One of America's greatest Western storytellers, Elmer Kelton has been voted the greatest Western writers of all time by the Western Writers of America. Dark Thicket is one of his many classic tales of the history of his home state of Texas. Young Owen Danforth rides home to Texas as a wounded Confederate soldier, at a time when his home state is as savagely divided as his nation. As a grievously wounded America staggers toward the inevitable end of the Civil War, secessionist "home guards" and staunch Union loyalists fight their own bloody battles on a more local scale. For Owen, sick to death of fighting and yearning for peace and recuperation, his homecoming is bittersweet. And when his blood ties force him to choose a side in an unwinnable conflict, Owen begins to wonder if he will ever see peace in Texas again. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Two complete novels by beloved Western writer Kelton are collected in this single volume. Original.

Now a Tubi original film starring Peter Dinklage and Juliette Lewis, this rip-roaring adventure set at the dark dawn of the East Texas oil boom is the perfect introduction to Joe R. Lansdale, whose work has been called "as funny and frightening as anything that could have been dreamed up by the Brothers Grimm — or Mark Twain" (New York Times Book Review). Jack Parker thought he'd already seen his fair share of tragedy. His grandmother was killed in a farm accident when he was barely five years old. His parents have just succumbed to the smallpox epidemic sweeping turn-of-the-century East Texas -- orphaning him and his younger sister, Lula. Then catastrophe strikes on the way to their uncle's farm, when a traveling group of bank-robbing bandits murder Jack's grandfather and kidnap his sister. With no elders left for miles, Jack must grow up fast and enlist a band of heroes the likes of which has never been seen if his sister stands any chance at survival. But the best he can come up with is a charismatic, bounty-hunting dwarf named Shorty, a grave-digging son of an ex-slave named Eustace, and a street-smart woman-for-hire named Jimmie Sue who's come into some very intimate knowledge about the bandits (and a few members of Jack's extended family to boot). In the throes of being civilized, East Texas is still a wild, feral place. Oil wells spurt liquid money from the ground. But as Jack's about to find out, blood and redemption rule supreme. In The Thicket, award-winning novelist Joe R. Lansdale lets loose like never before, in an action-packed adventure that's equal parts True Grit and Stand by Me.

In this novel, first published by Doubleday in 1985, Texas novelist Ehner Kelton returns to the Civil War period, once again examining, as he first did in Texas Rifles, the effect of the war on Texans at home. Even while the conflict raged to the east, several groups of Texan Union loyalists hid out across the state, trying to avoid the anger and violence of the confederate sympathizing home guard. Kelton bases this story on a group who lived in a then-huge thicket on the Colorado River near present day Columbus, although the characters, incidents and town of the book are of Kelton's invention. As he always says, fiction writers are liars and thieves. Owen Danforth, a wounded Confederate soldier, comes home to Texas to recover, intending to return to his regiment. His family is torn apart by the war -- two brothers dead, one uncle, a Union sympathizer, shot in the back by the home guard. His father -- also a Unionist -- hides out in the thicket with his remaining family because the home guard, led by Captain Phineas Shattuck, has sworn revenge on the Danforth clan. Torn between duty and family loyalty, Owen Danforth faces difficult decisions until a violent encounter leaves him only one choice.

Review by Darius M. Klein: "A Classic of the Genre" is how Jessica Salmonsen has described this work. Robert Ames Bennet was primarily a writer of Westerns, but also wrote two Lost Race romances, one of which is "Thyra: A Romance of the Polar Pit." The plot concerns a group of explorers who fly in a balloon to the North Pole, where they discover, via an opening, that the earth is indeed hollow. Once inside the earth they encounter Viking and Neanderthal communities, along with survivals of Mesozoic megafauna. "Thyra" manages to intertwine the Utopian Lost Race and Lost World subgenres into a single, action-packed plot which never meanders or digresses. The first Viking community upon which the heroes stumble after they enter the bowels of the Earth (and where they find the eponymous heroine) is an unlikely Christian-Socialist Utopia. As they penetrate further into the Earth's interior, they encounter those Vikings who have given themselves over to idolatry and human sacrifice, along with a community of stereotypically aggressive and bestial Neanderthals. At the novel's climax, they have a perilous close encounter with some demonic prehistoric reptiles in the Hela Pool (a particularly well-written scene). The copy of this work which I obtained is a photocopy of the microfilm of the original 1901 edition, which has delightfully quaint illustrations; I don't know if they have been reproduced in the "Lost Race and Adult Fantasy Fiction" series' edition. Mr. Bennet's other Lost Race Romance, "The Bowl of Baal," also combines Lost Race and Lost World motifs, and is recommended here. Of the two, however, "Thyra" is the better.

This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America.