Dancing with Kitty Stobling is a poetic celebration of the centenary of Patrick Kavanagh's birth showcasing winners of the Patrick Kavanagh Poetry Award. This annual prize for a first collection of unpublished poems was inaugurated in 1971 and is still flourishing. Winners include Eilean Ni Chuillenain, Paul Durcan, Aidan Matthews, Thomas McCarthy, Michael Coady, Harry Clifton, Peter Sirr, Pat Boran and, in more recent years, Conor O'Callaghan, Sinead Morrissey and Joseph Woods. Poems in the anthology have been chosen by the poets themselves and are accompanied by a biographical note and photograph of each poet. Spanning a period of over thirty years, this anthology demonstrates a lively and enduring tradition in Irish literature and is an opportunity to read old favourites and encounter new voices.

This engaging, personal chronicle by Irish poet Gerald Dawe explores the lives and times of leading Irish writers, including W.B. Yeats, Elizabeth Bowen, Samuel Beckett and Stewart Parker, alongside lesser-known names from the earlier decades of the twentieth century, such as Ethna Carberry, Alice Milligan, Joseph Campbell and George Reavey. It also portrays the changing cultural backgrounds of the author’s contemporaries, such as Derek Mahon, Eavan Boland, Eileán Ní Chuilleanáin, Colm Tóibín, Leontia Flynn and Sinéad Morrissey. Gerald Dawe presents an accessible view of modern Irish literature, filtered perceptively through his own distinctive lens, and raises important questions about cultural belonging, the commercialisation of contemporary writing, and the influence of Irish literary culture in a digital age. In this lyrical exploration of national identity, The Wrong Country repositions our understanding of modern Irish writing in a wider context for today’s readers.

Touchstones examines the literary influences that led to John McGahern becoming Ireland's greatest fiction writer of the post-war generation.

Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.

The works of many Anglo-Irish writers are familiar to us. English literature has often been dominated by Irish writers who wrote in English. In this highly entertaining and informative book, Professor Jeffares surveys the whole range of one of the richest literary traditions from its beginnings in the Middle Ages to the modern period. The earlier writing is discussed chronologically, but the great wealth of writing in the last century is discussed in genres: poetry, fiction and drama. The writers are set in their social and political context. Not only are the works of major writers from Swift to Beckett surveyed, but the work of minor and neglected writers such as Charled Maturin, Lady Morgan and Emily Lawless, is bought to the fore. This is a book to help students to a great understanding of the subject. To this end a chronological table, bibliographies and photographs have been included. It is also a book for all those who have enjoyed reading the poems of Yeats, the plays of Shaw or the novels of Joyce.

I am no good at letters. John McGahern, 1963 John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life. It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life. 'One of the greatest writers of our era.' Hilary Mantel 'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike

This book guides through some six centuries of English literature, beginning with Chaucer's time, and goes on to analyse the background, interconnections and major achievements of individual writers in each period. It is useful to the student of English literature and to the general reader.

Published in order of first publication as far as possible, this selection ranges from initial offerings such as 'Tinker's Wife' and 'Inniskeen Road: July Evening' to his tragic masterpiece 'The Great Hunger' (1942) and his celebratory later verse, 'To Hell with Common Sense' and 'Come Dance with Kitty Stobling', which show his increasing comic verve and detachment. The first comprehensive selection of Kavanagh's poetry to be published, this volume offers a timely reassessment of a poet unfairly neglected outside Ireland.

Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.