Here are the short story collaborations of legendary editor and multiple Nebula Award winning author Gardner Dozois with some of the greatest writers of modern science fiction. Each story is followed by an essay by the collaborator discussing Dozois and his influence on science fiction and beyond. Includes collaborative stories and appreciations by: Michael Bishop Pat Cadigan Michael Swanwick Jack Dann Jack C. Haldeman, II Susan Casper At the publisher's request, this title is sold without DRM (Digital Rights Management).

From Lynn Kurland, the New York Times bestselling author of the Nine Kingdom series. Scotland, 1311. James MacLeod was the most respected—and feared—laird in all of Scotland. He loved his men like brothers and his land with a passion. And he allowed no women to cross the threshold of his keep... New York City, 1996. With an indifferent fiance and a stalled writing career, Elizabeth Smith found passion and adventure only in the unpublished romance novels that she wrote. Until a Scottish hero began calling to her... Elizabeth longed for the man of her dreams. But she knew she was overworked when she began hearing his voice—when she was awake. To clear her mind, she took a walk in Gramercy Park. She dozed off on a bench—and woke up in a lush forest in forteenth-century Scotland. A forest surrounding the castle of James MacLeod, an arrogant and handsome lord with a very familiar voice. Elizabeth would turn his ordered world upside down and go where no woman had ever gone before: straight into his heart...

From Chaucer to Fitzgerald, writers have used dancing as a vital, if subtle, element in plot and character development. The ballroom, an important element of society in real life, was a backdrop to grand passions or pivotal encounters--ideal ground for commentary on the social milieu. This work presents 88 literary selections (from etiquette manuals, diaries, poems, plays, essays and novels) that together form a survey of social dance in England and America over a span of 500 years. They illustrate specific dances, social dance behavior or the intimate reactions of participants. One finds, for example, the ultimate downfalls of Flaubert's Emma Bovary, Hardy's Eustacia Vye, and Tolstoy's Anna Karenina are all foretold in pivotal dance scenes. Fully indexed.

A memoir of a Quaker activist and master storyteller on his involvement in struggles for peace, civil rights, LGBTQ rights, labor justice, and the environment, whose life will be the subject of a new documentary film coming in 2022. From his first arrest in the Civil Rights era to his most recent during a climate justice march at the age of 83, George Lakey has committed his life to a mission of building a better world through movements for justice. Lakey draws readers into the center of history-making events, telling often serious stories with playfulness and intimacy. In this memoir, he describes the personal, political, and theoretical—coming out as bisexual to his Quaker community while known as a church leader and family man, protesting against the war in Vietnam by delivering medical supplies through the naval blockade in the South China Sea, and applying his academic study of nonviolent resistance to creative tactics in direct action campaigns. From strategies he learned as a young man facing violence in the streets to risking his life as an unarmed bodyguard for Sri Lankan human rights lawyers, Lakey recounts his experience living out the tension between commitment to family and mission. Drawing strength from his community to fight cancer, survive painful parenting struggles, and create networks to help prevent activist burnout, this book shows readers how to find hope in even the darkest times through strategic, joyful activism.

This is the story of Barbara's journey with her mother through her mother's battle with Alzheimer's. While it is a devastating and debilitating disease, they found moments of joy and laughter along the way. It also tells the story of Barbara's journey from childhood family dysfunction to forgiveness. Both journeys converge when Barbara and her three sisters unite as adults to give their mother loving care during the final years of her life. Barbara's love of dance weaves in and out of both journeys, culminating in a surprising interaction between Barbara and her mother during her mother's advanced stage of Alzheimer's. Barbara Rudnicki is retired after teaching high school English for 40 years. Now, she works part-time at Danson Feet Dance Studio, where she clogs once a week with fun women of all ages. For over 25 years, she has enjoyed summer trips exploring Minnesota with a group of teacher friends and finds that no matter how small the town, it always has fun surprises. She loves spending time with her children, grandchildren, and great-grandchildren. While this is Barbara's first adventure in publishing, she has read her work at places such as The Loft, Patrick's Cabaret, and the Blue Moon Café. Barbara Rudnicki's Dancing Through the Storm is a memoir about a woman who forgets and the women around her-her daughters-who refuse to forget. The slow, then quick, then slow presentation of Barb's mother's descent into Alzheimer's disease is carefully woven into Dancing Through the Storm, making the book feel like a dance between the author and the reader. Indeed, the dancing motif, used as an extended metaphor throughout, provides moments of joy in a book that is deeply sad but necessary reading for anyone whose life has been touched by dementia or Alzheimer's disease. - Nicole Helget, Minnesota Book Award Author, The End of the Wild

A knees-up at a country fair, a pair of dancing ogres, children round a maypole, ballroom champions, decadent masquerade, and celebrations at Piccadilly Circus on VE day all feature in this enchanting survey of dance illustration through the centuries. What do these vibrant, often elegant and sometimes irreverent images reveal to us about the history of social dancing and changing attitudes towards the dance floor?In his richly illustrated book, Jeremy Barlow surveys over 600 years of imagery, drawing out major themes in the representation of dance. He shows how over the centuries, artists and illustrators have represented dance in a stylized and often humorous manner, with curved, flowing lines for the gracious dancer and angular postures for the uncouth, rustic, or exhibitionistic performer. He also reveals how artists have responded in imaginative ways to the challenge of how to convey a sense of the dancer's movement through a frozen moment in print, and what techniques illustrators have used to demonstrate specific poses and steps, from the galliard, mazurka, and minuet to the waltz, tango, and cha cha cha. Finally he examines the age-old tension between decorum and licence on the dance floor and how this changed with the advent of jive and the untutored vitality of rock'n' roll. The book draws on a wide range of materials in the Bodleian Library, including fourteenth-century manuscripts, satirical prints, dance cards, and invitations to balls. Each image is carefully analysed for what it can reveal to us about behavioural codes and satirical intent, providing an unusual insight into the social history and imagery of dance.

Born in the UK and raised in the US, Terry Dance-Bennink found her way to Toronto as a university student in 1966. A sixties activist who never stopped, she became a peace advocate, civil rights campaigner, women’s rights defender, union organizer, adult educator, environmental activist, and democracy champion. Dance Through Time traces the author’s evolution from youthful Marxism to electoral politics to peaceful civil disobedience. As a spiritual seeker, Terry relies on her faith to overcome personal and political obstacles. Born a Catholic, she becomes an atheist during her Marxist years, then returns to progressive Christianity in the nineties, joining the United Church when she moves to Victoria, B.C. She eventually calls herself a Buddhist-Christian with no church address. A heart-breaking divorce, childlessness, breast cancer, and blindness challenge her, along with despair about the fate of the earth. But her belief in a power greater than fallible human beings—the “great mystery”— sustains her as she keeps pushing forward. In mid-life, Terry encounters “the man in her dreams,” her second husband, and builds a truly formidable career in both the non-profit and public sectors as an impassioned, spiritually informed advocate for adult education, proportional representation, Indigenous peoples, old-growth forests, and so much more. Seventy-five years later, Terry is still on the front lines to save B.C.’s ancient forests and combat climate change. Dance Through Time revisits the revolutionary potential of the sixties and celebrates the enduring power of political solidarity, forgiveness, and spiritual connection.

Some people travel to discover a country’s architecture; others to sample its cuisine, or experience its nature. For author Lori Henry, travel is a way to discover a country’s dances. In Dancing Through History, Henry crosses Canada’s vast physical and ethnic terrain to uncover how its various cultures have evolved through their dances. Her coast-to-coast journey takes her to Haida Gwaii in British Columbia, where she witnesses the seldom seen animist dances of the islands’ First Nation people. In the Arctic, Henry partakes in Inuit drum dancing, kept alive by a new generation of Nunavut youth. And in Cape Breton, she uncovers the ancient “step dance” of the once culturally oppressed Gaels of Nova Scotia. During her travels, Henry discovers that dance helps to break down barriers and encourage cooperation between people with a history of injustice. Dance, she finds, can provide key insight into what people value most as a culture, which is often more similar than it seems. It is this kind of understanding that goes beyond our divisive histories and gives us compassion for one another.

Yvonne Wright attended a ballroom dancing class with her friend at the age of 11, where she became captivated with dance. Learning to dance led her to become a competitor where she later qualified as a ballroom dancing teacher which allowed her self-worth, self-confidence and social skills to grow. This unique book gives readers an insight into how popular music since the 1960s has affected how we dance. It also explores how dance impacts positively on our physical health and mental well-being and includes quotes from social dancers running through the narrative. It has information about the various styles of dance and details of organisations who can help you find an appropriate dance class near you. Dancing Through the Decades tells the fascinating story of how an extremely introverted, dyslexic, working-class girl with no self-esteem grew into a confident adult who not only ran her own dancing school for thirty years, but who also earned a Bachelor of Education, a Master of Business Administration and gained a National Professional Qualification for Headship. Yvonne became a confident public speaker who sat on a national advisory board for Special Educational Needs and is in the process of publishing a series of podcasts titled Dancing Through the Decade.

A warm and encouraging self-help book that draws inspiration and motivation from ballroom dancing. Precisely because the dance floor stands apart from the everyday world, allowing dancers to play, experiment and take on new roles, it also serves as a stage for human behavior. Antoinette Benevento, a former national ballroom dancing champion and co-owner of Fred Astaire Dance Studios, has been a student of that stage for 25 years. She has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life. Some of the tenets Antoinette Benevento lives, dances, and teaches by: -Persistence is a form of beauty -Give yourself permission to begin again--and again and again -If you're not willing to risk falling, you'll never learn to walk (or dance) -Desire is the energy that moves us forward in dance and in life -To dance well and to live fully, body and soul need to work together Building on the ballroom dancing craze that has swept the country, including the popularity of "Dancing with the Stars", this illuminating and highly readable book shows that what you learn on the dance floor can help you dance through life. ANTOINETTE BENEVENTO is co-owner of and National Training Director for the Fred Astaire Dance Studios and a former national ballroom dancing champion. EDWIN DOBB is a contributing editor of Harper's Magazine, and has written for numerous other national publications, including The New York Times Magazine, Vogue, and Discover.