Dancing with Metaphors in the Pulpit is a prequel to the writing and delivery of the sermon. The work of invention which includes the gathering of material is the primary focus of the book. The hard work of preaching takes place in the thinking, reading, and writing. The cross-disciplinary study provided here covers lessons learned by preachers and by novelists, poets, philosophers, and rhetoricians.

Dancing with Metaphors in the Pulpit is a prequel to the writing and delivery of the sermon. The work of invention which includes the gathering of material is the primary focus of the book. The hard work of preaching takes place in the thinking, reading, and writing. The cross-disciplinary study provided here covers lessons learned by preachers and by novelists, poets, philosophers, and rhetoricians.

With enthusiasm and intelligence, professor Robert Smith steps up the interest in doctrinal preaching and teaching with Doctrine That Dances.

This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...

"The image of dancing with God may seem like an odd one for a book on Christian theology," writes Jay Johnson, "More than a few people probably assume dancing and theology have at least one thing in common: Other people do them. The good news of Christian faith suggests something different. Each and everyone of us is invited to dance with God. Each of us can dance. Each of us can do theology." Theology, long seen as the domain of professors, scholars, and clergy, is actually the work of all God's people. Dancing with God uses the metaphor of dance to help readers--especially those without a theological background--approach the discipline of theology as something we all do, and not only something to believe. And doing theology is the practice of hope. This book explores the way Anglicans approach theology. The good news, according to Johnson, is not about the assurance of "getting things right." It comes, instead, from considering our texts, creeds, and liturgies as invitations to dance with the God of abundant life. Beautifully and accessibly written, Dancing with God makes an excellent book for individual or parish study.

This book is a conversation starter. The author is re-imagining the theological landscape of historical practices of dance in order to open up a space where further explorations can be made. This is done in a two step manner. First, the book uncovers the restrictions of earlier research on the topic of dance in and around churches. In the second step, Hellsten suggests a practice for how historical sources can be imagined in a new frame. Opening up a new field of previously neglected and much needed historical studies on Dance in the Christian churches of the Latin West this study aims at questioning old paradigms and opening new vistas rather than reinterpreting concrete liturgical manuscripts or scrutinizing all the details of the historical sources presented.

Think of your local church. Without art--music, song, dance, etc.--it would be a much poorer place. But if protestants have any vision for the arts, it tends to be a thin one. This unique book is an attempt to contribute to a robust, expansive vision for the church and the arts. Its specific aim is to show how the many parts of the landscape of church and art hold together. You can think of it as a kind of helicopter flyover, but one with expert pilots. The guides include the likes of Eugene Peterson, Lauren Winner, Jeremy Begbie, Andy Crouch, and John Witvliet, helping to inspire readers and empower pastor-leaders with a vision of the church and the arts that is compelling, far-seeing, and profoundly transformative.

Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary