After dozens of Lexington, Kentucky’s forgotten—mostly prostitutes and the homeless—swamp local hospitals from apparent overdoses over the 4th of July weekend, Kentucky cops soon discover a new synthetic form of heroin is infecting their communities, and that gangs—namely the outlaw motorcycle gang Samael’s Army—are responsible for using a “disposable” population to test the new drug. Soon after, the deadly new drug claims the daughter of a U.S. senator, and FBI Director Jack Waller assigns Brooke Fairfax to the case. Because the synthetic opioid was created in a lab, the feds turn to the expertise of billionaire chemist Declan O’Roark, who is all too happy to lend a hand if it will bring him closer to Brooke. As Brooke and Declan are forced to work together, Declan attempts to tear down the barriers around Brooke’s heart. But when Brooke gets drawn into the depths of the outlaw motorcycle gang she’s investigating, she and Declan both fear for her life.

An incomparable gift for Christine Feehan fans, Dark Prince returns in a new, author’s cut special edition. #1 New York Times bestseller Feehan revisits her classic tale of paranormal romance—the breathtaking story of a beautiful hunter with extraordinary telepathic abilities captivated by the powerful allure of a tormented prince of the mysterious Carpathians—expanding the beloved story by 100 never before seen pages! Here is your golden opportunity to experience the first book in Christine Feehan’s remarkable Dark saga as you never have before, whether it’s a glorious re-entrance into this writer’s mystical, unforgettable world…or your very first visit!

Only the most naïve or tendentious among us would deny the extent and intensity of suffering in the world. Can one hold, consistently with the common view of suffering in the world, that there is an omniscient, omnipotent, perfectly good God? This book argues that one can. Wandering in Darkness first presents the moral psychology and value theory within which one typical traditional theodicy, namely, that of Thomas Aquinas, is embedded. It explicates Aquinas's account of the good for human beings, including the nature of love and union among persons. Eleonore Stump also makes use of developments in neurobiology and developmental psychology to illuminate the nature of such union. Stump then turns to an examination of narratives. In a methodological section focused on epistemological issues, the book uses recent research involving autism spectrum disorder to argue that some philosophical problems are best considered in the context of narratives. Using the methodology argued for, the book gives detailed, innovative exegeses of the stories of Job, Samson, Abraham and Isaac, and Mary of Bethany. In the context of these stories and against the backdrop of Aquinas's other views, Stump presents Aquinas's own theodicy, and shows that Aquinas's theodicy gives a powerful explanation for God's allowing suffering. She concludes by arguing that this explanation constitutes a consistent and cogent defense for the problem of suffering.

After dozens of Lexington, Kentucky's forgotten--mostly prostitutes and the homeless--swamp local hospitals from apparent overdoses over the 4th of July weekend, Kentucky cops soon discover a new synthetic form of heroin is infecting their communities, and that gangs--namely the outlaw motorcycle gang Samael's Army--are responsible for using a "disposable" population to test the new drug.Soon after, the deadly new drug claims the daughter of a U.S. senator, and FBI Director Jack Waller assigns Brooke Fairfax to the case. Because the synthetic opioid was created in a lab, the feds turn to the expertise of billionaire chemist Declan O'Roark, who is all too happy to lend a hand if it will bring him closer to Brooke.As Brooke and Declan are forced to work together, Declan attempts to tear down the barriers around Brooke's heart. But when Brooke gets drawn into the depths of the outlaw motorcycle gang she's investigating, she and Declan both fear for her life.

"Are you his willingly?" Jackson demands, his blue eyes as dark as the clouds above our heads. "Tell me. Are you?"Jackson Vale. My boss's rival and the man I've thought far too much about since we were introduced last week. Of all the-- "I'm not his," I sputter indignantly. "I'm just his employee. He doesn't own me." And for some reason this sets off a flare of intensity and... satisfaction? in Jackson's expression. That's it, I officially give up trying to understand any of this. But then Jackson leans over and speaks so softly in my ear I can barely hear it above the falling rain. " If you belonged to me, Miss Cruise, you wouldn't look so disgusted. True ownership goes both ways. I would own you, but you'd own me, too. A concept I'm sorry to say Bryce Gentry's never understood." My breath hitches and I pull back from the intimacy of his voice on my ear, only to get lost in the dark blue of his eyes. "Let me go," I whisper. He does, but before he turns to go, those brooding eyes pierce me one last time. "I'll be seeing you again soon." And then he turns and is gone into the rain-soaked street, leaving me behind, breathless and confused.

This publication contains the proceedings of a seminar 'The problems of dark-cutting in beef' held by the Commission of the European Communities (CEC) at the Commission in Brussels on 7 and 8 October 1980. As part of the CEC programme of coordination of agricultural research, this meeting was organised in the framework of the beef and animal welfare activities by Dr. D.E. Hood and Dr. P.V. Tarrant, Meat Research Department, An Faras Taluntais. Dunsinea, Castleknock, Dublin, Ireland. The proceedings, edited by the organisers assisted by Janssen Services, 33a, High Street, Chislehurst, Kent, UK, provide an authoritative text-book on this important aspect of meat technology. Reduction of pre-slaughter stress and improvement in carcass and meat quality is becoming increasingly important in the international meat trade. This results in particular from growing consumer concern about the welfare of meat animals during the pre-slaughter period and from specific meat packaging and marketing requirements. Technical development of the beef processing industry is dependent on a uniformly high level of meat quality in the raw material.

Originally published: Honesdale, Pa.: Front Street, 2000.

This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.

Just days before the running of the biggest thoroughbred horse race in the world, an act of bioterrorism kills Kentucky’s lieutenant governor, and former FBI Special Agent Brooke Fairfax receives a video of the murder from her long-time anonymous source. When Brooke discovers domestic terrorists are actually after the governor—her late husband’s brother—and that the radicals are eyeing more targets, she heads to Kentucky to stop the threat. Shortly after the political assassination, the FBI zeroes in on one person: international mogul Declan O’Roark. Though Brooke has been out of the game since her husband was murdered, her former boss thinks she is the perfect candidate to connect Declan to the crime. Despite the FBI clearly establishing means and opportunity, Declan remains unfazed; his motives have nothing to do with murder, but with getting closer to Brooke Fairfax. And Brooke finds the case becoming even more unclear as she falls for the FBI’s number one suspect.