Growing up in a family whose only interest is her older sister, a precociously talented singer, Daisy learns early on how to cope with disappointment and rejection. Strikingly attractive, Daisy is determined to break free and live life on her own terms. Then a despicable act of violence gives her no choice but to leave home. The WAAFs want recruits and Daisy, full of anticipation and trepidation, signs up. Now she can be the person she's always wanted to be - but who exactly is that? Through the dangers of the war, the raids, the heightened camaraderie, the emotional tension, Daisy comes to realise that she need not put up a front as a good-time girl or an ice-queen. But by then, it's too late for the one pilot who almost broke through her reserve...

With hope dwindling, can she find her way again? The three Caldwell sisters have split up. Imogen has joined the war effort, Elsie has married, and Daisy is living away from home and missing her sisters. Although busy making new friends and dancing with handsome young men, Daisy cannot avoid the horrors of the war. As a nurse she is confronted by death daily, and she can’t help but worry that one day she’ll lose those closest to her. As the chaos of the Second World War rages on and her life becomes ruled by uncertainty, Daisy dreams of real love, lasting friendship and a brighter future. Now, she must find the strength to fight for it... An emotional and compelling wartime saga, perfect for fans of Katie Flynn, Rosie Hendry and Fenella J. Miller.

It is 1941. Britain is in the grip of the Second World War, and in Ireland, ten year old Lizzie Doyle is getting on with her life and trying to adjust to the arrival of her wild cousin Vicky from England. Vicky is trouble, she's a flirt, she's devious and she's headstrong. Can she and good natured Lizzie ever be real friends? Suggested level: intermediate, junior secondary.

The second instalment of the Gods of War saga. Something has gone wrong with the afterlife, Pluto has been locked out of his realm and things are crumbling at the seams. The gods need to act but they must send it two humans to do their dirty work for them, Henry and Daisy, and one of them will be killed...

This book is one of the few scholarly works on critical pedagogy that makes use of empirical data in the specific context of analyzing both academic and sociopolitical articulations of critical student agency and agentive growth of Latino immigrant students.

She longed for a family of her own... Growing up in an orphanage on East London’s Cobb Street, Daisy Driscoll never felt the warm heart of home. Forging her own way in the world, determined Daisy struggles to make ends meet as the country finds itself on the brink of the Second World War.

1948: Daisy Driscoll is working as a qualified Sister in Brighton. The war may be over, but Daisy's heart is in turmoil. Abandoned in childhood and haunted by the experience of her first marriage, Daisy no longer trusts anyone. Convinced the roots of her identity lie in India, and desperate to find the truth, Daisy leaps at the chance to leave her lonely life behind when her friend Grayson Harte travels to the East on business. As she uncovers long-hidden secrets about the family she never knew, will she be able to put the past behind her and find happiness after all?

The grainy black-and-white television ad shows a young girl in a flower-filled meadow, holding a daisy and plucking its petals, which she counts one by one. As the camera slowly zooms in on her eye, a man's solemn countdown replaces hers. At zero the little girl's eye is engulfed by an atomic mushroom cloud. As the inferno roils in the background, President Lyndon B. Johnson's voice intones, "These are the stakes -- to make a world in which all of God's children can live, or to go into the dark. We must either love each other, or we must die." In this thought-provoking and highly readable book, Robert Mann provides a concise, engaging study of the "Daisy Girl" ad, widely acknowledged as the most important and memorable political ad in American history. Commissioned by Johnson's campaign and aired only once during Johnson's 1964 presidential contest against Barry Goldwater, it remains an iconic piece of electoral propaganda, intertwining cold war fears of nuclear annihilation with the increasingly savvy world of media and advertising. Mann presents a nuanced view of how Johnson's campaign successfully cast Barry Goldwater as a radical too dangerous to control the nation's nuclear arsenal, a depiction that sparked immediate controversy across the United States. Repeatedly analyzed in countless books and articles, the spot purportedly destroyed Goldwater's presidential campaign. Although that degree of impact on the Goldwater campaign is debatable, what is certain is that the ad ushered in a new era of political advertising using emotional appeals as a routine aspect of campaign strategy.

THE PET WAR is a hilarious story about the timeless battles of dog vs. cat, brother vs. sister, know-it-all vs. know-nothing. Eleven-year-old Otto wants a dog. His twelve-year-old perfect sister, Lexi, wants a cat. Their mother, who works very long hours as a nurse, wants neither. Pets are expensive so who's going to pay for everything? And what happens to the pet when the siblings are at their dad's for the weekend? Otto has an idea. What if he got a job and earned enough money to pay for the dog? Then Lexi has to open her big mouth. She proposes that whichever sibling can raise enough money first will decide which pet they get. Oddly enough, their mom and dad agree. With Otto and Lexi each out to defeat the other, their business plans become more elaborate and involved. As the competition gets fiercer, the stakes get higher, and the battle lines have been drawn, so let the Pet War begin. . . .

Although his teacher insists there are stories everywhere, Ralph cannot think of any to write.