No one ever talks about what happens in Little Compton... When David left home three years ago, he never looked back. Now, the only connection to his tiny New England hometown is his grandmother Maggie, whose mind is unraveling as she slowly succumbs to dementia. But when her best friend turns up dead and she may be the sole witness to the crime, David has no choice but to return to a place that never accepted his trans identity and only ever wanted him gone. Maggie's testimony is shrouded in doubt—in between moments of lucidity she talks about things that never happened, about apparitions, disappearances, and murders. But are they really only stories? After a man's death sets off a hauntingly familiar chain of events, it seems there's some truth to Maggie's words. With a body count on the rise, David begrudgingly tunes back into the rural voices of the tight-knit community to seek out the truth. And while David returns home a changed man, he finds that the ghosts of his past have waited for him. He'll have to face them head-on before he can begin to unravel his grandmother's story and finally put to rest the mysteries of this little town, lost in the fog. Even if no one talks about what happens in Little Compton, the dark currents beneath the silence create baffling crime puzzles for transgender sleuth David to unravel, and promise that the past is never sunk as deep as we think.

THE FIRST AGENT OF HEL NOVEL! “Jacqueline Carey proves her versatility with this compelling and delightful piece of urban fantasy.”—#1 New York Times Bestselling Author Charlaine Harris The Midwestern resort town of Pemkowet boasts a diverse population: eccentric locals, wealthy summer people, and tourists by the busload—not to mention fairies, sprites, vampires, naiads, ogres, and a whole host of eldritch folk, presided over by Hel, a reclusive Norse goddess. To Daisy Johanssen, fathered by an incubus and raised by a single mother, it’s home. And as Hel’s enforcer and the designated liaison to the Pemkowet Police Department, it’s up to her to ensure relations between the mundane and eldritch communities run smoothly. But when a young man from a nearby college drowns—and signs point to eldritch involvement—the town’s booming paranormal tourism trade is at stake. Teamed up with her childhood crush, Officer Cody Fairfax, a sexy werewolf on the down-low, Daisy must solve the crime—and keep a tight rein on the darker side of her nature. For if she’s ever tempted to invoke her demonic birthright, it could accidentally unleash nothing less than Armageddon.

It's been three months since former enforcer Amaranthe Lokdon and the notorious assassin Sicarius thwarted kidnappers and saved the emperor's life. The problem? Nobody knows they were responsible for this good deed. Worse, they're being blamed for the entire scheme. With enforcers and bounty hunters stalking them, and the emperor nursing a personal hatred for Sicarius, it's going to be hard to earn exoneration. When Amaranthe's team discovers mutilated bodies in the city aqueducts and a mysterious illness incapacitates thousands of citizens, she and Sicarius see an opportunity to solve the mystery and prove their loyalty. But they'll have to defeat vengeful shamans, man-eating predators, and deadly mechanical constructs, all while dodging imperial soldiers who would rather kill them than accept their help. Nobody said exoneration would be easy.

THE FIRST AGENT OF HEL NOVEL! “Jacqueline Carey proves her versatility with this compelling and delightful piece of urban fantasy.”—#1 New York Times Bestselling Author Charlaine Harris The Midwestern resort town of Pemkowet boasts a diverse population: eccentric locals, wealthy summer people, and tourists by the busload—not to mention fairies, sprites, vampires, naiads, ogres, and a whole host of eldritch folk, presided over by Hel, a reclusive Norse goddess. To Daisy Johanssen, fathered by an incubus and raised by a single mother, it’s home. And as Hel’s enforcer and the designated liaison to the Pemkowet Police Department, it’s up to her to ensure relations between the mundane and eldritch communities run smoothly. But when a young man from a nearby college drowns—and signs point to eldritch involvement—the town’s booming paranormal tourism trade is at stake. Teamed up with her childhood crush, Officer Cody Fairfax, a sexy werewolf on the down-low, Daisy must solve the crime—and keep a tight rein on the darker side of her nature. For if she’s ever tempted to invoke her demonic birthright, it could accidentally unleash nothing less than Armageddon.

Imperial law enforcer Amaranthe Lokdon is good at her job: she can deter thieves and pacify thugs, if not with a blade, then by toppling an eight-foot pile of coffee canisters onto their heads. But when ravaged bodies show up on the waterfront, an arson covers up human sacrifices, and a powerful business coalition plots to kill the emperor, she feels a tad overwhelmed.Worse, Sicarius, the empire's most notorious assassin, is in town. He's tied in with the chaos somehow, but Amaranthe would be a fool to cross his path. Unfortunately, her superiors order her to hunt him down. Either they have an unprecedented belief in her skills... or someone wants her dead.

It’s been three months since former enforcer Amaranthe Lokdon and the notorious assassin Sicarius thwarted kidnappers and saved the emperor’s life. The problem? Nobody knows they were responsible for this good deed. Worse, they’re being blamed for the entire scheme. With enforcers and bounty hunters stalking them, and the emperor nursing a personal hatred for Sicarius, it’s going to be hard to earn exoneration. When Amaranthe’s team discovers mutilated bodies in the city aqueducts and a mysterious illness incapacitates thousands of citizens, she and Sicarius see an opportunity to solve the mystery and prove their loyalty. But they’ll have to defeat vengeful shamans, man-eating predators, and deadly mechanical constructs, all while dodging imperial soldiers who would rather kill them than accept their help. Nobody said exoneration would be easy. A heroic fantasy novel in an age of steam. 105,000 words.

In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm.

At least eighty percent of the mass of the universe consists of some material which, unlike ordinary matter, neither emits nor absorbs light. This book collects key papers related to the discovery of this astonishing fact and its profound implications for astrophysics, cosmology, and the physics of elementary particles. The book focuses on the likely possibility that the dark matter is composed of an as yet undiscovered elementary particle, and examines the boundaries of our present knowledge of the properties such a particle must possess.

This series of articles portrays the state of the art on family violence and abuse research, crystallizes the key interdisciplinary issues confronting family violence and abuse researchers, and suggests a research agenda for the coming years. Although the chapters cover a broad spectrum of issues and controversies in the areas of wife abuse, child abuse, the sexual abuse of children, and marital rape, a number of common themes and issues emerge. First, many chapters share the perspective that violence and abuse emerge from the nature of social arrangements. Second, even though many different forms of family violence and abuse are discussed, several chapters explore their commonalities and important etiological differences. A number of articles examine the common effects of victimization across various forms of family violence and abuse. A third common theme of the papers is an expansion of research efforts to groups other than victims of family violence and abuse, as there are chapters that examine the individual and social characteristics of male perpetrators of both wife abuse and child abuse as well as chapters that focus on the attitudes and behaviors of professional groups concerned with the treatment of victims of family violence and abuse. The volume shows great methodological diversity and attention to theoretical detail; the research presented reveals the possibility of a more comprehensive social science approach to the study of family violence and abuse. In work related to theory building, one chapter explains a number of findings in the child abuse and neglect literature using propositions derived from evolutionary biology; another paper distills propositions from several theoretical traditions. In conjunction with these efforts, several chapters report research designed to test competing propositions. Chapter references and research data are provided.

Winner, 2022 Children's Literature Association Book Award, given by the Children's Literature Association Winner, 2020 World Fantasy Awards Winner, 2020 British Fantasy Awards, Nonfiction Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”