Mary must decide how to cast the roles for the ballet Snow White, which the school will perform for International Dance Day. Bruno has no competition for the role of Prince Charming. But who will play Snow White? Julie is fed up with her perpetual image as the sweet heroine, while Carla can totally picture herself in this starring role. So who, in the end, will bite the red apple and be kissed by Bruno? Julie? Carla? Lucie? Alia? In the world of dance, anything can happen!

Ballet students Julie, Lucie, and Alia study different dances, vie for the affections of cute boys, compete with the arrogant Carla, and try to get accepted into the National Ballet Competition in Paris.

The dress sewn by seamstress Nathalia for the titular "The Snow Queen" is stunning. She really outdid herself for the performance. But the signature dress disappears overnight! The whole Dance Class is on edge and blames Carla for the mysterious disappearance. She will do anything to find that dress and prove her innocence. With many false leads, and without the help of her friends Julie, Alia, and Lucie who are busy rehearsing for the upcoming ballet recital, Carla must be the Snow Queen AND the Detective Queen to save the show.

"Tomko blazes a new trail in dance scholarship by interconnecting U.S. History and dance studies. . . . the first to argue successfully that middle-class U.S. women promoted a new dance practice to manage industrial changes, crowded urban living, massive immigration, and interchange and repositioning among different classes." —Choice From salons to dance halls to settlement houses, new dance practices at the turn of the century became a vehicle for expressing cultural issues and negotiating matters of gender. By examining master narratives of modern dance history, this provocative and insightful book demonstrates the cultural agency of Progressive-era dance practices.

Julie, Lucy, and Alia are best friends who share the same passion: dance! A new year of classes has begun and this year, in addition to their regular ballet and modern dance classes, the three girls are introduced to a new style of dance — African folk! Powered by deep percussion-based music, this style is unlike anything they've ever tried before. While the girls enjoy their new art form, problems at home and in the classroom threaten to cause them to have to stop taking their dance classes. Can the girls balance their studies and their extracurricular activities, or will they have to give up dancing for good?

In Jason Platt's debut graphic novel, Ferris Bueller meets Calvin and Hobbes in this hilarious and embarrassing middle school caper that asks the important questions--like how long can one kid vamp before he embarrasses himself in front of his whole school? Newell is always getting into trouble--whether it's showing up tardy for most of the year, or mocking his teachers while authoritarian Mr. Todd is standing right behind him. When disaster strikes and Newell finds himself on track to summer school, he's given one last minute option to get out of it--participating in the upcoming Talent Show. The only problem is that he doesn't technically have a talent to show. Yikes. In this fun and imaginative full-color graphic novel, Jason Platt sends a fast-talking, daydreaming, middle school kid on a desperate quest to pull off a great show and save his summer. This title will be simultaneously available in hardcover.

Katie loves being the best dancer in her dance class, so when Mattie joins the class and begins to outshine her, Katie is jealous.

Teaches the national versions of the 22 most popular line dances.

A breathtaking celebration of contemporary dance, featuring the best work from the award-winning magazine DANCE INK (1990-96). This striking volume includes many new and previously unpublished photographs. Essays on five renowned choreographers offer insight into the distinctive style and personality of each artist. DANCE INK: PHOTOGRAPHS captures the spirit and power of dance itself. 5 color sections. Over 200 duotones.