Whether guitarists are new to open-tunings or already working with them, fingerstyle specialist Jim Goodin offers a progressive look at the popular D-based harp-like tuning. Classical, Celtic, blues, folk, gospel and several original compositions are represented in the 15 notation/tablature arrangements each arranged proportionately to offer beginning, intermediate and advanced fingerstyle players opportunities to grow their technique. Interspersed with the song arrangements are sections featuring major and minor scale studies and popular folk and jazz style chords. Includes a 15-track CD produced at Will Ackerman's Imaginary Road Studio where the book's arrangements were recorded. to round out this robust offering Jim includes thoughts about the origin of DADGAD, the songs, his technique with special how-to features such as one on playing natural and harp style harmonics and recommended listening CD's to expand listening knowledge on this tuning.

The word "DADGAD" refers to the names of the notes on the open strings of one of many alternate tunings for the guitar, one that is very popular with acoustic guitar players. It has a wonderfully warm resonance, allowing you to play simple single-note melodies, yet still fill out the sound of the instrument. The twenty Christmas carols presented here form a perfect introduction to playing guitar in DADGAD tuning. The melodies are presented without added bass notes or chords - just those great melodies, once heard, never forgotten. This means you already know what the tune is supposed to sound like, leaving you to concentrate on playing the notes on the right string and fret, and for the right length of time. This book is the easiest of Rob Mackillop's DADGAD books. It assumes you know how to hold and tune the guitar, and play some notes and a few simple chords. The book includes a "Technique Primer" to help get you up and running, plus the essential chord diagrams for playing in DADGAD tuning. Book includes access to online audio featuring Rob MacKillop's performance of each piece.

This book contains thirty of the most requested Celtic session tunes, arranged for DADGAD tuning. Accompanying audio is available as an online download, whichincludes performances by Rob MacKillop. To assist playing these tunes, a technique primer and specific exercises are included. With the use of a capo youwill be able to play these tunes in their traditional keys. The tunes can be played fingerstyle or with a pick. The repertoire includes classic tunes such as DrowsyMaggie, Soldier's Joy, St. Patrick's Day In the Morning, The Kesh, The Rights ofMan and The Wind That Shakes The Barley. A bonus twenty-five traditional Scottish lute pieces are included, also arranged for DADGAD tuning! Includes access to online audio

Ragtime music and DADGAD tuning seem to be made for each other, or so you will believe after playing these wonderful arrangements by Rob MacKillop. With performance levels running from intermediate to advanced, there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer, Weeping Willow, etc.), James Scott (Grace and Beauty), Charles L. Johnson (Dill Pickles Rag), Fred Van Eps (Rag Pickings), to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller, there is quite a variety of styles to explore. Additionally, recordings by Rob MacKillop will guide and entertain you in the art of DADGAD ragtime guitar! Access to online audio is included. Written in tablature and standard notation.

Whispering Stones won the award for “Best Recording” from the Washington Area Music Association and has continued to be a favorite with fans of fingerstyle guitar music throughout the world. The book features Celtic-inspired original and traditional tunes performed on solo acoustic guitar with the occasional addition of flute, mandolin, cello, piano, or bells. The tunes appear in the same order as in the recording. Al Petteway is an award-winning fingerstyle guitarist and composer. His many “Wammie” awards from the Washington Area Music Association include “Artist of the Year” and “Musician of the Year”. Al’s playing fuses Celtic/British ideas and tunings with American themes and drive. Acoustic Guitar Magazine praised his ‘concise, clean arrangements similar to John Renbourn’s better work’. In notation and tablature.

El McMeen has authored many guitar books for Mel Bay Publications, but this book holds a special place in his heart. This cutting-edge collection includes melodic, challenging, and exuberant band marches carefully arranged for fingerstyle guitar. The book contains arrangements of seven marches (including six by John Philip Sousa), many of which are in various open tunings. These pieces are challenging and geared for intermediate-advanced and advanced guitarists. There are so many great melodies in this collection–guitarists can camp on sections of pieces that they enjoy or tackle the pieces in their entirety. The book also contains a discussion by El McMeen on his selection and arrangement process. Includes access to online audio.

The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar! In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: "Che Gelida Manina" from Puccini's "La Boheme" and "My Heart at Thy Sweet Voice" (“Mon Coeur S'ouvre à ta Voix”) from "Samson and Delilah" by Camille Saint-Saëns. Sandy's contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandy's gift for chordal subtleties and innovation. Each piece is in either standard tuning (EADGBE) or Drop D tuning (DADGBE). Written in standard notation and tablature with computer generated audio files of each arrangement.

This book offers a large number of essential chords and scales for the DADGAD tuning of the guitar. the material assembled here opens up a multitude of possibilities to expand and improve your playing in this unique tuning. Chords are shown in their customary harmonic contexts, instead of just listing them (as is done in most other chord-books). Skim and skip around in the book as you like, experiment, and linger where ever you find your musical inspiration. Have fun with this new, unique DADGAD book.

This book is an extension and expansion of the previously released Mel Bay book, DADGAD Tuning. It includes a number of additional instrumental solos in DADGAD for beginning-intermediate guitar players, while introdtucing DGDGCD, a related open tuning. Although many of the selections are traditional Irish dancetunes, the book also includes an American dance tune, two traditional Irish songs, and original instrumentals by Frederick Boyce, Jake Schumacher, Gilles le Bigot,and the author. The book is written in tablature and standard notation

Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGADtuning to play traditional tunes, including twenty-four complete arrangements ofcommon American, Irish and Scottish ballads, airs, jigs and reels. The bookexplores techniques and patterns for playing melodies across the strings, producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire, the material demonstrates ways to arrange your own melodies or even write your own tunes based on thetechniques provided. This is a perfect follow-up for guitarists who have studiedUnderstanding DADGAD for Fingerstyle Guitar and are looking for tunes to learn, or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes