Dancing with Broken Bones gives voice and face to a vulnerable and disempowered population whose stories often remain untold: the urban dying poor. Drawing on complex issues surrounding poverty, class, and race, Moller illuminates the unique sufferings that often remain unknown and hidden within a culture of broad invisibility. He demonstrates how a complex array of factors, such as mistrust of physicians, regrettable indignities in care, and inadequate communication among providers, patients, and families, shape the experience of the dying poor in the inner city. This book challenges readers to look at reality in a different way. Demystifying stereotypes that surround poverty, Moller illuminates how faith, remarkable optimism, and an unassailable spirit provide strength and courage to the dying poor. Dancing with Broken Bones serves as a rallying call for compassionate individuals everywhere to understand and respond to the needs of the especially vulnerable, yet inspiring, people who comprise the world of the inner city dying poor.

Dancing with Broken Bones provides a chilling portrait of what it is like to die while living in urban poverty. Via interviews with patients and their families as well as powerful photographs, the author demonstrates that a complex array of factors shape the experience of dying poor in the inner city: mistrust of physicians; inadequate communication among providers, patients, and families; a sense of alienation within the bureaucratic maze of the public hospital system; and indignities in care. By demystifying the stereotypes surrounding poverty, the book illuminates how faith and an unassailable spirit provide strength and courage throughout the end of life experience. Dancing with Broken Bones is a rallying call for compassionate individuals everywhere to understand and respond to the needs of the especially vulnerable people who comprise the world of inner-city dying poor.

A vision of what it looks like to live in the valley s those moments when we don't like the present and can't see the future.

Put on the entire armor of God and be able to effectively survive and thrive during conflict.

“A glimpse into the fragile psyche of a dancer.” —The Washington Post Jenifer Ringer, a principal dancer with the New York City Ballet, was thrust into the headlines after her weight was commented on by a New York Times critic, and her response ignited a public dialogue about dance and weight. Ballet aficionados and aspiring performers of all ages will want to join Ringer behind the scenes as she shares her journey from student to star and candidly discusses both her struggle with an eating disorder and the media storm that erupted after the Times review. An unusually upbeat account of life on the stage, Dancing Through It is also a coming-of-age story and an inspiring memoir of faith and of triumph over the body issues that torment all too many women and men.

Kenosis, a Greek word meaning “depletion” or “emptying” and a concept borrowed from Christian theology, has deeply profound implications for understanding and ordering life in a world marked by suffering and death. Whereas the divine kenosis was voluntary, human beings experience an involuntary kenosis which is characterized by the inevitable losses experienced during the lives of mortal creatures. How one chooses voluntarily to respond to this involuntary kenosis, regardless of faith commitments, in effect defines us, both in our relationships with other suffering creatures and with the entire cosmos. This book offers a unique perspective on how the losses of involuntary kenosis choreograph the suffering which is such a defining aspect of the lives of persons, communities, and the environment in which they live, and how the kenotic process, rather than being a source of despair, can be a source of hope presenting opportunities for extraordinary personal growth.

Dancing with Broken Bones provides a chilling portrait of what it is like to die while living in urban poverty. Via interviews with patients and their families as well as powerful photographs, the author demonstrates that a complex array of factors shape the experience of dying poor in the inner city: mistrust of physicians; inadequate communication among providers, patients, and families; a sense of alienation within the bureaucratic maze of the public hospital system; and indignities in care. By demystifying the stereotypes surrounding poverty, the book illumiates how faith and an unassailia.