The Dancing Warrior Bride! is a book on spiritual alignment for those who desire to minister in the arts. It is not for the faint or weakhearted, but for those who dare to be sharpened and challenged by the Word of God so one can operate in a spirit of excellence that takes you beyond the dance. Special training emphasis on how to minister in the anointing by applying spiritual disciplines, walking in purity, holiness and the fear of the Lord are all included in this life changing arts course. You will quickly discover that the dance is the very last thing God requires of the movement artist. Some of the training topics that will be covered are: -Preparing for War, Introduction to Dance -Building Team Unity -Spiritual Requirements for the Dancer -The Ministry of Dance and the Prophetic -Priestly Garments -Weapons of War! (Dance, Tambourines, Flags, Streamers etc) -Pantomime/Mime -Evangelism and the Arts -Conditioning the Temple of God through Fitness and Nutrition and much more! God is raising up and calling forth a worship warrior Bride to make an impact in this generation. Its time to enlistHE WANTS YOU! But God chose the foolish things of the world to shame the wise. 1 Corinthians 1:27

Jerry and Chungliang share a long friendship and a lifelong passion for helping others discover the warrior's path of living a fully engaged life. They also share an understanding that athletics and fitness can serve as vehicles to transport us to a more sacred space. Together, they have written Spirit of Dancing Warrior to assist you on this path, filling it with information on practical spirituality and how to use it to achieve peak capacity in all your physical work and play. By opening your heart to the special connection between the physical and the spiritual--whether in the gym, on the field, practiing Tai Chi or ridin

Dancing with Warriors is Philip Flood's memoir of his fifty years working in Australian foreign and trade policy. He is the only person to have headed the Department of Foreign Affairs and Trade, the Office of National Assessments and the Australian International Development Assistance Bureau.

A Seer Shares Prophetic Insights on How to Claim Warfare Victory God is raising up a company of believers who can wage victorious spiritual warfare through communion with Holy Spirit and connectedness to the heavenly realm. Will you join the ranks? Prepare to receive supernatural battle plans from a seasoned prophet and...

Winner, Oscar G. Brockett Book Prize in Dance Research, 2014 Honorable Mention, Sally Banes Publication Prize, American Society for Theatre Research, 2014 de la Torre Bueno® Special Citation, Society of Dance History Scholars, 2013 From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.

Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.