Trapped in the kaleidoscopic terror of her best and worst memories, actress Vivian Drake must make a horrible choice if there’s any hope of overcoming the worst parts of herself to save Molly, defeat the Mismatch Man, and get back to her life. Otherwise, only death and desolation await her. The epic conclusion to the critically acclaimed Dark Spaces: The Hollywood Special miniseries is here!

This fresh installment of Scott Snyder’s Dark Spaces anthology unearths a monster in the twisted underbelly of Pennsylvania mine country. There’s a monster lurking outside of Minersville, and he’s tired of hiding. Everyone thinks Viv’s crazy. Delusional. That she didn’t see what she saw. Everyone, that is, except the locals. Vivian copes the best way she can—with a visit to the local watering hole—but it’s what happens after that changes everything. The Mismatch Man is hungry, you see…and Vivian’s many wounds have never healed. Jeremy Lambert picks up the torch of Scott Snyder’s chilling Dark Spaces anthology in The Hollywood Special, a new dark tale of intrigue and the bad things people do.

We all wear masks…but Vivian has a thousand, all of them have come back to haunt her and most of them are more monstrous than you could ever imagine. The haunting memory of Vivian’s ex-husband threatens to destroy Vivian’s psyche, along with her desperate search for Molly. Lou tries to find Vivian but instead finds himself drowning in his own past, facing demons he hoped to NEVER see again.

There’s a monster lurking outside of Minersville, and he’s tired of hiding. Everyone thinks Viv’s crazy. Delusional. That she didn’t see what she saw. Everyone, that is, except the locals. Vivian copes the best way she can—with a visit to the local watering hole—but it’s what happens after that changes everything. The Mismatch Man is hungry, you see…and Vivian’s many wounds have never healed.

After saving the day at the commencement ceremony, Cheyenne and Rebecca are now heralded as town heroes. Everyone is preparing to celebrate at the diner for a town-wide party. It even seems like Jean is going to finally break her big case…but the secret she discovers will change everything. There are still deeds that have gone unpunished, but punishment is coming in the shocking conclusion to Dark Spaces: Good Deeds.

divIn the decades since the mid-1970s, the Jet Propulsion Laboratory in Pasadena, California, has led the quest to explore the farthest reaches of the solar system. JPL spacecraft—Voyager, Magellan, Galileo, the Mars rovers, and others—have brought the planets into close view. JPL satellites and instruments also shed new light on the structure and dynamics of earth itself, while their orbiting observatories opened new vistas on the cosmos. This comprehensive book recounts the extraordinary story of the lab's accomplishments, failures, and evolution from 1976 to the present day. This history of JPL encompasses far more than the story of the events and individuals that have shaped the institution. It also engages wider questions about relations between civilian and military space programs, the place of science and technology in American politics, and the impact of the work at JPL on the way we imagine the place of humankind in the universe./DIV

A sweeping survey of how global filmmakers have treated the subject of the Holocaust.

In its third edition, this massive reference work lists the final resting places of more than 14,000 people from a wide range of fields, including politics, the military, the arts, crime, sports and popular culture. Many entries are new to this edition. Each listing provides birth and death dates, a brief summary of the subject's claim to fame and their burial site location or as much as is known. Grave location within a cemetery is provided in many cases, as well as places of cremation and sites where ashes were scattered. Source information is provided.

In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.