By 2008 Robb Peters had been keeping a diary for over ten years. He decided to share the first year of the diary, written between 1998 and 1999, when he was fourteen to fifteen years old. D.A Diary is a year in the life of a teenage boy and his friends. In Robbs opinion, D.A Diary might not be the most interesting book to some, but it is certainly the funniest. Robb says, D.A Diary is like Marmite, you either love it or hate it, but I can guarantee you have never read anything like it in your life (even if youre 94). Enjoy reading about Robbs daily life in 1998 and 1999. Share in the life of a cheeky teen, laugh, cry and enjoy the rollercoaster of the first year of D.A Diary.

THEY FLEW LOW, SLOW, AND INTO THE FACE OF ENEMY FIRE... In Vietnam, an elite group of air force pilots fought a secret air war in Cessna 0-2 and OV-10 Bronco prop planes-flying as low as they could get. The eyes and ears of the fast-moving jets who rained death and destruction down on enemy positions, the forward air controller made an art form out of an air strike-knowing the targets, knowing where friendly troops were, and reacting with split-second, life and death decisions as a battle unfolded. For Tom Yarborough, the risk was constant, intense, electrifying. A member of the super secret Prairie Fire unit, Yarborough became one of the most frequently shot-up pilots flying out of Da Nang-engaging in a series of dangerous secret missions in Laos. This is Yarborough's adrenaline-pumping chronicle of heroism, danger, and brotherhood in Vietnam. From the rescuing of downed pilots to taking out enemy positions, to the most harrowing day-long missions, here is the dedication, courage, and skill of the fliers who took the war into the enemy's backyard...

In 1961, twenty-five-year-old Herbert Jay Stern, fresh from reserve duty, stood in his green army uniform in a New York County courtroom to be sworn in as an attorney. He could only guess what his life as a prosecuting lawyer would be. A dozen years later, in the wake of the national scandal of Watergate, Stern, draped in black robes now, would take the oath of office as a federal judge. In the years between, the idealistic young Stern would sharpen his skills in the realities of the criminal courts of New York City, to emerge as the lead trial attorney for the Justice Department, charged with breaking the back of organized crime in New Jersey. Stern’s highly charged account of his outright war against powerful state government officials and the mafia takes us deep inside the mechanisms of law and order during a time when assassinations came fast and loose, cities were burning in race riots, and racketeering and graft were so prevalent in the Garden State that its own senator called it a “stench in the nostrils and an offense to the vision of the world.” Before Stern and his equally dedicated colleagues on the “strike force” out of Washington, D.C., are finished, they will have successfully prosecuted the mayors of Jersey City, Newark, and Atlantic City for being on the take; a congressman for conspiracy, tax violations, and perjury; and blackened the eye of organized crime.

The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.

Military Writers Society of America Gold Medal BEST MEMOIR OF 2014. Originally published in 1990, this classic work has now been revised and updated with 50,000 words of additional narrative and previously unpublished photos. It is the story of how, in Vietnam, an elite group of Air Force pilots fought a secret air war in Cessna 0-2 and OV-10 Bronco prop planes--flying as low as they could get. The eyes and ears of the fast-moving jets who rained death and destruction down on enemy positions, the Forward Air Controller made an art form out of an air strike--knowing the targets, knowing where friendly troops were, and reacting with split-second, life and death decisions as a battle unfolded. The expertise of the low, slow FACs, as well as the hazard attendant to their role, made for a unique birds-eye perspective on how the entire war in Vietnam unfolded. For Tom Yarborough, who logged 1,500 hours of combat flying time, the risk was constant, intense and electrifying. A member of the super-secret "Prairie Fire" unit, Yarborough became one of the most frequently shot-up pilots flying out of Da Nang--engaging in a series of dangerous secret missions in Laos. In this work, the reader flies in the cockpit alongside Yarborough in his adrenaline-pumping chronicle of heroism, danger and wartime brotherhood. From the rescuing of downed pilots to taking out enemy positions, to the most harrowing extended missions directly overhead of the NVA, here is the dedication, courage and skill of the fliers who took the war into the enemy's backyard. Colonel Tom Yarborough, USAF (ret.) served in the Air Force for thirty years in a variety of flying and staff assignments. A command pilot, during his two Vietnam tours as a forward air controller, he earned thirty combat decorations, including the Silver Star, Distinguished Flying Cross, Purple Heart, Air Medal, and the Vietnamese Cross of Gallantry. He currently lives in Springfield, Virginia, where he maintains ties to the academic community as an adjunct history professor at Northern Virginia Community College.

Born in Venice in the 12th century, Allesandro Da Veneto finds himself storming the gates of Constantinople with the Crusades only to be seriously wounded in the attack and left for dead. Or at least he should have been dead. This diary records Alessandro's departure from plague-ravaged Venice to Spain and Portugal at the time when Iberian provinces were moving toward nationhood.

The Diary of Oral Admonitions (Kouduo richao) is an invaluable mirror of early Chinese Christianity, as it stands out as the only source that allows a glimpse of Jesuit missionary practice in China on a local level - "accommodation in action" - and of the various responses of the Chinese audience, both converts and interested outsiders. It is a compilation of some five hundred notes "about everything" made by Li Jiubiao and other Christian literati during their conversations with Jesuit missionaries in Fujian between 1630 and 1640. These notes are arranged in chronological order and divided into eight books. The most important Western protagonist in the Diary is the Italian Jesuit Giulio Aleni (1589-1642), called "Master Ai (Rulüe)" in Chinese. The present study and translation of the Diary of Oral Admonitions can be seen as a companion volume to the proceedings of an international conference that was held on Aleni in his native place Brescia in 1994, also published in the Monumenta Serica Monograph Series XLII: "Scholar from the West." Giulio Aleni S.J. (1582-1649) and the Dialogue between China and Christianity, 1997. The present work in two volumes is meant to be a tool for further research. Volume 1 presents a comprehensive introduction to the Diary and its historical context, followed by the annotated translation, both by Erik Zürcher (Leiden), a renown specialist for the study of Christianity in China. It is enhanced by illustrations, partly in colour, and maps. Volume 2 includes a facsimile of the Chinese text (reproducing a copy held in the Roman Archives of the Society of Jesus), a bibliography of Chinese and Western sources as well as secondary literature, and an analytical index with glossary that will enable the reader to trace specific data in the text.

On October 30, 1956, Israeli paratroops penetrated deep into the Sinai Peninsula. In this book, General Moshe Dayan, who masterminded the invasion and commanded the Israeli troops in the field, gives his personal account of the campaign and examines the events leading up it.

Traces the life of a young Jewish girl who kept a diary during the two years she and her family hid from the Germans in an Amsterdam attic.

A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.