All mountains, forced up from the earth's crust by forces greater than we can imagine in a time so far in the past that we can imagine, carry an aura of 'climb me at your own risk, puny earthling.' But there are mountains which are truly dark, ones which hold secrets that are only uncovered at our peril. Take the rocky pathway to the summit, see what awaits you...

Two families have come to the California mountains expecting a fun weekend camping trip. What they will find instead is terror in the form of a violent psychopath and his mother, a powerful witch. One of horror's rarest talents.--"Publishers Weekly."

Stories of the supernatural, set in Vermont. One is on a haunted police academy, another on a ghost ship, a third on a creature with a man's body and the face of a pig.

Each year, thousands of tourists visit Mount Mitchell, the most prominent feature of North Carolina's Black Mountain range and the highest peak in the eastern United States. From Native Americans and early explorers to land speculators and conservationists, people have long been drawn to this rugged region. Timothy Silver explores the long and complicated history of the Black Mountains, drawing on both the historical record and his experience as a backpacker and fly fisherman. He chronicles the geological and environmental forces that created this intriguing landscape, then traces its history of environmental change and human intervention from the days of Indian-European contact to today. Among the many tales Silver recounts is that of Elisha Mitchell, the renowned geologist and University of North Carolina professor for whom Mount Mitchell is named, who fell to his death there in 1857. But nature's stories--of forest fires, chestnut blight, competition among plants and animals, insect invasions, and, most recently, airborne toxins and acid rain--are also part of Silver's narrative, making it the first history of the Appalachians in which the natural world gets equal time with human history. It is only by understanding the dynamic between these two forces, Silver says, that we can begin to protect the Black Mountains for future generations.

ONCE A PERSON LEAVES THE MOUNTAIN, THEY NEVER COME BACK, NOT REALLY. THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.

"The Dark Mountain Project began with a manifesto published in 2009 by two English writers--Dougald Hine and Paul Kingsnorth--who felt that literature was not responding honestly to the crises of our time. In a world in which the climate is being altered by human activities; in which global ecosystems are being destroyed by the advance of industrial civilisation; and in which the dominant economic and cultural assumptions of the West are visibly crumbling, Dark Mountain asked: where are the writers and the artists? Dark Mountain's call for writers, thinkers and artists willing to face the depth of the mess we are in has made it a gathering point for a growing international network. Rooted in place, time and nature, their work finds a home in the pages of the Dark Mountain books, with two new volumes published every year. "Walking on Lava" brings together the best of the first ten volumes, along with the original manifesto. This collection of essays, fiction, poetry, interviews and artwork introduces The Dark Mountain Project's groundbreaking work to a wider audience in search of 'the hope beyond hope, the paths which lead to the unknown world ahead of us.'"--