Imagine creating a reality that works for you and goes far beyond your imagination. Now you can see all that is possible by using the tools of Access Consciousness. Through Kass's experiences, you will learn about continual evolution and using the flow of energy, which includes both intuition and instinct, to create movement even when the waters around you are stagnant. The tools in this book are interchangeable and can be used in your daily life to alter your way of thinking. Learn how to transform negative into positive, how to take risks to avoid predictable or undesirable futures, and how to change your point of view to create the life you desire. Be in step with the energy of change and dance to the infectious rhythm of life.

From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. "Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."—Terry Eagleton, The Nation

Describes the affair that the Duchess of Windsor had with the openly gay heir to the Woolworth fortune in the early 1950s.

Dancing was an essential part of life in Shakespeare's England. Town and country folk danced at weddings, Maydays and other festivities. Queen Elizabeth prided herself on her skill (and danced galliards in the morning to keep fit), and dancing was the soul of the extravagant masques which so delighted King James. Puritans might furiously denounce it but it was part of the ceremonial of the Inns of Court and a necessary accomplishment for a gentleman. At the same time, as Alan Brissenden shows in this book, the dance was an accepted symbol of harmony, and it was in this way that Shakespeare used it to express one of his major themes: the attempt to achieve order in a discordant world. He included it in at least a dozen of his plays and referred to it in thirty. A valuable source for his imagery, it also illuminates character and action and in some plays helps to forward the plot. In the history plays allusions to country dance, (especially the morris, and court dances like the lavolta) support ideas of conflict and the presentation of characters, especially Henry V. While there is no dancing itself in the histories there is plenty to be found in the comedies and two chapters of the book closely examine the relation of dance to dialogue, character and plot, particularly in "Love's Labour's Lost", "A Midsummer Night's Dream" and "Much Ado About Nothing". In the tragedies dancing becomes a powerful ironic visual symbol, especially in Romeo and Juliet, Macbeth and Timon of Athens. After 1607 dance occurs in almost all of Shakespeare's plays, in such a way that it reflects and expresses the fusion of tragic and comic elements which characterize most of them. The closing chapters show how the dance relates to the cosmic ideas and imagery of these last plays from Perides to Henry VIII and suggest certain influences from the spectacular court masques of the time. In presenting his argument the author, who is a dance critic as well as an Elizabethan scholar, has drawn on manuscript sources, a wide range of contemporary writing, including dance manuals, and his own ideas in dance and theatre. This is a book for students and scholars, for editors, for theatre directors and for those interested in Renaissance dance. It is a book for everyone who delights in the riches of Shakespeare and the age in which he lived. -- Book cover.

Masterfully evoking the breathtaking beauty of India, Amin's lyrical debut novel follows a young boy whose life takes an unexpected turn when he is sent to live with a reclusive but renowned musician.

"When you read the Washington D.C. tabloids, you might surmise that Teco Jackson was slain by a delusional killer, The Paradox. However, Federal Agents are not convinced. A crime spree in Atlanta, Georgia is strikingly similar to that of the Washington, D.C. G-String murders. Atlanta Detective Paul Yeomans tries to keep the south's ""Phoenix City"" safe but is forced to seek help from Washington, D.C.'s quick-witted and statuesque Detective Hanae Troop. Never realizing, until it's too late, the multi-jurisdiction operation is eventually forced into a propitious government mission with international appeal. Atlanta resident Gail Indigo Que (GQ), a former Strictly Business (SB) drug crew member, attempts to achieve legitimate riches by virtue of rags with her signature clothing line. However, The Paradox feels double-crossed and elevates his deadly game to a new level by trying to sabotage GQ's fashion career and draw her back into the streets. All in the name of lady justice, The Paradox has spread his vigilantly game across the entire metro-Atlanta area. Several weeks after investigating the case, the multi-jurisdiction law enforcement team solicits the assistance of an unlikely bodyguard to take GQ into protective custody. Regardless, GQ is determined to succeed in fashion despite the odds. Leaving the street life, is it rags or riches? Book Review: Library Journal - The Word on Street Lit (November 19, 2009) The Paradox, a psychotic killer who leaves G-strings on his victims bodies, returns in the latest in Weekss self-published, award-winning Street Life series (after Is It Suicide or Murder? and Is It Passion or Revenge?). The murderer has moved from DC to Atlanta and is executing members of the Pennsylvanian SB (Strictly Business) crew. He sets his sights on GQ (Gail Que), who is living the rags or riches challenge to make it big in the fashion industry. Hot on The Paradoxs trail is Hanae Troop, a DC cop determined to bring him down. Troops lover, Teco Jackson, is a former member of SB and will fight to the death for her man. Verdict: Weekss combination of mystery and police procedural will draw in readers as he shows the cops point of view. The long list of characters and plot tangents may be confusing, but bloody executions and a wild, climatic shoot-out will hold interest. Think of CBSs 48 Hours Mystery set to a street lit riff. [At the African American Pavilion at BookExpo 2009, Weekss books won the Urban Series of the Year Award.Ed.] "

Until publication of Riches, Classes, and Power, Alexis de Tocquerville's vision of the United States as a generally egalitarian nation predominated. While historians might quarrel about the social sources of egalitarianism, they did not dispute the soundness of the basic model; and Tocqueville's vision clearly dominated American's sense of itself as well. A self-acknowledged congenital skeptic, Pessen decided to find out whether the facts of American life sustained Tocqueville's conclusions. Riches, Class, and Power, represents more than five years' intensive research on the wealth, family backgrounds, careers, marriages, residential patterns, uses of leisure, life-styles, social standing, and influence and power of the wealthy in four of the five largest cities in the United States before the Civil War. Pessen examines New York City, Philadelphia, Boston and the then-separate city of Brooklyn in the 1820s and 1840s. His claim is that the massive evidence on urban life of the time sharply refutes Tocqueville's thesis. A National Book Award finalist for history, Riches, Class, and Power undoubtedly helped reshape America before the Civil War. In his reintroduction to this paperback edition, Pessen reviews the critical reaction, and reconsiders the extent to which its findings are applicable to the social structure of small or frontier towns of the period. He discusses whether unequal distribution of wealth in America results more from changes in historical circumstance or to shifts in demographic or age structure.

Traces the history of the California Gold Rush from 1849 through 1884 when a court decision forced the shut down of the hydraulic mining operations, bringing decades of careless freedom to an end.