Gottfried's capably researched and recounted biography offers a none too flattering glimpse into Kaye's well-guarded personal life, including his egotism, cruelty, his strained marriage and his flirtations and affairs. His career is treated in detail, from his obvious early talent to the creation of his acting personae and his sad professional and personal decline before his death in 1987. Lacks a bibliography. Annotation copyright by Book News, Inc., Portland, OR

Packed with never-before-published anecdotes and photos, "Danny Kaye: King of Jesters" takes the first-ever behind-the-scenes look at the creation of Kaye's film, TV, radio and stage work, and at the "secret life" of the incredible performer behind them.

There are generations that have never seen Sid Caesar become an automobile tire or Red Skelton stick his thumbs in his armpits and intone, "Two theagulls...," never journeyed with Ernie Kovacs to a surrealistic world of his warped imagination. Here seventeen comic talents are profiled (with photographs): their early years, marriages and personal challenges, anecdotes about them, the characters they created, their styles, and often representative dialogue or sketch descriptions. There is a listing of all television shows in which each comic starred (giving length, network, air dates). The comics include Lucille Ball, Milton Berle, Carol Burnett, Sid Caesar, Imogene Coca, Tim Conway, Jackie Gleason, Danny Kaye, Ernie Kovacs, Olsen and Johnson, Martha Raye, Soupy Sales, Red Skelton, Dick Van Dyke, Flip Wilson, Jonathan Winters, and Ed Wynn.

Traces the entertainer's career from his boyhood in Brooklyn to his triumphs in Hollywood, New York and London, and his humanitarian work for the sick children of the world on his UNICEF tour.

Lou Gorman is best known for having assembled the great but star-crossed Red Sox team of 1986. Few, perhaps, know that he also laid the foundation for the Mets club that clawed past them. Or that he is the only baseball executive involved in the start-up of two teams (the expansion Mariners and Royals), that he won a World Series with the Orioles, or that he has drafted Roger Clemens, signed George Brett, developed Jim Palmer, and traded away Jeff Bagwell. In all, Gorman has spent parts of five decades in the front offices of five major league franchises, directly involved in the development of clubs that won three World Series, five pennants and eight division titles. The stories behind those teams and Gorman's dealings with players, managers, and other of baseball's higher-ups are shared here for the first time.

This latest volume brings the project up to date, with entries on almost 500 women whose death dates fall between 1976 and 1999. You will find here stars of the golden ages of radio, film, dance, and television; scientists and scholars; civil rights activists and religious leaders; Native American craftspeople and world-renowned artists. For each subject, the volume offers a biographical essay by a distinguished authority that integrates the woman's personal life with her professional achievements set in the context of larger historical developments.

Presents a tribute to the Hollywood entertainer-turned-author. Covers her close friendship with Judy Garland, contributions as a celebrity trainer, and creation of the mischievous six-year-old Plaza mascot, Eloise.

Columbo was arguably the most popular and most unique television mystery series ever -even though, within two minutes of the titles, the audience already knew the murderer's identity. The show captivated tens of millions of viewers for 69 adventures produced over 35 years. Yet if star Peter Falk had gotten his way, it would have run far longer.Columbo was never formally canceled, just subtly killed off. Twice. Who was to blame? The temperamental lead who would rather work in movies? The budget-conscious studio, exhausted with the star's demands? Or was it the meddling television studios, searching for a younger, hipper replacement?Discover the solution in "Shooting Columbo: The Lives and Deaths of TV's Rumpled Detective." Author David Koenig takes you behind the scenes to witness the creation and making of every case, from the pilot "Prescription: Murder" (and its earlier incarnations on "The Chevy Mystery Show" and on stage) to the final special, "Columbo Likes the Nightlife."You'll discover the origins of the Lieutenant's unseen wife, the lethargic Dog, the wrinkled raincoat, the wheezing 1959 Peugeot, and "Just one more thing...." The narrative draws on scores of exclusive interviews with the show's writers, producers, directors and other creative personnel, as well as previously unpublished studio records, including scripts, memos, production reports, casting sheets, and business diaries. They will transport you to the harried story conferences, the heated confrontations, and take... after take... after take... of filming. The "shooting" of Columbo was filled with backstage intrigue and larger-than-life personalities who, through it all, created unforgettable classic television.

“IN THIS THIRD ACT OF MY LIFE, MUCH HAS BECOME CLEARER. SO MUCH IS OVER, AND I AM OVER SO MUCH . . .” At a certain time in life, we all come to realize what is truly important to us and what just doesn’t matter. For Shirley MacLaine, that time is now. In this wise, witty, and fearless collection of small observations and big-picture questions, she shares with readers all those things that she is over dealing with in life, in love, at home, and in the larger world . . . as well as the things she will never get over, no matter how long she lives. Among the things that Shirley is over: people who repeat themselves (“when you didn’t care what they said the first time”); conservatives and liberals; ill-mannered young people; the poison of celebrity (“Why do so many people want to be famous when they see how it can destroy your life?”); being polite to boring people (“If they won’t stop talking, I go into a trance and meditate”); getting older in Hollywood (“How peaceful it is not to have to look particularly pretty anymore or to wear a size 6”). In the opposite camp, there are some things Shirley will never get over: good lighting (“Marlene Dietrich taught me how to light myself”); gorgeous costars (“The vanity of male actors is an impossible wall to scale”); performing live (“Yes, it is better than sex”); and above all, brave people with curious minds (“Fear is the most powerful weapon of mass destruction”). Along the way, she recalls stories of some of the true greats she has known—Alfred Hitchcock, Elizabeth Taylor, Frank Sinatra, the two Jacks (Lemmon and Nicholson)—and ruminates on the state of Hollywood past and present. She recollects her relationships and romances with politicians (including two prime ministers), scientists, journalists, and costars. An unabashed seeker of truth and unrepentant free spirit, Shirley looks squarely at a world that can irritate, confuse, and provoke her, but that can also delight her with its beauty, humor, and future promise. Reading I’m Over All That will make you feel you have been reunited with an old friend who tells it like it is but never takes herself too seriously. Shirley MacLaine may be over all that, but this irresistible book ensures that we will never get over her.