The book opens with the annual spring dispatch, by the Seattle-based Filipino union, of thousands of Filipino workers to the Alaska salmon canneries. We meet characters who reappear throughout the stories: Vince, the tough but charming union foreman and "big shot" father to Buddy, our American-born narrator; Chris, the battle-scarred union president targeted by McCarthyism; Rico, the spirited young king of the neighborhood who will fall victim to Vietnam; Stephanie, the beautiful mestiza who marrie up; and many others who age and change in ironic counterpint to persistent themes of loyalty, fierce ethnic pride, and a willingness to struggle against hostile forces in society. There are wry twists of humor and surprising turns of plot; a long-lost love is renewed; a long-hidden family secret is revealed. We encounter the inevitable aging and passing of the Manong generation, but we sense as well the arrival of its vision. Babies are born. The migrant fisheries worker gets a nine-to-five job, and his children go to college. The conclusion builds to a quiet power that is essentially elegiac; an era closes, but the voices of the older generation are shouldered by the younger, to keep the history to retell the stories, and to pay homage.

Steve Almond, the man whose candy jones fueled the bestseller Candyfreak, returns with a collection of stories that both seals his reputation as a master of the modern form and risks getting him arrested. The cast of characters in The Evil B.B. Chow and Other Stories includes a wealthy family certain they have been abducted by space aliens, a sexy magazine editor who falls for a worldclass cad, and a beleaguered dentist who refuses to read his best friend’s novel. Michael Jackson and Abraham Lincoln make cameos, as do a variety of desperate and beautiful loonies, all of whom are laid bare, often literally. In these twelve stories, Almond refuses to let his characters off the hook, or to abandon them, until we have seen the full measure of ourselves within their struggle.

"The Lotto Winners" presents a handsome young man who has squandered his first two year of college and finds himself financially cutoff by his father. Josh’s future looks grim working the night shift at a fleabag hotel. “Out of Rhinehart”: Two Newcomb College girls decide to become pregnant their senior year and select the perfect male to sire their children, thus preventing their families from mating them with some dreadful geek from their inner circle of friends. “A Silver Dime for Sarah”: While feeding the pigeons in Trafalgar Square, the silhouette of a handsome young man turns on Sarah Parker’s memory of her wartime romance. “The Tontine Day”: An elderly woman in an upscale retirement home reminisces and make plans for Tontine Day, when the investment banker takes Alice and her two friends to Commander’s Palace for lunch to review their annuities. “Vincent’s Offerings”: A wife with values firmly planted in the 1960s suspects that her mate of twenty years is being unfaithful. Her true soul mate is her cat Vincent, who each morning leaves an offering for her on the doormat.

Describes her life as a political refugee after the Russo-Japanese War, her family's move to California, and the conflict between their poverty and her vision of America.

In these six exciting stories, Branwell, the Bronte boy who ruled an imaginary childhood world, has failed as poet and painter and slips down the road of drink and despair; passionate Alice, searching for a man she can love as she once loved her father, ignores the desperate struggle of her daughter Maudie to make a life of her own; idealistic Mr Berry, trapped in a dead-end job in a failing boys' school, discovers the secret of an illiterate 11-year old, and is forced to re-examine his own life; John Poulson, corrupt Yorkshire architect imprisoned for bribing his way to success, determines to write a book to clear his name and identify the guilty men; simple-minded Mel recalls his best pal Adrian, killed in an accident, but fails to grasp the relationship between Adrian and his own wife Beatrice; and 50 years ago in Dallas, John F Kennedy narrowly escapes an assassin's bullet - and goes on to change the course of history.

In a thoughtful and stimulating contribution to the current debate about the meaning to the larger society of multiculturalism, Gary Okihiro explores the significance of Asian Americans in American history and culture. In six provocative and engaging essays he examines the Asian American experience from the perspectives of historical consciousness, race, gender, class, and culture. Much talk these days revolves around the idea of the mainstream, about the core of American history and culture, and about the dangers of straying from the original formulations that have made this country great. Pluralism and diversity, many argue, only serve to divide and fracture the nation. The core, rooted in Western civilization and the canon of "great books" must be recovered and preserved, and those on the margins, most notably racial minorities, must be absorbed into the mainstream. Or so the argument goes. Margins and Mainstreams argues that the core values and ideals of the nation emanate today not from the so-called mainstream but from the margins, from among Asian and African Americans, Latinos and American Indians, and women. Those groups, in their struggles for equality, have helped to preserve and advance the founders' ideals and have made America a more democratic place for all. While exploring anew the meanings of Asian American social history, the book reexamines the intellectual foundations and assumptions of the field of Asian American studies. It exposes the dominance of Eurocentrism and other hierarchies in the major theories that inform the field. It contextualizes the Asian American experience with that of African Americans and Latinos, and it advocates the intellectual convergence of Asian, Asian American, and African American studies.

Asian American resistance to Orientalism -- the Western tradition dealing with the subject and subjugation of the East -- is usually assumed. And yet, as this provocative work demonstrates, in order to refute racist stereotypes they must first be evoked, and in the process the two often become entangled. Sheng-mei Ma shows how the distinguished careers of post-1960s Asian American writers such as Maxine Hong Kingston, Amy Tan, Frank Chin, and David Henry Hwang reveal that while Asian American identity is constructed in reaction to Orientalism, the two cultural forces are not necessarily at odds. The vigor with which these Asian Americans revolt against Orientalism in fact tacitly acknowledges the family lineage of the two.

Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.