Including works from Welsh, Irish and Scottish Gaelic, Cornish, Breton and Manx, this Celtic Miscellany offers a rich blend of poetry and prose from the eighth to the nineteenth century, and provides a unique insight into the minds and literature of the Celtic people. It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

Kevin is determined that he'll never join a gang but his path crosses the Tribe's when he saves one of them from a rival gang. Invited to take their initiation test, Kevin plans to break the oath of secrecy and tell everyone. But he falls under the spell of the gang leader, Salom, and becomes a member. Kevin then discovers how hard it is to break away from the Tribe's rules and Salom's power, for when he's challenged Salom always makes you sorry. In this case he fastens on to Kevin's little sister, Glory, and Kevin is forced to take the initiation test again as his sister freezes with horror crossing a beam high above a ruined building.

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"Gleaned among the by-ways of the Irish ms collection in Trinity-college, the Royal Irish academy, and elsewhere "--Pref.

Contains all of Petrie's original text, including song texts in Irish and English; the melodies; and his introduction. The text is prefaced with a biographical essay, which positions the collection in the context of Petrie's life and work, and within the broader field of Irish traditional music. The piano accompaniments written by Petrie's daughter, which were included in the original collection have been removed; instead melodies have been restored back to the form in which Petrie originally notated them.

Johnny O'Leary, master-instrumentalist, composer and performer, custodian of a huge repertoire of tunes adapted by The Chieftains, De Dannan and Planxty among others, blends Sliabh Luachra airs with older Kerry music, and is hailed as one of its finest exponents. Polkas, slides, reels, jigs and hornpipes make up the tune-sources for this collection; their names alone celebrate places and events, as well as friends, neighbours and associates; they replenish a living tradition, orally transmitted and regionally rooted in popular culture, in which dance and music form twin strands in the fabric of rural community life.

In Search of Ireland argues that Ireland's political problems are created by conflicts and confusions of identity. It brings together a number of distinguished contributors, each of whom examines a particular aspect of Ireland's diverse cultural geography and history. Issues covered include: the changing definitions of Irishness the roles of class and gender in constructing traditional alignments of identity the role of ethnicity in Irish society the invention and imagining of Irish 'place' the political implications of a pluralistic Ireland The contributors demonstrate that many people both inside and outside of Ireland continue to define themselves and their conflicts through simple sectarian stereotypes. The authors argue that politicians and others must reject these outdated either/or representations and accommodate instead the fluidity of Irish identity. James Anderson, University of Newcastle-Upon-Tyne S.J. Connolly, Queens's University, Belfast Neville Douglas, Queen's University, Belfast Brian Graham, University of Ulste