The subTexte series of the IPF-Institute for the Performing Arts and Film, is dedicated to presenting original research within two fields of inquiry: Performative Practice and Film. The series offers a platform for the publication of texts, images, or digital media emerging from research on, for, or through the performative arts or film. The series contributes to promoting practice-based art research beyond the ephemeral event and the isolated monograph, to reporting intermediate research findings, and to opening up comparative perspectives. www.zhdk.ch/forschung/ipf

Apply authentic, eye-catching designs — from simple weaves to elaborate interlacings — to traditional Celtic costumes, T-shirts, and more. Ideal for embroidery work, fabric painting, woodburning, and other crafts. Simple instructions explain how to transfer patterns depicting wreaths, corners, borders, and centerpieces to a variety of ink-absorbing surfaces.

Costumes for dancers have exacting requirements. They have to look the part but let the dancers move freely. They need to be strong enough to cope with the wear and tear of performances and stresses that dance can place on seams and darts, and yet be light enough to flow well and to allow the dancer to move and breathe. This well-illustrated book shows how to start making costumes for dancers. The author looks at different styles, cuts and materials that can be used, and shows how costume sketches can be translated into actual garments to suit the dancer's needs.

Dress and adornment have long played an important role in the visual allure of dance, and fashion designers have often been inspired by the way dancers look. This book features essays by 10 fashion experts who explore various aspects of the reciprocal relationship between dance and fashion, from the liberating effects of the tango to the influence of ballet on Japanese girl culture.

Costume in Motion is a guide to all stages of the collaboration process between costume designers and choreographers, documenting a wide range of approaches to the creation of a dance piece. Featuring interviews with a diverse selection of over 40 choreographers and designers, in-depth case studies of works by leading dance companies, and stunning original photography, the book explores the particular challenges and creative opportunities of designing for the body in motion. Filled with examples of successful collaborations in contemporary and modern dance, as well as a wide range of other styles, Costume in Motion provides costume designers and choreographers with a greater understanding of the field from the other’s perspective. The book is designed to be part of the curriculum for an undergraduate or graduate level course in costume design or choreography, and it can also be an enriching read for artists at any stage of their careers wishing to hone their collaboration skills in dance.