The real-life mystery of a catastrophic blast in 1920s Missouri that killed dozens at a Friday night dance and shattered an Ozark town. One rainy night in 1928, a crowd, many of them the sons and daughters of prominent local citizens, gathered for a weekly dance held at Bond Hall. The explosion that occurred as midnight approached transformed Bond Hall into a raging inferno, left thirty-nine dead, and sparked feverish national media attention and decades of bitterness in the Missouri Ozark town. And while the story inspired a popular country song, the firestorm remains an unsolved mystery. In this first book on the notorious catastrophe, Lin Waterhouse presents a clear account of the event and its aftermath that judiciously weighs conflicting testimony and deeply respects the personal anguish experienced by parents forced to identify their children by their clothing and personal trinkets. Based on extensive research into archival records and illustrated with numerous photos, this is a fascinating account of a heartbreaking disaster and the town it tore apart.

The 1928 explosion that transformed a West Plains dance hall into a raging inferno sparked feverish national media attention and decades of bitterness in the Missouri town it tore apart. And while the story inspired a popular country song, the firestorm that claimed thirty-nine lives remains an unsolved mystery. In this first book on the notorious catastrophe, Lin Waterhouse presents a clear account of the event and its aftermath that judiciously weighs conflicting testimony and deeply respects the personal anguish experienced by parents forced to identify their children by their clothing and personal trinkets.

On the eve of the Civil War, West Plains was a sleepy county seat with a population of 150 and a wood-frame courthouse in its town square. During the war, this Southern Missouri town was burned, abandoned, and eventually reconstructed. With the arrival of the railroad in 1883, West Plains turned boomtown, and photographers were among the first entrepreneurs to arrive. This volume of vintage photographs documents the town as it grew, struggled, and prospered over the next 50 years. Pictured here are the washwomen and the bankers, the circuses and the fires, the schools and homes that helped build the West Plains of today.

Drawing on the little-known true story of one tragic night at an Ozarks dance hall in the author’s Missouri hometown, this beautifully written, endearingly nostalgic novel picks up 50 years later for a folksy, character-driven portrayal of small-town life, split second decisions, and the ways family secrets reverberate through generations. From the new Fannie Flagg of the Ozarks, a richly-woven story of family, forgiveness, and reinvention for readers of Kristy Woodson Harvey, Donna Everhart, Sue Monk Kidd, Jeannette Walls, and Rita Mae Brown… "Anderson weaves a rich and poignant tale of a small Ozarks town's factual tragedy, its generational secrets and the juxtapose of searching and belonging. Vivid and evocative, this is a debut to savor." —Kim Michele Richardson, New York Times bestselling author of The Book Woman of Troublesome Creek series Daisy Flowers is fifteen in 1978 when her free-spirited mother dumps her in Possum Flats, Missouri. It’s a town that sounds like roadkill and, in Daisy’s eyes, is every bit as dead. Sentenced to spend the summer living with her grandmother, the wry and irreverent town mortician, Daisy draws the line at working for the family business, Flowers Funeral Home. Instead, she maneuvers her way into an internship at the local newspaper where, sorting through the basement archives, she learns of a mysterious tragedy from fifty years earlier… On a sweltering, terrible night in 1928, an explosion at the local dance hall left dozens of young people dead, shocking and scarring a town that still doesn’t know how or why it happened. Listed among the victims is a name that’s surprisingly familiar to Daisy, revealing an irresistible family connection to this long-ago accident. Obsessed with investigating the horrors and heroes of that night, Daisy soon discovers Possum Flats holds a multitude of secrets for a small town. And hardly anyone who remembers the tragedy is happy to have some teenaged hippie asking questions about it – not the fire-and-brimstone preacher who found his calling that tragic night; not the fed-up police chief; not the mayor’s widow or his mistress; not even Daisy’s own grandmother, a woman who’s never been afraid to raise eyebrows in the past, whether it’s for something she’s worn, sworn, or done for a living. Some secrets are guarded by the living, while others are kept by the dead, but as buried truths gradually come into the light, they’ll force a reckoning at last. Inspired by the true story of the Bond Dance Hall explosion, a tragedy that took place in the author’s hometown of West Plains, Missouri on April 13, 1928. The cause of the blast has never been determined. “A vivid blend of sensorial writing, historical detail, and memorable characters await in this compelling, surprising, insightful story of the weight of long-held secrets and the resulting hunger for truth.” —Susan Meissner, USA Today bestselling author of Only the Beautiful

Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.

The team of writer Chris Salewicz and photographer Adrian Boot have brought together 50,000 words of text and over 400 images from the ReggaeXplosion Archive to create a history that contains a potent cocktail of drama, turbulence, pride and protest. From the earliest emergence in the 1950s of the fiercely competitive sound systems, fighting sonic battles in downtown Kingston, the story of Jamaican music is traced through ska, the birth of reggae, dub, roots reggae and the impact of Bob Marley to the new, harder-edged developments that have emerged in the last twenty years, including dancehall, ragga and jungle. Unpublished transcripts of interviews with key figures like Lee 'Scratch' Perry and Prince Buster introduce the authentic voices of reggae history to the book - which blends researched facts, graphics and rare images to create not only a sense of the pulse of the music, but also the contrasts of poverty, humour, desperation and joie de vivre that typify both the island of Jamaica and its music.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

A fascinating look at hip hop, the world’s most popular music, and what it means to young people all over the globe, written by an acclaimed pop-culture critic. An excellent introduction to hip hop for young adults. Hip hop is arguably the predominant global youth subculture of this generation. In this book Dalton Higgins takes vivid snapshots of the hip hop scenes in Europe, North America, Asia, Africa and more. American hip hop has gone through growing pains, and is questioned for being too commercialized to articulate the hopes, concerns and dreams of marginal youth and community members. Outside the US, hip hop culture is often a political tool to mobilize disenfranchised communities around hard issues, with little support from mainstream corporations or sponsors. Higgins taps into his own powers of pop culture prognostication to predict the future of the genre and the youth culture that spawned it, as hip hop spreads its tentacles to the furthest reaches of humanity. "[The Groundwork Guides] are excellent books, mandatory for school libraries and the increasing body of young people prepared to take ownership of the situations and problems previous generations have left them." — Globe and Mail Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. CCSS.ELA-LITERACY.RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RI.6.3 Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes). CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.