The island of Cyprus has been bitterly divided for more than four decades. One of the most divisive elements of the Cyprus conflict is the writing of its history, a history called on by both communities to justify and explain their own notions of justice. While for Greek Cypriots the history of Cyprus begins with ancient Greece, for the Turkish Cypriot community the history of the island begins with the Ottoman conquest of 1571. The singular narratives both sides often employ to tell the story of the island are, as this volume argues, a means of continuing the battle which has torn the island apart, and an obstacle to resolution. Cyprus and the Politics of Memory re-orientates history-writing on Cyprus from a tool of division to a form of dialogue, and explores a way forward for the future of conflict resolution in the region.

"The island of Cyprus has been bitterly divided for more than four decades. One of the most divisive elements of the Cyprus conflict is the writing of its history, a history called on by both communities to justify and explain their own notions of justice. While for Greek Cypriots the history of Cyprus begins with ancient Greece, for the Turkish Cypriot community the history of the island begins with the Ottoman conquest of 1571. The singular narratives both sides often employ to tell the story of the island are, as this volume argues, a means of continuing the battle which has torn the island apart, and an obstacle to resolution. Cyprus and the Politics of Memory re-orientates history-writing on Cyprus from a tool of division to a form of dialogue, and explores a way forward for the future of conflict resolution in the region."--Bloomsbury publishing.

Performing a political identity usually involves more than just casting a vote. For Left-wingers in Turkey, Greece and Cyprus – countries that emerged as the only non-socialist constituents of South-eastern Europe after WWII – political preference meant immersion to distinct ways of life, to ‘cultures’: in times of dictatorship or persecution, the desire to find alternative ways to express themselves gave content to these cultures. In times of political normality, it was the echoes of such memories of precarity and loss that took the lead. This book explores the intersection between the politics and cultures of the Left since the sixties in Turkey, Greece and Cyprus. With the use of 12 case studies, the contributors expose the moments in which the Left has been claimed and performed, not only through political manifestos and traditional political boundaries, but also through corporeal acts, discursive practices and affective encounters. These are all transformed into distinct modalities of everyday life and conduct, which are commemorated, narrated or sung, versed, painted, or captured in photographic images and on reels of tape. By focusing on culture and performance, this book highlights the complex link between nationalism and internationalism in left-wing cultures, and illuminates the entanglements between the ways in which left-wingers experienced transitions from dictatorship to democracy and vice versa. As the first book to analyse cultures and performances of the Left in the three countries, The Politics of Culture in Turkey, Greece and Cyprus causes a rethinking of the boundaries of political practice and fosters new understandings of the formation of diverse expressions of the Left. As such, it will be a valuable resource for students and scholars of cultural and social anthropology, modern European history and political science.

Over 2,000 people went missing in Cyprus between 1963 & 1974. This work examines how both communities face the need to mourn without a body, nor even any certain knowledge of what has happened to their loved ones.

"[U]shers the reader into the complexities of the categorical ambiguity of Cyprus [and]... concentrates... on the Dead Zone of the divided society, in the cultural space where those who refuse to go to the poles gather." -- Anastasia Karakasidou, Wellesley College The volatile recent past of Cyprus has turned this island from the idyllic "island of Aphrodite" of tourist literature into a place renowned for hostile confrontations. Cyprus challenges familiar binary divisions, between Christianity and Islam, Greeks and Turks, Europe and the East, tradition and modernity. Anti-colonial struggles, the divisive effects of ethnic nationalism, war, invasion, territorial division, and population displacements are all facets of the notorious Cyprus Problem. Incorporating the most up-to-date social and cultural research on Cyprus, these essays examine nationalism and interethnic relations, Cyprus and the European Union, the impact of immigration, and the effects of tourism and international environmental movements, among other topics.

In the space of a generation, Cyprus - the island of Aphrodite, goddess of beauty and love - has experienced an anti-colonial struggle, post-colonial chaos, internecine fighting and hatred, civil war, invasion, population displacements and physical partition. The narrative of Cyprus' recent history has created numerous attitudes and prejudices which run deep but which have never before been explored on a human level. Now for the first time Yiannis Papadakis, firmly planted in the Greek Cypriot world, sets out to discover 'The Other' - the much maligned Turks. Papadakis decided with some trepidation to travek to Constantinople (to his Greek worldview it was still Constantinople) to learn Turkish. There he discovered that actually it is Istanbul, and that Turkey is not the place of his once imagined demonology. Armed with new insights he returned to Cyprus and delved into the two communities, locked in their mutually contemptuous embrace, to explore their common humanity and to understand what has divided them. He focused on Nicosia where the people who used to live together in one neighbourhood found themselves separated by a 'Dead Zone', two armies and a UN force. His was a journey to the various sides of the Dead Zone and to the various zones of the dead, the realms of memory and history. This book is the moving, sometimes humorous and always fascinating account of that journey.

'Articulations of memory in Northern Cyprus' draws upon approaches from a variety of fields such as social psychology, sociology, history, politics and media studies, while the empirical investigation consists of in-depth interviews. The research explores how memory and national identity have been articulated in the context of competing discourses after the presentation of the Annan Plan in Northern Cyprus. It is argued that the Annan Plan constitutes a turning point in Cypriot politics as it proposes a possible participation of Northern Cyprus in the European Union after a solution of the Cyprus problem that is about the division of the island since 1974. The Annan Plan is the most serious step on the way to the reunification of the island since then and, as such, it has functioned as a catalyst and precipitated an intense competition between alternative, often opposing, discourses on Turkish Cypriot national identity. Focussing on key mechanisms of memory such as history textbooks, commemorations, traditions and the media the research explores the mobilization, articulation and construction of memory/ies in relation to national identity.

This engaging volume reveals how politics permeates all facets of museum practice, particularly in regions of political conflict. In these settings, museums can be extraordinarily influential for shaping identity and collective memory and for peace building. Using key Cypriote archaeological, historical, ethnographic, and art museums as examples, this book: provides a multifaceted and deeper understanding of how politics, conflict, national agendas, and individual initiatives can shape museums and their narratives; discusses how these forces contribute to the creation of, and conflict over, national, community and personal identities; examines how museums use inclusion and exclusion in their collections, exhibitions, objects and interpretive material as a way of selectively constructing collective memories. This book will be an important resource for museum professionals, as well as scholars interested in the effects of politics on museums and interpretations of the past.

Cyprus, the idyllic “island of Aphrodite,” is better known as a site of conflict and division between Greek Cypriots and Turkish Cypriots, rather than for its film production. Constandinides and Papadakis work to rectify this dearth of information by discussing the ouevre of filmmakers engaging with the island's traumatic legacies: anti-colonial struggles, post-colonial instability, interethnic conflict, external interventions and war. Starting with the cinema of the 1960s, when the island became a republic, the collection focuses on the recent decades of filmmakers exploring issues of conflict, memory, identity, nationalism, migration and gender, as well as the work of filmmakers who chose to cooperate across the ethnic divide. Cypriot Cinemas utilizes a methodology that engages all necessary perspectives for an illuminating critical discussion: historical, theoretical and comparative (Greek Cypriot and Turkish Cypriot films in relation to regional film cultures/practices). While the volume develops a discussion based on the reading of the political in Cypriot films, it also looks at other film cultures and debates such as (s)exploitation films and transnational cinema.

Offers an examination of ancient, modern, and contemporary political theories and practices in order to develop a more expansive way of conceptualizing memory, how political power influences the presence of the past, and memory'songoing impact on democratic horizons.