Elizabeth is the junior matron at Foxton's School for Boys. Her attractions prove irresistible to Alexander, the son of the Lord Chief Justice. But their affair is shortlived as scandal forces them apart. But when a chance meeting brings them together again, their passionate reunion leads to a breathtaking crime fired by an overwhelming obsession.

It all started with a silly prank, a play and a dance - a love so enduring, so indestructible that it would survive against all odds. Elizabeth Sorrill is the junior matron at Foxton's élite School for Boys. Blessed with the kind of beauty others only dream about, her attractions prove irresistible to Alexander Belmayne, the seventeen-year-old son of the Lord Chief Justice. But their passionate affair is shortlived as bitter lies and scandal force them apart. Angry and frustrated at Oxford, Alexander thrives on his reputation as a heartbreaker, until Bohemian beauty Jessica Poynter draws him into a fast life of glittering excess and depravity in London's high society. But when a chance meeting brings Alexander and Elizabeth together again, their passionate reunion leads to a breathtaking crime fired by an overwhelming obsession - a hatred so violent it knows no limits...

A conceptual framework for understanding the development of improvised dance in late 20th-century America

An Amazon Bestseller Jo’s mother, Babe, liked to drink, dance, and stay up very late. When the husband she adored went on sales calls, she waited for him in the parking lot, embroidering pillowcases. Jo grew up thinking that the last thing she wanted was to be like her mother. Then it dawned on her that her own happiness was derived in large part from lessons Babe had taught her. Her mother might have had tomato aspic and stewed rhubarb in her fridge, while Jo had organic kale and almond milk in hers, but in more important ways they were much closer in spirit than Jo had once thought. At a turbulent time in America, Never Sit If You Can Dance offers uplifting lessons in old-fashioned civility that will ring true with mothers, daughters, and their families. Told with lighthearted good humor, it’s a charming tale of the way things used to be—and probably still should be.

The day has finally come, the first day of dance class. With shoes packed snug in her bag, we watch as mom and daughter head to the studio for an afternoon filled with ballet, tap, and jazz. A classroom of new friends awaits as we watch our little girl's feet take center stage, moving to the rhythm of the music. Boasting with self-confidence and pride, a new star is beginning to discover her shine as she falls in love with the way her body seamlessly moves to the sound of the beat. Inspired by author Nia Sioux's own love for the dance floor, this beautifully enriched story is all about dance and discovery. Highlighting the diverse and accepting culture within the world of the arts, this book is a simple story centered around the all-important message of inclusion.

Although having written books about finding inner peace and harmony, actress Shirley Maclaine, at age 58, realized that she is still searching for truth and tranquility. Some strong language. 1991.

Illustrations and simple, rhyming text encourage the reader to wiggle, shake, and twirl to the beat.

In 1940s Chicago, fifteen-year-old Ruby hopes to escape poverty by becoming a taxi dancer in a nightclub, but the work has unforeseen dangers and hiding the truth from her family and friends becomes increasingly difficult.

In her first posthumous work, the revered poet crafts a personal history of Black dance and captures the careers of legendary dancers along with her own rhythmic beginnings. Many learned of Ntozake Shange’s ability to blend movement with words when her acclaimed choreopoem for colored girls who have considered suicide/when the rainbow is enuf made its way to Broadway in 1976, eventually winning an Obie Award the following year. But before she found fame as a writer, poet, performer, dancer, and storyteller, she was an untrained student who found her footing in others’ classrooms. Dance We Do is a tribute to those who taught her and her passion for rhythm, movement, and dance. After 20 years of research, writing, and devotion, Ntozake Shange tells her history of Black dance through a series of portraits of the dancers who trained her, moved with her, and inspired her to share the power of the Black body with her audience. Shange celebrates and honors the contributions of the often unrecognized pioneers who continued the path Katherine Dunham paved through the twentieth century. Dance We Do features a stunning photo insert along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre. In what is now one of her final works, Ntozake Shange welcomes the reader into the world she loved best.