This artist’s book documents Dan Colen’s 2011 exhibition at Gagosian Gallery in New York, as well as his June 2012 Gagosian exhibition in Paris. Drawing from mass media, local environment, and subculture, Dan Colen’s art imbues the ordinary, the disenfranchised, and the tribal with provocative new status. This publication includes over fifty new works, including Colen’s series of Grass, Gum, Confetti, and Stud, with extensive details of the works.

An unprecedented look at Nellie Mae Rowe's art as a radical act of self-expression and liberation in the post-civil rights-era South During the last 15 years of her life, Nellie Mae Rowe lived on Paces Ferry Road, a major thoroughfare in Vinings, Georgia, and welcomed visitors to her "Playhouse," which she decorated with found-object installations, handmade dolls, chewing-gum sculptures and hundreds of drawings. Rowe created her first works as a child in rural Fayetteville, Georgia, but only found the time and space to reclaim her artistic practice in the late 1960s, following the deaths of her second husband and her longtime employer. This book offers an unprecedented view of how Rowe cultivated her drawing practice late in life, starting with colorful and at times simple sketches on found materials and moving toward her most celebrated, highly complex compositions on paper. Through photographs and reconstructions of her Playhouse created for an experimental documentary on her life, this publication is also the first to juxtapose her drawings with her art environment. Nellie Mae Rowe (1900-82) grew up in rural Fayetteville, Georgia. When her Playhouse became an Atlanta attraction, she began to exhibit her art outside of her home, beginning with Missing Pieces: Georgia Folk Art, 1770-1976, a traveling exhibition that brought attention to several Southern self-taught artists, including Rowe and Howard Finster. In 1982, the year she died, Rowe's work received a new level of acclaim, as she was honored in a solo exhibition at Spelman College and included as one of three women artists in the Corcoran Gallery of Art's landmark exhibition .

The first comprehensive monograph on the cinema, art, and creative world of Harmony Korine, the boundary-breaking auteur of Mister Lonely, Kids, Gummo, and Spring Breakers. Harmony Korine’s talent as a writer and filmmaker has earned the approval of a wide range of audiences. His first major monograph gathers together many of his most significant projects, spanning film, writing, and art. Korine rose to prominence after penning Larry Clark’s infamous Kids (1995) at the age of nineteen. In the years since, he has created critically acclaimed cult classics, including Gummo, Julien Donkey-Boy, Mister Lonely, Trash Humpers, and Spring Breakers, as well as the lauded street-art documentary Beautiful Losers. Korine’s creative practice extends to photography, drawing, and figurative and abstract painting. This book is the first to reflect on Korine’s career to date, and will mark his massive influence on indie culture over the past twenty years. This project aims to explore the importance of process and experimentation as well as the artist’s wide variety of creative tools such as collage and editing that help shape his ever-changing practice. An interview by film critic Emmanuel Burdeau and an essay by curator Alicia Knock trace common themes through his films and art works, exploring Korine’s interests in the surreal quality of contemporary life.

The acclaimed chronicle of the rich history of this innovative furniture company, from its founding in the early twentieth century to today

A global assessment of potential and anticipated impacts of efforts to achieve the SDGs on forests and related socio-economic systems. This title is available as Open Access via Cambridge Core.

The artist's studio occupies a unique place in the popular imagination. Its environment is both the site of the artist's creative production, and a deeply private, personal space that nourishes and bears witness to the artist's working process, in a continuous interplay with its location, layout, interior and ambience. This rare access to the studio by a trusted visitor provides a unique opportunity to experience the lives of artists working in New York, through their methods, materials and influences, contained within the intimate space of the studio, and observed with an acutely sensitive eye. Artist Studios in New York - which Marco Anelli has been exploring since 2011 - leads the viewer into the creative process of internationally famous artists such as Alex Katz, Alfredo Jaar, Cecily Brown, Dan Colen, Elisabeth Peyton, Francesco Clemente, Jack Pierson, Joan Jonas, Joyce Pensato, Jonas Mekas, Jordan Wolfson, Julian Schnabel, Julie Mehretu, Kiki Smith, Lawrence Weiner, Mariko Mori, Marina Abramovic, Matthew Barney, Mickalene Thomas, Nate Lowman, Pat Steir, Rob Wynne, Robert Longo, Stanley Whitney, Tony Oursler, Ugo Rondinone, Urs Fisher, Vik Muniz.

This book can be read like a series of short stories - the story of a steel worker who was laid off after twenty years in the same factory and who now struggles to support his family on unemployment benefits and a part-time job; the story of a trade unionist who finds his goals undermined by the changing nature of work; the story of a family from Algeria living in a housing estate in the outskirts of Paris whose members have to cope with pervasive, everyday forms of racism; the story of a school teacher confronted with urban violence; and many others as well. Reading these stories enables one to understand these people's lives and the forms of social suffering which are part of them. And the reader will see that this book offers not only a distinctive method for analysing social life, but also another way of practising politics.

Intertwines a dual emphasis on evolving institutional priorities and major shifts in artistic production.

Every queer person lives with the trauma of AIDS, and this plays out intergenerationally. Usually we hear about two generations—the first, coming of age in the era of gay liberation, and then watching entire circles of friends die of a mysterious illness as the government did nothing to intervene. And now we hear about younger people growing up with effective treatment and prevention available, unable to comprehend the magnitude of the loss. But there is another generation between these two, one that came of age in the midst of the epidemic with the belief that desire intrinsically led to death, and internalized this trauma as part of becoming queer. Between Certain Death and a Possible Future: Queer Writing on Growing up with the AIDS Crisis offers crucial stories from this missing generation in AIDS literature and cultural politics. This wide-ranging collection includes 36 personal essays on the ongoing and persistent impact of the HIV/AIDS crisis in queer lives. Here you will find an expansive range of perspectives on a specific generational story—essays that explore and explode conventional wisdom, while also providing a necessary bridge between experiences. These essays respond, with eloquence and incisiveness, to the question: How do we reckon with the trauma that continues to this day, and imagine a way out?