Describes an encounter in the desert when the animals came to a caravan campfire and danced with a child because fear was absent.

Kate Bennett isn't looking for love, but it shows up in a surprising and dramatic package. Matt Reynolds arrives on the scene with a flash of all-American heroism and treats Kate and her friends to a taste of excitement and beauty. When disaster strikes, Kate and her friends rally to support Matt. But will Kate be strong enough to give him the emotional support he really needs? A touching story of one man's search for love and stability in the face of a personal demon - epilepsy - and the joy and pain of loving unconditionally.

"Having witnessed the violent deaths of both her husband and father in one terrible day, Dara flees to the solitude of a secret house in a remote desert valley. But she's not alone, for a strange woman dances on the distant sands of the desert. Further, Dara's begun to hear a voice in the wind that whispers it loves her, and invites her to dance. Follow Dara as she learns the art of loving despite her fears, discovers the mother who abandoned her long ago, and surrenders at last to the rhythm of grace." -- Amazon.

Because Rattlesnake has taken over the road and will not let any of the people or animals in the village use it, Desert Woman enlists the aid of the other animals to create a strange new creature with the necessary tools to overcome Rattlesnake.

Reflections, meditations, prayers, activities and liturgies for Lent. Includes a liturgy for Mother's Day, worship for Ash Wednesday, an all-age service for Shrove Tuesday for making and sharing pancakes, and other all-age resources. Sally Foster-Fulton i

For forty days and forty nights during the winter of 1999, three Canadians, Bruce Kirkby, Jamie Clarke, and Leigh Clarke, along with three Omani Bedu, travelled by camel across Arabia’s great southern desert – the legendary Empty Quarter. Journeying from Salala in Oman on the Arabian Sea, they headed north and east for 1,200 kilometres across remote and largely unexplored desert wilderness, where ranges of sand dunes tower to over three hundred metres in height. When they finally reached Abu Dhabi on the Persian Gulf, they were received as heroes. Theirs was the first camel crossing of the Empty Quarter in over fifty years. The expedition had historic roots, since the team sought to retrace for the first time the original 1947 crossing by world-famous explorer and adventurer Sir Wilfred Thesiger. In the years since Sir Wilfred’s journey, Arabia and the Bedu have faced enormous upheaval. The discovery of oil precipitated rapid and irreversible changes to a nomadic society that had existed in relative isolation since the time of Mohammed. Travelling with their three Bedu companions, the team was afforded a rare glimpse of how these changes have affected the last of the Arabian nomads. During the desert crossing the team was determined to travel and live as authentically as possible, on camels, taking Arabic names and wearing traditional clothing, drinking their water from rank goatskins and eating mainly unleavened bread and dried camel meat. The cultural insights they were afforded are constantly fascinating – but so are the cultural clashes, since the party was often followed by Land Cruisers full of well-meaning supporters who threatened to destroy the spirit of the journey. The expedition was also full of adventure and incident – such as a hundred-foot descent down a narrow, snake-infested well, a three-day sandstorm, the sting of a desert scorpion, and the challenge of living with inescapable heat and nagging dehydration. The Empty Quarter Traverse received considerable media coverage, both nationally and internationally. In nineteen countries around the world, 22,000 school children enrolled in the team’s Internet education program, and 4.8 million people visited the expedition Web site. The trek was reported widely and was the subject of a feature story on the CBC National and a front-page colour photo story in the National Post. Now Bruce Kirkby has written a thoughtful and deeply felt account of this challenging expedition – and has illustrated it with twenty-four pages of his stunning colour photographs. Anyone interested in remote areas of the world or stirred by the romance of old-fashioned adventure and daring will find Sand Dance constantly engaging.

The annual seasons and rhythms of the desert are a dance of clouds, wind, rain, and flood—water in it roles from bringer of food to destroyer of life. The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature. Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.

Life is often filled with trial, heartache, grief, and struggle. But, perhaps there’s a treasure to be found in those difficult seasons and that treasure is intimacy with God Himself. That should be reason enough to rejoice. So, how do we take God’s command to Pharaoh in Exodus 5 to “Let my people go so they may hold a festival for me in the desert” as a holy invitation to be stripped down and made whole, while still worshipping the one who allows the stripping? Through vulnerable and transparent stories, Laureen Alexa Trujillo shares her personal testimony of hardship and trial and all that God taught her through suffering. She highlights the faithfulness of God and brings attention to the purpose of her struggle: To learn dependency on God by being exposed to the barrenness of the desert, surrender the false comfort of our personal Egypt, and come out stronger and more refined for the Promise Land we were created to inherit. Through Festival in the Desert Laureen walks you through the question that confronted her: how do we learn and truly embrace the fact that God can and will work all things together for good as we seek Him and choose to love Him through uncertainty, fear, and hardship? The stories and interactive prompts will point us to the heart of the Father, reminding us that God is faithful, present, trustworthy, and more than capable of making a way for us when there doesn’t seem to be one, ushering in freedom, comfort, and renewed hope.

2016 Christian Book Award finalist (Bibles category) Stories of Scripture are often portrayed two-dimensionally, making people in the Bible seem familiar, predictable, even flat. We don't always read their stories with much awareness of the pressures they faced, the doubts they had, the assumptions they made, or the alternatives they have chosen. The Dancing in the Desert Devotional Bible in the New Living Translation encourages readers to take an honest look at the people in the Bible. Chris Tiegreen, author of many popular devotionals for both men and women, has written 270 devotionals that explore the lives of people in the Bible and how they faced their own life's wilderness and found meaning, significance, and purpose with God. When we keep our gaze fixed on a story bigger than our own lives, we, too, can learn to dance in even the driest of our deserts.