There are countless references to Cyprus in Venice: in palaces, primarily that of Queen Caterina Corner, in the church of Saints Giovanni e Paolo, where the skin of Mark Antonius Bragadin (the staunch defender of Famagusta) is guarded, in the spices, and especially in the wine of Cyprus (Commandaria), that is today still recalled in Venetian sayings. The Venetian past, too, has many references in Cyprus where evidence is focused on the fortresses and fortifications of Nicosia, Famagusta and Kerynia and in the lions that adorn them as well as in traditional dishes and language. The papers presented here have been selected from 30 given at the 10th Annual Meeting of young researchers in Cypriot archaeology (POCA 10), held in Venice where it celebrated two important events: the 500th anniversary of the death of Caterina Cornaro (1454–1510) and the twinning of the cities of Venice and Larnaca. Papers cover a wide range of subjects reflecting the many centuries of trade in products (especially textiles) and the cultural exchange in ideas, religious practices and people between the island and City at various times from prehistory to the Ottoman period. Archaeological and historical data are brought together to showcase recent research.

There are countless references to Cyprus in Venice: in palaces, primarily that of Queen Caterina Corner, in the church of Saints Giovanni e Paolo, where the skin of Mark Antonius Bragadin (the staunch defender of Famagusta) is guarded, in the spices, and especially in the wine of Cyprus (Commandaria), that is today still recalled in Venetian sayings. The Venetian past, too, has many references in Cyprus where evidence is focused on the fortresses and fortifications of Nicosia, Famagusta and Kerynia and in the lions that adorn them as well as in traditional dishes and language. The papers presented here have been selected from 30 given at the 10th Annual Meeting of young researchers in Cypriot archaeology (POCA 10), held in Venice where it celebrated two important events: the 500th anniversary of the death of Caterina Cornaro (1454–1510) and the twinning of the cities of Venice and Larnaca. Papers cover a wide range of subjects reflecting the many centuries of trade in products (especially textiles) and the cultural exchange in ideas, religious practices and people between the island and City at various times from prehistory to the Ottoman period. Archaeological and historical data are brought together to showcase recent research.

Don't just see the sights—get to know the people. For much of its history Cyprus was regarded as the Cinderella of empires--beautiful, abused, isolated. Today, the island is divided between the Greek-Cypriot south and the Turkish occupied north. However, both sides take pride in a shared "Cypriotness," and are united in their common hopes, pain, memories, music, excellent cuisine, rich history, and majestic landscape. Culture Smart! Cyprus equips you with essential information on the history, values, and attitudes of the people you will meet, their customs and traditions, and offers tips on etiquette and socializing. Have a richer and more meaningful experience abroad through a better understanding of the local culture. Chapters on history, values, attitudes, and traditions will help you to better understand your hosts, while tips on etiquette and communicating will help you to navigate unfamiliar situations and avoid faux pas.

This volume, introduced by Edgar Peltenburg, presents the results of latest research by young scholars working on aspects of Cypriot archaeology from the Bronze Age to the Venetian period. It presents a diversity excavation, material culture, iconographic and linguistic evidence to explore the themes of ancient landscape, settlement and society; religion, cult and iconography; and Ancient Cyprus and the Mediterranean.

By focusing on religion, this monograph represents the first extended attempt to explore how the socio-cultural infrastructure of Cyprus was affected by the transition from segmented administration by many Cypriot kings to the island-wide government by a foreign Ptolemaic correspondent.

To what extent does locality influence contemporary art? Can any particular artistic practices be defined as uniquely Cypriot? And does art from Cyprus transcend Western boundaries once it enters the global art scene? This volume uses Cyprus as a case study for the exploration of notions of identity, regionalism, and the global and local in contemporary art practice; it is not, therefore, a complete historiography of contemporary Cypriot art. Rather, this critical text provides a theoretical and historical framework that frames and contextualizes art practices from Cyprus, while always relating these back to the international art world. Numerous current and pressing issues-all relevant beyond Cyprus-are investigated in this book including, but not limited to, art as capital, the emergence of the “periphery”, the importance of thriving localities, issues of memory and memorialization, archaeology, artists' identities, conflict and politics, social engagement, gender politics, and such curatorial alternatives as artist-run spaces. In doing all of this, Contemporary Art from Cyprus not only bears on current and future art practices in this region but highlights the importance of Cypriot art in a global context too.

In Bitter Lemons, Durrell tells the perceptive, often humorous, story of his experiences on Cyprus between 1953 and 1956-first as a visitor, then as a householder and teacher, and finally as Press Advisor to a government coping with armed rebellion. Here are unforgettable pictures of the sunlit villages and people, the ancient buildings, mountains and sea-and the somber political tragedy that finally engulfed the island.

The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.

Anyone approaching the archaeology of Cyprus for the first time cannot fail to be intimidated by the wealth of information available, not only relating to the island of Cyprus itself, but also to other polities with which it interacted from an early period.