DAIR (THE WILD SIDE #3) ARE YOU READY FOR THE TRUTH? I’d started writing everything about her down. I didn’t want to forget. The color of her hair. The depth of her eyes. The stubborn shape of her jaw. The way her lips shaped words with such expression. The way her voice made my chest ache. The way she gave advice beyond her years. The way she listened like she cared about every word. The way she made me feel—Alive. Every curve and hollow of her body was recorded, in my mind, and now my hard drive. There was a bit of truth in every lie, and even if it had only been fed to me in the smallest increments, I wanted, needed to remember the real Iris. Because in the end, there was one irrefutable thing that I couldn’t deny. Hostage or hustler, sinner or saint, whatever she was or wasn’t, whether she lied to my face or taunted me with hints of the truth, all of this seemed always to defer to the more pertinent fact at hand. She was mine. Inconceivably. Undeniably. Mine. After yet another shocking discovery, followed by a disturbing letter, Dair is almost certain Iris has left his life for good. He tries his best to move on. Easier said than done, and when an unexpected and dangerous opportunity arises for him to find out what happened to her, he doesn’t hesitate to take it. As usual, with Iris, the answer leaves him more lost than the question. Every revelation is shrouded in mystery, and every disclosure leaves Dair more in the dark than ever. And when finally, the messy truth is revealed in its entirety, will he be ready for it? This is the final installment in Iris and Dair’s story This book is intended for readers 18 and up.

Design with Type takes the reader through a study of typography that starts with the individual letter and proceeds through the word, the line, and the mass of text. The contrasts possible with type are treated in detail, along with their applications to the typography ofbooks, advertising, magazines, and information data. The various contending schools oftypography are discussed, copiously illustrated with the author's selection of over 150 examples of imaginative typography from many parts ot the world. Design with Type differs from all other books on typography in that it discusses type as a design material as well as a means of communication: the premise is that if type is understood in terms of design, the user of type will be better able to work with it to achieve maximum legibility and effectiveness, as well as aesthetic pleasure. Everyone who uses type, everyone who enjoys the appearance of the printed word, will find Design with Type informative and fascinating. It provides, too, an outstanding example of the effectiveness of imaginative and tasteful typographic design.