D W Griffith American Film Master
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Author |
: Iris Barry |
Publisher |
: |
Total Pages |
: 98 |
Release |
: 1965 |
ISBN-10 |
: UOM:39015020676543 |
ISBN-13 |
: |
Rating |
: 4/5 (43 Downloads) |
Synopsis D. W. Griffith, American Film Master by : Iris Barry
"D.W. Griffith: American Film Master first appeared in 1940 in conjunction with a pioneering retrospective exhibition of Griffith's films at The Museum of Modern Art. As first curator of the Museum's Film Library, Iris Barry had uncovered and re-examined the films Griffith made at the very beginning of his career ... In conjunction with a large new exhibition of Griffith's work, the Museum is reissuing her study supplemented by an addendum that more than doubles the size of the original work. This new section, which was prepared by Eileen Bowser, provides detailed annotation for all of Griffith's films"--
Author |
: Iris Barry |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 1984 |
ISBN-10 |
: OCLC:1355507437 |
ISBN-13 |
: |
Rating |
: 4/5 (37 Downloads) |
Synopsis D.W. Griffith, American Film Master by : Iris Barry
Author |
: Museum of Modern Art (New York, N.Y.) |
Publisher |
: |
Total Pages |
: 88 |
Release |
: 1965 |
ISBN-10 |
: OCLC:771758716 |
ISBN-13 |
: |
Rating |
: 4/5 (16 Downloads) |
Synopsis D. W. Griffith, American film master. By Iris Barry. With an annotated list of films by Eileen Bowser. [With illustrations, including portraits.]. by : Museum of Modern Art (New York, N.Y.)
Author |
: Iris Barry |
Publisher |
: |
Total Pages |
: 42 |
Release |
: 2013-08 |
ISBN-10 |
: 1258782138 |
ISBN-13 |
: 9781258782139 |
Rating |
: 4/5 (38 Downloads) |
Synopsis D. W. Griffith, American Film Master by : Iris Barry
Author |
: Ira H. Gallen |
Publisher |
: FriesenPress |
Total Pages |
: 416 |
Release |
: 2015-12-15 |
ISBN-10 |
: 9781460260999 |
ISBN-13 |
: 1460260996 |
Rating |
: 4/5 (99 Downloads) |
Synopsis D.W. Griffith: Master of Cinema by : Ira H. Gallen
Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.
Author |
: Scott Simmon |
Publisher |
: CUP Archive |
Total Pages |
: 196 |
Release |
: 1993-07-30 |
ISBN-10 |
: 0521388201 |
ISBN-13 |
: 9780521388207 |
Rating |
: 4/5 (01 Downloads) |
Synopsis The Films of D. W. Griffith by : Scott Simmon
An introduction to the work of the first widely acknowledged master filmmaker.
Author |
: Tom Gunning |
Publisher |
: University of Illinois Press |
Total Pages |
: 334 |
Release |
: 1994 |
ISBN-10 |
: 025206366X |
ISBN-13 |
: 9780252063664 |
Rating |
: 4/5 (6X Downloads) |
Synopsis D.W. Griffith and the Origins of American Narrative Film by : Tom Gunning
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Author |
: Ira H. Gallen |
Publisher |
: FriesenPress |
Total Pages |
: 122 |
Release |
: 2015-12-08 |
ISBN-10 |
: 9781460260982 |
ISBN-13 |
: 1460260988 |
Rating |
: 4/5 (82 Downloads) |
Synopsis D.W. Griffith: Master of Cinema by : Ira H. Gallen
Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.
Author |
: Charles Keil |
Publisher |
: John Wiley & Sons |
Total Pages |
: 624 |
Release |
: 2018-02-05 |
ISBN-10 |
: 9781118341254 |
ISBN-13 |
: 1118341252 |
Rating |
: 4/5 (54 Downloads) |
Synopsis A Companion to D. W. Griffith by : Charles Keil
The most comprehensive volume on one of the most controversial directors in American film history A Companion to D.W. Griffith offers an exhaustive look at the first acknowledged auteur of the cinema and provides an authoritative account of the director’s life, work, and lasting filmic legacy. The text explores how Griffith’s style and status advanced along with cinema’s own development during the years when narrative became the dominant mode, when the short gave way to the feature, and when film became the pre-eminent form of mass entertainment. Griffith was at the centre of each of these changes: though a contested figure, he remains vital to any understanding of how cinema moved from nickelodeon fixture to a national pastime, playing a significant role in the cultural ethos of America. With the renewed interest in Griffith’s contributions to the film industry, A Companion to D.W. Griffith offers a scholarly look at a career that spanned more than 25 years. The editor, a leading scholar on D.W. Griffith, and the expert contributors collectively offer a unique account of one of the monumental figures in film studies. Presents the most authoritative, complete account of the director’s life, work, and lasting legacy Builds on the recent resurgence in the director’s scholarly and popular reputation Edited by a leading authority on D.W. Griffith, who has published extensively on this controversial director Offers the most up-to-date, singularly comprehensive volume on one of the monumental figures in film studies
Author |
: Anthony Slide |
Publisher |
: Univ. Press of Mississippi |
Total Pages |
: 263 |
Release |
: 2012-07-02 |
ISBN-10 |
: 9781617032998 |
ISBN-13 |
: 1617032999 |
Rating |
: 4/5 (98 Downloads) |
Synopsis D. W. Griffith by : Anthony Slide
D. W. Griffith (1875–1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the cinema to a new level of art, entertainment, and innovation, and at the same time he illustrated, for the first time, its potential to influence an audience and propagandize a cause. Collected together here are virtually all of the “interviews” given by D. W. Griffith from the first in 1914 to the last in 1948. Some of the interviews concentrate on specific films, including The Birth of a Nation, Intolerance, and, most substantially, Hearts of the World, while others provide the director with an opportunity to expound on topics of personal interest, including the importance of proper exhibition of his and other’s films, and his search for truth and beauty on screen. The interviews are taken from many sources, including leading newspapers, trade papers, and fan magazines. They are often marked by humor and by a desire to please the interviewer and thus the reader. Griffith may not have been particularly enthusiastic about giving interviews, but he seems always determined to put on a good show. Ultimately, D. W. Griffith: Interviews provides the reader with a unique insight into the mind and filmmaking techniques of a director whose work and philosophy is as relevant today as it was when he was at the height of his fame in the 1910s and 1920s.