It’s time to wake the sleeping giant in our world, in our communities, in our churches, and in our homes. There’s a revolution brewing, a sleeping giant coming out of a long slumber. For years men have been sitting to the side, minding their own business, nursing their own wounds. But that time is reaching its end. Our wounds must surely be tended to, and our business must surely be minded. We are meant for greater things than these, and the world can no longer indulge our slumber. Justice demands a response to these troubling times. Righteousness demands a champion to counter a climate of moral relativism. God made us men; it’s time to act like it. Good men are in high demand but low supply. That reality is creating suffering and injustice at every level of society in every community worldwide. Dangerous Good calls on the millennial generation of men who follow Jesus worldwide to confront that by deciding, individually and as a group, to be dangerous with goodness like Jesus. Here is the next revolution of masculinity the world is waiting for.

Does the identification number 60 indicate a toxic substance or a flammable solid, in the molten state at an elevated temperature? Does the identification number 1035 indicate ethane or butane? What is the difference between natural gas transmission pipelines and natural gas distribution pipelines? If you came upon an overturned truck on the highway that was leaking, would you be able to identify if it was hazardous and know what steps to take? Questions like these and more are answered in the Emergency Response Guidebook. Learn how to identify symbols for and vehicles carrying toxic, flammable, explosive, radioactive, or otherwise harmful substances and how to respond once an incident involving those substances has been identified. Always be prepared in situations that are unfamiliar and dangerous and know how to rectify them. Keeping this guide around at all times will ensure that, if you were to come upon a transportation situation involving hazardous substances or dangerous goods, you will be able to help keep others and yourself out of danger. With color-coded pages for quick and easy reference, this is the official manual used by first responders in the United States and Canada for transportation incidents involving dangerous goods or hazardous materials.

This document provides guidance to States and operators for developing procedures and policies for dealing with dangerous goods incidents on board aircraft. It contains general information on the factors that may need to be considered when dealing with any dangerous goods incident and provides specific emergency response drill codes for each item listed in the Technical Instructions for the Safe Transport of Dangerous Goods by Air

WINNER OF THE MINNESOTA BOOK AWARD From the poet whose stunning debut was praised as “transcendent” by Kevin Young and “steadily confident” by Carl Phillips, Dangerous Goods tracks its speaker throughout North America and abroad, illuminating the ways in which home and place may inhabit one another comfortably or uncomfortably—or both, simultaneously. From the Bahamas, London, and Cairo to Bemidji, Minnesota, and Milledgeville, Georgia, Sean Hill interweaves the contemporary with the historical, and explores with urgency the relationships among travel, migration, alienation, and home. Here, playful “postcard” poems addressed to Nostalgia and My Third Crush Today sit alongside powerful reflections on the immigration of African Americans to Liberia during and after the era of slavery. Such range and formal innovation make Hill’s second collection both rare and exhilarating. Part shadowbox, part migration map, part travelogue-in-verse, Dangerous Goods is poignant, elegant, and deeply moving.

The Manual of Tests and Criteria contains criteria, test methods and procedures to be used for classification of dangerous goods according to the provisions of Parts 2 and 3 of the United Nations Recommendations on the Transport of Dangerous Goods, Model Regulations, as well as of chemicals presenting physical hazards according to the Globally Harmonized System of Classification and Labelling of Chemicals (GHS). As a consequence, it supplements also national or international regulations which are derived from the United Nations Recommendations on the Transport of Dangerous Goods or the GHS. At its ninth session (7 December 2018), the Committee adopted a set of amendments to the sixth revised edition of the Manual as amended by Amendment 1. This seventh revised edition takes account of these amendments. In addition, noting that the work to facilitate the use of the Manual in the context of the GHS had been completed, the Committee considered that the reference to the "Recommendations on the Transport of Dangerous Goods" in the title of the Manual was no longer appropriate, and decided that from now on, the Manual should be entitled "Manual of Tests and Criteria".

The poems in this collection transform the author's hometown into a poetic

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.