Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called "Target Practice," "Geography Quiz," and "Names and Numbers." Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like "I Was a Teenage Monster," "The Irish Tenor," and "I've Got the Blues, Baby"), position study on the cello has never been so much fun!

'There are other dances in Aragon, ' says the author of this delightful book, 'but when the province is mentioned every Spaniard I have ever met preens himself and remarks, "Ah! La Jota".' There are indeed other dances. Mrs. Armstrong, a widely known authority on Spanish Dances and author of 'Dances of Spain: vol. I', in this series, takes us through the great province of Aragon, from the Pyrenees to the borders of Valencia, to busy Catalonia, and to Valencia itself, where Catalan and southern influences meet, Catalan delicacy softening the rigid grace of Andalusia. Everywhere she shows us the dances of the people: the famed Jota, the Sardana - of which, as she says, much has been written, and a great deal of it nonsense - and less-known dances such as the Dance of the Gypsies from the Valles, to which, oddly enough, no gypsies are admitted. To this most absorbing of travellers' tales has been added a more detailed step-by-step description of four selected dances, with the original music specially arranged for this series. In addition, four beautiful colour plates show traditional Spanish regional costumes.

A Violin solo with Piano Accompaniment composed by Pablo de Sarasate.

Includes four of the great Spanish composer's most admired and most performed suites for the piano, including his greatest work, Goyescas, the popular Spanish Dances, and the less-well-known but beautiful Escenas romanticas and Escenas poeticas, all reprinted from the original Spanish editions. Table of Contents.

V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.

Australians have been transported to an imaginary Spain from at least the 1830s, when cachuchas were first danced on the Sydney stage. In Take Me to Spain John Whiteoak explores the rich tapestry of Australians’ fascination with all thing Spanish, from the voluptuous sensuality of Lola Montez to operas featuring señoritas, toreadors and Gypsies, and from evocative silent and later Spain-themed Hollywood movies to the dazzlingly creative artistry of the flamenco dancers and guitarists who toured Australia in the 1960s and ’70s. Examining the diverse ways that Spanish music and dance have been mediated or hybridised to cater for Australian popular taste, this landmark study reveals how Hispanic traditions have become integral to the cultural history of the nation.