It’s the night before the mysterious commemoration ceremony. Jean’s career is on the line, yet she’s out of allies and is no closer to breaking her story than she was when she started. Little does Jean know, the darkness that has been bubbling under the surface of St. Augustine is about to come to light, with or without her.

Scott Snyder’s Dark Spaces anthology line returns with an all-new story surrounding a deadly conspiracy from a creative team of rising stars! In search of a fresh start, teenager Cheyenne Rite and her mother, Rebecca, move to St. Augustine, Florida, where they cross paths with Jean McKnight, a disgraced big-city journalist determined to pay her dues and rebuild her career, starting with a fluff piece on the town’s upcoming 450th anniversary celebration. When the quaint community’s festivities give way to bloodshed and Cheyenne is the sole witness, Jean begins an investigation and the women find themselves at the heart of a supernatural conspiracy linked to St. Augustine’s colonial past. Together, they vow to expose the town’s historical sins, but the deeper Jean digs, the less clear it becomes: Who is Cheyenne Rite, and when does a quest for truth become a thirst for vengeance? Curated by award-winning bestselling author Scott Snyder (Batman, We Have Demons), this new installment of the Dark Spaces anthology series features Rising talents Che Grayson (Batman: Urban Legends) and Kelsey Ramsay (Joan Jett and the Black Hearts, I Love Rock-n-Roll) as they team up for an eerie historical thriller about obsession, power, and redemption in Dark Spaces: Good Deeds!

Jean takes drastic measures to ramp up her investigation into St. Augustine’s recent murders, and the community shows signs of cracking under pressure when an unexpected protester disrupts final rehearsal of the upcoming anniversary ceremonies. Cheyenne suspects even more secrets under the surface, but how many skeletons can one small town hide?

Scott Snyder’s chilling Dark Spaces anthology continues with breakout duo Che Grayson and Kelsey Ramsay’s Good Deeds! New kid Cheyenne Rite was this close to finding friends at school after a mysterious murder made her a social outcast. But what should have been a fun midnight meetup at St. Augustine’s local park has turned into a grim archaeological discovery of the town’s obsession with youth and death. Cheyenne’s only confidant, journalist Jean McKnight, has also started to raise an eyebrow at the strange events piling up in the teenager’s wake…and she’s staking her career on getting as close to the source as possible.

Rescue might just be the death of her. Far from home . . . Fiona Russell has been snatched from Earth, imprisoned and used as slave labor, but nothing about her abduction makes sense. When she's rescued by the Grih, she realizes there's a much bigger game in play than she could ever have imagined, and she's right in the middle of it. Far from safe . . . Battleship captain Hal Vakeri is chasing down pirates when he stumbles across a woman abducted from Earth. She's the second one the Grih have found in two months, and her presence is potentially explosive in the Grih's ongoing negotiations with their enemies, the Tecran. The Tecran and the Grih are on the cusp of war, and Fiona might just tip the balance. Far from done . . . Fiona has had to bide her time while she's been a prisoner, pretending to be less than she is, but when the chance comes for her to forge her own destiny in the new world she's found herself in, she grabs it with both hands. After all, actions speak louder than words.

What should the church look like today?What should be the focus of its message?How should I present that message?We live in as pivotal and defining an age as the Great Depression or the Sixties–a period whose definition, say some cultural observers, includes a warning of the church’s influence. The result? A society measurably less religious but decidedly more spiritual. Less influenced by authority than by experience. More attuned to images than to words.How does the church adapt to such a culture? Or should it, in fact, eschew adapting for maintaining a course it has followed these last two millennia? Or something in between?These are exactly the questions asked in The Church In Emerging Culture by five Christian thinker-speaker-writers, each who advocate unique stances regarding what the church’s message should be (and what methods should be used to present it) as it journeys through this evolving, postmodern era. The authors are:Andy Crouch–Re:Generation Quarterly editor-in-chiefMichael Horton–professor and reformed theologianFrederica Mathewes-Green–author, commentator, and Orthodox ChristianBrian D. McLaren–postmodernist, author, pastor, and Emergent senior fellowErwin Raphael McManus–author and pastor of the innovative and interethnic L.A.-based church, MosaicMost unique about their individual positions is that they’re presented not as singular essays but as lively discussions in which the other four authors freely (and frequently) comment, critique, and concur. That element, coupled with a unique photographic design that reinforces the depth of their at-once congenial and feisty conversation, gives you all-access entrée into this groundbreaking discourse.What’s more, general editor Leonard Sweet (author of SoulTsunami and AquaChurch, among several other acclaimed texts) frames the thought-provoking dialogue with a profoundly insightful, erudite introductory essay–practically a book within a book. The Church In Emerging Culture is foundational reading for leaders and serious students of all denominations and church styles.

Grieving over the loss of his love, werewolf Bowen MacRieve enjoys a passionate encounter with his enemy, the witch Mariketa the Awaited, but when sinister forces threaten her life, Bowen must use all his skills to keep her alive.

The Power of Good Deeds allows us to see behind the media image of upper-class women and to observe how these women use their social power not only to benefit other, less-fortunate people, but also to benefit themselves and their families. The personal narratives of elite women as they describe their views on philanthropy, the need for exclusivity in their by-invitation-only volunteer organizations (such as the Junior League and The Links), their childhood experiences and college years in prestigious schools and sororities, and the debutante presentations and other upper-class rituals in which they participate are drawn from Kendall's ethnographic research. Participating in meetings and social functions with elite women in several Texas cities, along with conducting systematic interviews, the author gained unprecedented access to elite women across racial and ethnic categories. The Power of Good Deeds provides new insights and greater depth to our knowledge about the upper classes and how the charitable activities of privileged women contribute to the process of legitimation, maintaining an ideology of class-based and race-based segregation in the United States.

She's no killer. She's just taking out the trash. Don’t call Lucy Kendall a serial killer. She’s fighting for the innocent, and she’ll do whatever it takes to bring justice. When a child disappears, Lucy quickly discovers the link to a predator she’s faced before–a man the state of Pennsylvania decided to turn loose on the streets. Determined to find the little girl and put a criminal behind bars for good, Lucy forces her way onto the case. As the search for the kidnapped child pulls Lucy into a web of evil beyond her darkest imagination, she’ll have to face her own dark truths to save the little girl–and herself. Packed with suspense, All Good Deeds is a dark psychological thriller with a finely crafted mystery that takes readers into the deepest recesses of the human psyche.