A Brooklyn stickup artist, his taxi-dancing wife, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converge in 1930s Sing Sing heading toward death, redemption-and Ebbets Field. *** "DANCE HALL: A NOVEL OF SING SING" unveils a grand and riveting tale of a violent and desperate past, unforgettably narrated in a gripping, often wry, fashion--recorded in tears and punctuated in--rarely innocent--blood. Dance Hall flawlessly transports readers to a seedy, volatile 1930s underworld where love and honor and redemption jostle for mere survival with greed and lust and betrayal. Dance Hall reveals the story of a Brooklyn stickup artist, his taxi-dancing Filipina spouse, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converging in Sing Sing, destined for love, death, forgiveness, redemption--and Ebbets Field. Dance Hall reveals a page-turning web of perfectly-balanced back stories: of a young parish priest gone wrong and then right again, of a brutal Bowery killer with escape on his mind, a con man with the vestige of a conscience, a thuggish Garment District goon with a devout sister, a tell-all Broadway gossip columnist who can make or break you, a rat of an accomplice, a once-disgraced private detective who now surprisingly elevates a principle above a paycheck. Read Dance Hall and you live and breathe life inside cold and desperate prison halls and cells; sweaty and often violent Brooklyn dime-a-dance dance halls; threadbare tenements, back-alley speakeasies where anything you wanted badly enough was for sale; the offices of the rich and powerful and still conflicted; and of a waiting area for Sing Sing's "Death Row" called "The Dance Hall"--all while returning you to Depression days when hope reigned supreme. Because hope was all you had.

A groundbreaking and visionary call to action on educating and supporting girls of color, from the highly acclaimed author of Pushout, with a foreword by award-winning educational abolitionist Bettina Love Wise Black women have known for centuries that the blues have been a platform for truth-telling, an underground musical railroad to survival, and an essential form of resistance, healing, and learning. In this “powerful call to action” (Rethinking Schools), leading advocate Monique W. Morris invokes the spirit of the blues to articulate a radically healing and empowering pedagogy for Black and Brown girls. Morris describes with candor and love what it looks like to meet the complex needs of girls on the margins. Sing a Rhythm, Dance a Blues is a “vital, generous, and sensitively reasoned argument for how we might transform American schools to better educate Black and Brown girls” (San Francisco Chronicle). Morris brings together research and real life in this chorus of interviews, case studies, and the testimonies of remarkable people who work successfully with girls of color. The result is this radiant guide to moving away from punishment, trauma, and discrimination toward safety, justice, and genuine community in our schools.

Another playful and winning story by the author of Pete the Cat: I Love My White Shoes! Hazel Nut wants her family to sing and dance along with her, but they are just too busy! Who can she call? Why... her super-hip, disco-dancing Grandma Nut! In the second book of the Nuts series, Eric Litwin's playful call-and-response rhymes and Scott Magoon's hilarious illustrations invite readers young and old to join in on the fun.

Ten years of infertility issues culminate in the destruction of music therapist Zoe Baxter's marriage, after which she falls in love with another woman and wants to start a family, but her ex-husband, Max, stands in the way.

Fifteen-year-old Diamond stopped going to school the day she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school. Just 16 percent of female students, Black girls make up more than one-third of all girls with a school-related arrest. The first trade book to tell these untold stories, Pushout exposes a world of confined potential and supports the growing movement to address the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures. For four years Monique W. Morris, author of Black Stats, chronicled the experiences of black girls across the country whose intricate lives are misunderstood, highly judged—by teachers, administrators, and the justice system—and degraded by the very institutions charged with helping them flourish. Morris shows how, despite obstacles, stigmas, stereotypes, and despair, black girls still find ways to breathe remarkable dignity into their lives in classrooms, juvenile facilities, and beyond.

After a lifetime of failed relationships, non-binary history professor Sam Bell is committed to a new (non)romantic strategy: Thirst Only. It's the actual drinking where things get too complicated, where Sam inevitably gets hurt. Sam is good at being thirsty, though, especially when it's karaoke night at The Moonlight Cafe, otherwise known as Moonie's to its largely queer regulars. Moonie's is fun. Comfortable. Safe. Except for tonight, when one by one, all of Sam's friends abandon them. Disappointed, they prepare to leave. Until their #1 karaoke crush catches their eye... For Lily Fischer, karaoke at Moonie's is the only time she can step outside of her quiet shell. When there's a mic in her hand, she's no longer merely a receptionist harboring big dreams. At Moonie's, Lily can pretend to be someone else: someone bold, who takes what she wants. And tonight, what Lily wants is the way Sam looks at her across the room as she sings her signature opening song, like they see her exactly as she wants to be seen. Like Moonie's Lily is real. As the night progresses, both Sam's and Lily's personal boundaries are tested, and the real world outside of Moonie's looms. But maybe sometimes, the real world should be a little more like karaoke. It's not always about knowing all the right words or having the perfect voice. Maybe all Sam and Lily need is a little courage to pick up the mic, and sing anyway.

Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.

We all sing with the same voice, And we sing in harmony! The familiar words to this joyful song combine with vibrant illustrations to celebrate the idea that no matter where children live, what they look like, or what they do, they're all the same where it counts -- at heart. "We All Sing with the Same Voice" was aired and continues to be seen on Sesame Street, the celebrated educational children's television show produced by Sesame Workshop, the nonprofit educational organization. Paul Meisel is the illustrator of many popular books for children, including how to talk to your cat by Jean Craighead George.

On a simple trip to the park, the joy of music overtakes a mother and daughter. The little girl hears a rhythm coming from the world around her- from butterflies, to street performers, to ice cream sellers everything is musical! She sniffs, snaps, and shakes her way into the heart of the beat, finally busting out in an impromptu dance, which all the kids join in on! Award-winning illustrator Frank Morrison and Connie Schofield-Morrison, capture the beat of the street, to create a rollicking read that will get any kid in the mood to boogie.