"I DID EXACTLY AS I PLEASED, AND WHAT PLEASED ME WAS SEX. If you only ever buy one Hollywood autobiography make it this one. Sassy, shocking, funny and totally revealing this is Cybill Shepherd's unexpurgated life-story, told with the wit and honesty you'd expect from the star that's seen it all and knows it all. She has been 57 kinds of disobedient and she has never held back from doing or saying what she wants. Cybill Disobedience is a limit-breaKing, open-top car ride down Hollywood's Hall of Fame. From top model to movie siren, sex with Elvis to Bruce Willis's appeal. The Last Picture Show To Taxi Driver, the Cybil disaster and the Moonlighting phenomenon, it's all in here, every boyfriend, every affair, every good film and bad film. But most of all it's about a strong woman's determination to survive. The whole shebang - from Hollywood's mouthiest queen."

Scott Foresman Reading Street ((c)2008) components for Grade 5.

Sally Kellerman's portrayal of Margaret "Hot Lips" Houlihan in Robert Altman's M*A*S*H remains a landmark performance. Throughout her long career Kellerman has been a real dame -- honest, down-to-earth, sultry, funny, and unfiltered. In Read My Lips, Kellerman shares colorful tales of her years as an up-and-coming actress in the early 60s, when Hollywood was a small neighborhood full of chance encounters. To pay for acting classes (ten dollars each, alongside the likes of Jack Nicholson) she waited tables at a coffee house on the Sunset Strip that was a hangout for Marlon Brando, Steve McQueen, and Warren Beatty. While she watered her lawn one morning in her bathrobe, Ringo Starr stopped in his convertible to say he'd just moved into the neighborhood and she should drop by; during the Vietnam War, she dated Henry Kissinger. Over the years, there were drugs, affairs, diets, and therapy, a music album, a marriage, and motherhood. As the innocence of the 1950s collided with the free spirit of the 1960s, everything felt new and exciting, and Sally Kellerman was right in the middle of it. In Read My Lips Sally transports us back to that unique era and shares the challenges and rewards of her marriage, children, and her iconic career.

"Sagal takes you through the highs and lows of her life, from the tragic deaths of her parents to her long years in the Los Angeles rock scene, from being diagnosed with cancer at the age of twenty-eight to getting her big break on the fledgling FOX network as the wise-cracking Peggy Bundy on the beloved sitcom Married with Children. Sparse and poetic, Grace Notes is an emotionally riveting tale of struggle and success, both professional and personal: Sagal's path to sobriety; the stillbirth of her first daughter, Ruby; motherhood; the experience of having her third daughter at age fifty-two with the help of a surrogate; and her lifelong passion for music."--Book jacket..

"By the time I was 24, I was pretty jaded -- I thought I'd seen and done it all. Then I met Gene. My life is divided into two sections: PG (well... maybe R) and AG (after Gene)." --Shannon Tweed Two decades and two children after their first meeting at the Playboy Mansion, Shannon Tweed and Gene Simmons are still happily together. "Kiss and Tell" is the surprising side of the story from one of the world's most beautiful women.

Sondra Locke tells the story of her childhood in Tennessee, her career as an actress and director, her relationship and breakup with actor Clint Eastwood, and her experience with breast cancer.

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.

The first woman to own a seat on the New York Stock Exchange reveals how she forged her phenomenal success in the chaotic and cutthroat world of Wall Street.

A mystery writer is forced to reconsider her policy against dating when she is protected from death threats by the sexiest cop she's ever seen.