The women in Jesus' life are a raucous and rowdy bunch, including "riotous" foremothers, "loose women," and "distressed daughters of Israel." Reading these new ways of interpreting women in the Gospels, male New Testament scholars have discovered liberating perspectives. In seven scintillating studies, Spencer explores among others the genealogy of Matthew's Gospel to discover the riotous yet righteous nature of Jesus' foremothers, slave girls and prophetic daughters in Luke-Acts, and women leading men in the Gospel of Mark 5-7. Scott Spencer, a virtuoso young New Testament scholar, provides his own lively forays into reading the Gospels through women's eyes. He shows what it is like for a man to read stories about the women in Jesus' life from a new perspective. Spencer is an able and inventive scholar whose broad-ranging insights and engaging style make his work very accessible.

Music was integral to the daily life of ancient Israel. It accompanied activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to deliver messages, convey emotions, strengthen communal bonds and establish human-divine contact. This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres: the Song of the Sea (Exod. 15), King Saul and David's harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. This investigation demonstrates how music helped shape and define the self-identity of ancient Israel.

New Testament scholars typically assume that the men who pervade the pages of Luke's two volumes are models of an implied "manliness." Scholars rarely question how Lukan men measure up to ancient masculine mores, even though masculinity is increasingly becoming a topic of inquiry in the field of New Testament and its related disciplines. Drawing especially from gender-critical work in classics, Brittany Wilson addresses this lacuna by examining key male characters in Luke-Acts in relation to constructions of masculinity in the Greco-Roman world. Of all Luke's male characters, Wilson maintains that four in particular problematize elite masculine norms: namely, Zechariah (the father of John the Baptist), the Ethiopian eunuch, Paul, and, above all, Jesus. She further explains that these men do not protect their bodily boundaries nor do they embody corporeal control, two interrelated male gender norms. Indeed, Zechariah loses his ability to speak, the Ethiopian eunuch is castrated, Paul loses his ability to see, and Jesus is put to death on the cross. With these bodily "violations," Wilson argues, Luke points to the all-powerful nature of God and in the process reconfigures--or refigures--men's own claims to power. Luke, however, not only refigures the so-called prerogative of male power, but he refigures the parameters of power itself. According to Luke, God provides an alternative construal of power in the figure of Jesus and thus redefines what it means to be masculine. Thus, for Luke, "real" men look manifestly unmanly. Wilson's findings in Unmanly Men will shatter long-held assumptions in scholarly circles and beyond about gendered interpretations of the New Testament, and how they can be used to understand the roles of the Bible's key characters.

This is the fifth and final installment of William Loader's authoritative, acclaimed series on attitudes toward sexuality in the ancient world. Sexual themes are never far beneath the surface where there are human beings. This was certainly the case for Christians in the first-century world. Some began in a strongly Jewish context and worked out their faith in dialogue with their scriptural heritage. Others had to work out their sexual ethics in a world strongly influenced by Greco-Roman ideals and practices. In The New Testament on Sexuality William Loader explores the relevant cultural contexts and looks at New Testament texts related to sexuality, highlighting both the warnings about sexual wrongdoing and the affirmations of sexual union. He deals with specific themes such as divorce, same-sex relations, women and men in leadership, and celibacy; individual behavior, gender roles and rules, preferences, and hopes also fall under the scope of his investigation. Broad-ranging and thorough, this book engages both the biblical texts and the diverse ways in which they have been interpreted.

Kara Lyons-Pardue examines the issue of the ending of the gospel of Mark, showing how the later additions to the text function as early receptions of the original gospel tradition providing an ancient “fix” to the problem of the ending in which the women flee the tomb in terror and silence. Lyons-Pardue suggests that the long ending functions canonically, smoothing out the “problem” of 16:8 in ways that support the nascent four-gospel canon. Lyons-Pardue argues that the long ending represents an ancient reception of the preceding gospel that continues to the unique portrait of discipleship that is characteristically Markan. Mary Magdalene forms the renewed paradigm of an unlikely person or outsider, here a woman, being the one to “go and tell” the good news. This pattern is then projected onto all disciples who are called to proclaim the news to the entire created order (16:15).

The Bible is laced with stories in which strangers behave better than believers. What do these encounters with “others”—people from different cultures, religions, genders, economic and social classes—teach us about our own spiritual values, about the faith and God behind them? In Sacred Strangers, Nancy Haught leads readers through these stories, line by line, offering insight to open hearts to sacred strangers at a time when personal encounters can make us or break us—as people, Americans, and citizens of the world.

Most Christians are familiar with this picture of the woman at the well: a sinner, an adulteress, even a prostitute. Exploring the reception history of John 4, Caryn Reeder challenges common interpretational assumptions about women and sexuality, yielding fresh insights from the story's original context and offering a bold challenge to teach the Bible in a way that truly values the voices of women.

We are not even sure of her name: it might have been Salome; it might have been Herodias, like that of her mother. She appears very briefly in only two Gospels of the New Testament, to dance at the birthday party of her mother’s husband, Herod, the ruler of Galilee. We do not even know what kind of dance it was, but we are told that it pleased him so much he promised to give her anything she asked for. What she asked for was the head of the prophet John the Baptist on a platter. Although she disappeared from the pages of the New Testament, Salome and her dance have puzzled, intrigued, and dominated the imaginations of artists and writers for two millennia. Was she just a little girl doing a dance performance to please her stepfather and his guests? Was she a nubile teenager bent on seduction? Was she a femme fatale who aimed at the death of a man she could not possess? The Salome Project is the result of a quest to answer these questions and find the real Salome.

A new generation on scholars examine many of the themes explored by the outstanding scholar James D. G. Dunn. >

This book examines slavery and gender through a feminist reading of narratives including female slaves in the Gospel of Luke, the Acts of the Apostles, and early Christian texts. Through the literary theory of Mikhail Bakhtin, the voices of three enslaved female characters—the female slave who questions Peter in Luke 22, Rhoda in Acts 12, and the prophesying slave of Acts 16—are placed into dialogue with female slaves found in the Apocryphal Acts, ancient novels, classical texts, and images of enslaved women on funerary monuments. Although ancients typically distrusted the words of slaves, Christy Cobb argues that female slaves in Luke-Acts speak truth to power, even though their gender and status suggest that they cannot. In this Bakhtinian reading, female slaves become truth-tellers and their words confirm aspects of Lukan theology. This exegetical, theoretical, and interdisciplinary book is a substantial contribution to conversations about women and slaves in Luke-Acts and early Christian literature.