anagrams to Jakobson's theory of subliminal patterns in poetry, from the arcane arts of the Druids and Biblical copyists to the secret procedure that Tristan Tzara, founder of Dada, believed he had uncovered in Villon's songs and ballads, Dark Tongues explores the common crafts of rogues and riddlers, which play sound and sense against each other.

Collection of new and traditional tongue-twisters; section of twisters in other languages. Grades 3-7.

Two award-winning and bestselling novelists--and authors of "This Scepter'd Isle"--collaborate once again for another enticing new fantasy set in pre-Elizabethan England.

There is no plague in Enfaire... Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things but twisted forms... unholy shapes. And there are rumours, too-of a blasphemous union and of fell creatures that haunt the night. Yet, even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested. His Black Tongue is a tale of medieval horror, plunging the reader into the plague-torn land of 14th century France, when pestilence and death walked hand-in-hand, and life was little more than a sputtering candle, waiting to be put out. But there are worse things than death, than sickness and decay... and it comes upon leathery black wings. Includes The Bone Fields novella and the short stories The Knights of the Non-Euclidean Table and Necropolis.

Borg�l is the language of the Shadow." -Dark Lord K�rzathorBorg�l ("Black Tongue") is the liturgical and magickal language used by members of our Order-the Order of the Black Sun (Borz�m-G�z�l)-to invoke Vril into themselves and command the external world. With this language, our Order shall rename all things in this world, thus imposing our thought-forms upon it and thereby conquering it. Borg�l shall also be our secret tongue, used to identify other members of our kind and separate ourselves from the White Sunnites and mundanes of this world. Those who choose to learn Borg�l are a self-selecting elite, founders of a new cult, heralds of a new order and propagators of a new magickal regime. This manual is an introduction to Borg�l for Acolytes, Apprentices and lay followers of our Order. The words and concepts contained herein should be studied and mastered by using them in conversation with other Black Sunnites, reciting the sayings and mantras described in this book (and others you create), and writing in the H�rzad script. Practice makes powerful!Note #1: Borg�l is not a complete language, but a partial work in progress. It is being revealed over time by myself, Dark Lord Ravuk and other Black Sunnites, and is therefore subject to revision and expansion at any time. This Handbook is a first edition to get disciples started speaking, writing and thinking in the language of the Black Sun Brotherhood. New editions will be forthcoming as more of the language is revealed.Note #2: To begin your initiation into the Order, submit the exercises contained in the last chapter of this book as described.R�k �m chod!BORG�SH K�RZATHORDark Lord and scribe of the Order of the Black Sun

Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can’t Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.

A romantic cabin getaway doesn't go exactly as planned. High up on the windswept cliffs of Pale Peak, Faye and Felix celebrate their new engagement. But soon, a chorus of ghastly noises erupts from the nearby woods: the screams of animals, the cries of children, and the mad babble of a hundred mournful voices. A dark figure looms near the windows in the dead of night, whispering to Faye. As the weather turns deadly, Felix discovers that his terrified fiancée isn't just mumbling in her sleep - she's whispering back. Originally a contest-winning story on reddit.com's horror community NoSleep, Stolen Tongues has received widespread acclaim and is now being adapted into a feature film.

Access Your Prophetic Advantage in Prayer! What is really happening in the unseen realm when we pray in tongues? In Tongues of Fire, seasoned prophetic teacher and prayer leader, Jennifer LeClaire offers fresh biblical insight into what goes on when we activate our heavenly prayer language. Using directed prayer activations, Jennifer helps you tap into the power of praying in tongues. She examines the physiological effects that praying in tongues has on our bodies as well as the promises of God we access when we pray. Divided into 101 easy to read mini-chapters, you will discover how to: Break Religious Mindsets Strengthen Your Physical Body Tap into Heaven's Revelation and Mysteries Receive Holy Boldness Open Your Seer Eyes to the Unseen Realm Shift Spiritual Atmospheres Pray Perfect Prayers Don't get stuck in a rut of powerless prayer. There’s a whole realm of glory and power awaiting you as you unlock the mysteries of praying in tongues. Tap into it today and see your life transformed from the inside out!

A far-reaching philosophical investigation into the persistence and disappearance of speech, in individuals and in linguistic communities. Just as speech can be acquired, so can it be lost. Speakers can forget words, phrases, even entire languages they once knew; over the course of time peoples, too, let go of the tongues that were once theirs, as languages disappear and give way to the others that follow them. In Echolalias, Daniel Heller-Roazen reflects on the many forms of linguistic forgetfulness, offering a far-reaching philosophical investigation into the persistence and disappearance of speech. In twenty-one brief chapters, he moves among classical, medieval, and modern culture, exploring the interrelations of speech, writing, memory, and oblivion. Drawing his examples from literature, philosophy, linguistics, theology, and psychoanalysis, Heller-Roazen examines the points at which the transience of speech has become a question in the arts, disciplines, and sciences in which language plays a prominent role. Whether the subject is Ovid, Dante, or modern fiction, classical Arabic literature or the birth of the French language, structuralist linguistics or Freud's writings on aphasia, Heller-Roazen considers with clarity, precision, and insight the forms, the effects, and the ultimate consequences of the forgetting of language. In speech, he argues, destruction and construction often prove inseparable. Among peoples, the disappearance of one language can mark the emergence of another; among individuals, the experience of the passing of speech can lie at the origin of literary, philosophical, and artistic creation. From the infant's prattle to the legacy of Babel, from the holy tongues of Judaism and Islam to the concept of the dead language and the political significance of exiled and endangered languages today, Echolalias traces an elegant, erudite, and original philosophical itinerary, inviting us to reflect in a new way on the nature of the speaking animal who forgets.

Every critic who desires to deny the validity of modern tongue speech must develop a scheme to destroy Paul's teaching.Through the centuries, there has been a wide variety of answers regarding the validity and veracity of speaking, praying, and singing in tongues, and its place within the life of the Christian and the Church. What is it? Is speaking in tongues such a radically supernatural experience that language is totally unknown, or is it, as some have contended, actual human languages that are simply unknown to the speakers? Several have believed it to be the language of heaven or at least from heaven. Others have declared it to be ecstatic, unintelligible utterances that require a highly charged emotional moment to experience. Should each Christian pray and sing in tongues, or is it reserved for a special few deeply spiritual ones? Did Jesus pray in tongues? These questions and more are answered by author and pastor Richard Hogue inTongues: A Theological History of Christian Glossolalia. His academic approach begins by firmly establishing biblical evidence before launching a chronological connect-the-dots exercise through Christian history. The design revealed is the undeniable influence of the Holy Spirit. From Saul of Tarsus to John Wesley, from Pentecost to Azusa Street, Richard Hogue follows the gift of tongues and clearly draws a picture of today's role of the Holy Spirit inTongues: A Theological History of Christian Glossolalia.