This 1,008-page sourcebook answers many questions to quench the soul's thirst for God and Self-knowledge. Every spiritually-inclined human being will be enriched by the path revealed in this extraordinary book. India's tolerant and diverse vision of the Divine is all here: meditative, devotional, philosophical, scriptural and yogic. In question-and-answer style, Dancing with Siva guides the aspirant deep into the Hindu heart. Lavishly illustrated with 165 black and white reproductions of paintings from India. Resources include a Hindu timeline, comparisons of 12 world religions, a children's primer and more.

This book is a guide for one who is ready to diligently walk the spiritual path. Great new vistas open up throughout its 365 daily lessons as Gurudeva shares, in the clearest terms, deep metaphysical insights into the nature of God, soul and world, mind, emotions, ultimate realizations, chakras, purpose of life on earth and much, much more. Simple but effective practices are taught: how to remould our nature and karmas, calm the mind, develop self-esteem, begin to meditate, clear up the past and create a bright future. At the same time, the seeker is guided in establishing a regular devotional and yogic practice whereby the gains of his inner life and realizations are stabilized and used in practical ways.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A history-making manual,interreligious study and names list, with stories by Westerners who entered Hinduism and Hindus who deepened their faith"--Cove

After high school, I was not sure about whether I should pursue dance or a technical subject. Awaiting clarity, I spent many months considering my options. While I was in the midst of this confusion, someone asked me, “What brings you closer to yourself?” I didn’t respond immediately, but in my mind the answer was clear. “Dance brings me closer to myself,” I thought. It was such an odd question, yet strangely it influenced a life decision. How can one be closer to or farther from oneself? I knew that dance would begin to reveal something to me at some point in time, but I wasn’t sure of what this thing would be. The act of dancing holds something within it that I wanted to discover. What if I could imbibe my life with the clarity of thought, precision, control and simultaneous surrender that I am able to wield as a performer? Wouldn’t life change inexplicably for the better? The applause bursts like rain clattering From a cloud too heavy to hold, My elation bathes me as sweat trickles Down my forehead a moment before It stings my eye to remind me to see, They applaud the dance, not me. If I were to fall prey, my dance entwined With only moments of applause to remind Of my days of yore. No never not. Dance is me and yet not at all... - Rukmini Vijayakumar

Satguru Sivaya Subramuniyaswami (1927¿2001) sailed for Sri Lanka in 1947 to find his guru. After years of arduous training, he fell at the feet of the Tamil master, Siva Yogaswami. Following his guru¿s orders, the illumined yogi returned to America to teach the path of enlightenment. Ultimately, he was recognized and befriended by India¿s spiritual leaders as the first Hindu guru born in the West. Gurudeva, as he was affectionately known, founded the Saiva Siddhanta Yoga Order and established Kauai¿s Hindu Monastery in Hawaii. Hinduism¿s many guru lineages are the spiritual rivers that pass the power on through the ages. The lineage that he joined extends to his guru¿s guru, Chellappaswami, and before him to Kadaitswami, then a nameless rishi and countless others, back to Rishi Tirumular and his guru, Maharishi Nandinatha, some 2,200 years ago in the high Himalayas. These are the illustrated stories of Satguru Sivaya Subramuniyaswami, his guru Siva Yogaswami and five preceding masters, who all held truth in the palm of their hand and inspired slumbering souls to ¿Know thy Self.¿

Imagine reading a book written millions of years ago from within great, walled Lemurian monasteries where narrators look back and forward at the same time, chronicling mankind's journey to Earth from the Pleaides and other planets in the pursuit of unfolding into the ultimate attainment, realization of the timeless, formless, spaceless Self within. Lemurian Scrolls is just that book. This ancient manuscript was not found etched on a cave wall or buried in forgotten ruins, but rather discovered through the practice of an inner archeology, the use of the third eye to read the akashic records. Many books exist in the inner akashic, library, and Satguru Sivaya Subramuniyaswami chose to share the chapters that comprise these Scrolls as a further effort to help us all realize where we came from, where we are going, and how to connect with our innate Divinity.

This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.