In April 2008, the world watched in horror as the news of Josef Fritzl made worldwide headlines. But for one British woman the story was not the stuff of unimaginable nightmares. Alice Lawrence knew all too well the torture suffered at the hands of a father whose depravity knew no bounds. She too was kept prisoner and repeatedly made pregnant - and it was only after the death of one of her babies that she finally found the courage to escape. Born in 1970, Alice grew up in the impoverished backstreets of an industrial Northern town with her parents and seven brothers and sisters. She was first raped by her father when she was 11. From the age of 15, she was made pregnant six times by him in an effort to secure additional state benefits. All bar one of her pregnancies failed, but her daughter never made it through her first year. The death of her baby was the spur to Alice bringing her father and abuser to justice. Finally, Alice can tell her deeply moving story of recovery from abuse.

"Written by an ex-con. Endorsed by PhD's, school principals and judges. Awesome book with an inspiring message: You are loved and you will get through this." -BERT BURYKILL, Vice Magazine There are nearly three million adults in the U.S. alone that are in prison or jail. Many of these being parents that leave behind unanswered questions with their children: What is jail? Why did this happen? Is it my fault? Is my daddy (or mommy) bad? Do they love me? My Daddy's in Jail is a story of two bears who have a father in prison. The book is narrated by a very odd cockroach.

When eighteen-year-old hacker Elias Stuyvesant ends up in a maximum security state prison, he's woefully unprepared despite his time in juvie. On day one, he's thrown in with a man known as the Santa Fe Slayer, Ambrose Hughes.Hughes is quiet, disfigured, and weirdly urbane. Elias was so young when Hughes committed his crimes that he has only the faintest idea what Hughes is in for. However, Hughes makes clear that Elias is his ideal victim type...and there's no one to protect Elias from the much larger man with his prison-jacked body and that hard gleam in his dark eyes.Whoever paired them has it in for Elias; that much is obvious.Elias is terrified of Hughes, but he soon realizes the other prisoners are worse. If Elias is going to survive, he'll have to choose the lesser of the evils: To preserve himself, he'll need Hughes for his Daddy. And given Hughes's skewed morality, they'll have to fake it till they make it.CW: typical prison warnings. Violence between inmates and guards but not between main characters.

Rebecca Kennedy’s childhood and teenage experiences could have socialized her to become an extreme far-right Christian, a racist, a self-hating homophobe, and a bitter child abuse victim. The trauma her mentally ill father perpetrated upon her, along with her having little support for her eventual career, did not deter her from standing out as the “different one,” who determined to be Christ’s love for marginalized people. Her 1950 through 1964 accounts of a Southern cotton mill culture depict an oppressive and violent Jim Crow era, ultra-fundamentalist Christianity’s complicity in maintaining an Old South social order. Her community’s White people lamented the Civil War’s Lost Cause and longed for the rise of the Old South’s Glorious Confederacy. Her memoir relates her eye-witness stories of Poor White Trash families contrasted with her Lint Head family’s poverty existence. Her parents’ dilemma of her being a smart kid in a poor family highlights Rebecca’s zeal and determination for an education she perceived as her hope to freedom. She not only received education through formal schooling but also through her relationship with Aunt Maddie and encounters with African American individuals, a gay man and two lesbians, and several therapists. Her memoir includes a profound one-day soul-to-soul meeting with Mr. Beau LeMonde, a former slave, during her family’s visit to an Old South themed museum. Rebecca reveals the night her father’s mental illness exploded into physical, spiritual, and psychological destruction. Rebecca’s unique observations of events, that others deemed “that’s the way God intends it to be,” compelled her to look around and ask, “Why? Why is it that way? That’s not Christ’s way.” Rebecca approaches her youth with poignant descriptions infused with her humor.

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Here I am, a raccoon in a dark cell, arrested for stealing food. How did I get caught? When will I be released? Where will I go? HELP!

From Mary Higgins Clark, America’s bestselling “Queen of Suspense,” comes a chilling story of murder that reaches the heights of suspense while exploring the depths of the criminal mind as one woman searches for the killer of her sister—and one man tries to prove his innocence. Ellie Cavanaugh was seven years old when her older sister was murdered near their home in New York’s Westchester County. It was young Ellie’s tearful testimony that put Rob Westerfield, the nineteen-year-old scion of a prominent family, in jail despite the existence of two other viable suspects. Twenty-two years later, Westerfield, who maintains his innocence, is paroled. Determined to thwart his attempts to pin the crime on another, Ellie, an investigative reporter for an Atlanta newspaper, returns home and starts writing a book that will conclusively prove Westerfield’s guilt. As she delves deeper into her research, however, she uncovers horrifying facts that shed new light on her sister’s murder. With each discovery she comes closer to a confrontation with a desperate killer.

This book explores the frightening ways our prisons mirror the worst aspects of society-wide gender relations. It is part of the growing research on men and masculinities. The collection is unusual in that it combines contributions from activists, academics, and prisoners. The opening section, which features an essay by Angela Davis, focuses on the historical roots of the prison system, cultural practices surrounding gender and punishment, and the current expansion of corrections into the "prison-industrial complex." The next section examines the dominant or subservient roles that men play in prison and the connections between this hierarchy and male violence. Another section looks at the spectrum of intimate relationships behind bars, from rape to friendship, and another at physical and mental health. The last section is about efforts to reform prisons and prison masculinities, including support groups for men. It features an essay about prospects for post-release success in the community written by a man who, after doing time in Soledad and San Quentin, went on to get a doctorate in counseling. The contributions from prisoners include an essay on enforced celibacy by Mumia Abu-Jamal, as well as fiction and poetry on prison health policy, violence, and intimacy. The creative contributions were selected from the more than 200 submissions received from prisoners. Author note: Don Sabo, Professor of Social Sciences at D'Youville College in Buffalo, is author or editor of five books, most recently, with David Gordon, Men's Health and Illness: Gender, Power, and the Body and, with Michael Messner, Sex, Violence, and Power in Sports: Rethinking Masculinity. Sabo has appeared on The Today Show, Oprah, and Donahue. Terry A. Kupers, M.D., a psychiatrist, teaches at the Wright Institute in Berkeley. He is the author of four books, editor of a fifth. His latest books are Prison Madness: The Mental Health Crisis Behind Bars and What We Must Do About It and Revisioning Men's Lives: Gender, Intimacy, and Power. Kupers has served as an expert witness in more than a dozen cases on conditions of confinement and mental health services. Willie London, a published poet, is General Editor of the prison publication Elite Expressions. He is currently an inmate at Eastern Corrections. For nine years he was a prisoner at Attica.

Memories of a Depression Baby paints a vivid description of surviving as a kid growing up during the Great Depression. Times were hard, but kids always found a way to amuse themselves in spite of the hard reality of the times. There was very little money to spend on entertainment, so we devised our own methods of amusement. There were no televisions, cell phones, video games, iPods, etc. Heck, we didnt even have electric typewriters, but we thought we had it all. We just didnt know any differently. Eventually, this generation put us on the moon and helped to invent many of the electronic wonders of today.

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