Through in-depth interviews with award-winning investigative reporters and detailed analyses of the stories that brought them professional acclaim, the authors explain how journalists resolve, practically if not conceptually, the paradox of a press that is committed to exposing wrongdoing and is at the same time adamant about its disinterest in questions of right and wrong.

The Changing Faces of Journalism: Tabloidization, Technology and Truthiness brings together an array of top scholars who consider how contemporary journalism has wrestled with its changing parameters and who address how notions of tabloidization, technology and truthiness have altered our understanding of journalism.

The best journalists are masters at their craft. With a comma and a colon, a vivid verb and a colorful adjective, they not only convey important information but also create a sense of place and evoke powerful emotions. A compelling story can shape--for good or ill--the way a reader understands people, events, and issues. The Ethics of the Story examines the ethical implications of narrative techniques commonly used in journalism, not just literary journalism but also news and feature writing. The book draws on interviews with 60 talented journalists, including Pulitzer Prize winners, to offer practical advice about ethical choices in writing and editing. Much has been written about journalism ethics, but the discussion has often focused on spectacularly bad decisions--such as Jayson Blair's and Jack Kelley's use of fraudulent narrative--rather than the ethical dimension of day-to-day choices about the building blocks of journalistic storytelling. The Ethics of the Story fills a gap in current work on ethics, writing, and editing. It will enlighten any serious wordsmith with a story to tell.

Trends prevailing in the media suggest a seemingly disintegrating concept of media ethics. It is no surprise; being ethical is hard work and, could very well put a person in conflict with prevailing trends. Many of the people cited within the 13 essays of Desperately Seeking Ethics illustrate this_from Socrates and Martin Luther King Jr., who both died for their principles, to reporter David Kidwell of the Miami Herald who chose jail over testifying for the prosecution in a murder trial. This is not just another media ethics book. Engaging and non-conventional it breaks away from the usual text practice of presenting the ethical theories of well-known philosophers in watered-down form. Instead, the contributors, all of whom teach media ethics, select a poem, movie, song, speech, or other cultural document, analyze it for implied or explicit ethical lessons, and then apply the lessons of that work to a specific case that involved controversial media conduct. In addition to endnotes, each chapter contains questions for discussion and a list of further readings. Where possible, the contributors have included all or part of the poems, speeches, and other documents they analyze as sources of ethical instruction and inspiration.

Howard Tumber is Professor in the Department of Journalism at City, University of London, UK. He is a founder and co-editor of Journalism: Theory, Practice and Criticism. He has published widely in the field of the sociology of media and journalism. Silvio Waisbord is Professor in the School of Media and Public Affairs at George Washington University, USA. He was the editor-in-chief of the Journal of Communication, and he has published widely about news, politics and social change.

The aim of this book is to a launch a polemic for the freedom of the press against all of the attempts to police, defile and sanitise journalism today. Once the media reported the news. Now it makes it. From the phone-hacking scandal to rows about press regulation, super-injunctions, leaks, libel and privacy laws, the power of the Murdoch empire, and the future of the BBC, the media has become the story. The British press is in crisis and under scrutiny as never before. In the fall-out from the phone-hacking scandal one national newspaper has already been closed down and some would like to see others go the same way. However, this book argues that there is not too much media freedom in Britain today, but too little. There are not too few controls and restrictions on what can legitimately be published and broadcast, but too many - both formal and informal. Some newspapers in Britain and elsewhere might be going 'free' in financial terms, under pressure from declining sales and the new online media. But in almost every way that matters, the press is less free - thanks both to external constraints and the internal corrosion of the foundations of good journalism. This book aims to shake up the one-way 'debate' about the freedom of the media. It will argue that the media's standing has been undermined both from without and within, and put the case for standing up both to the censors and to the conformists in all their guises.

This is the first book to bring together many aspects of the interplay between religion, media and culture from around the world in a single comprehensive study. Leading international scholars provide the most up-to-date findings in their fields, and in a readable and accessible way.Some of the topics covered include religion in the media age, popular broadcasting, communication theology, popular piety, film and religion, myth and ritual in cyberspace, music and religion, communication ethics, and the nature of truth in media saturated cultures.The result is not only a wide-ranging resource for scholars and students, but also a unique introduction to this increasingly important phenomenon of modern life.

"Donald Trump's rapid - and seemingly improbable - ascension from reality show star to polarizing president threw into question many assumptions about how our media and political worlds work. His habit of lying, history of racist statements, and disdain for conventions upended traditional journalist-elite relations. Taking an expansive view of the contemporary media and political environment during the Trump years, News After Trump portrays a media culture in transition. As journalism's very relevance comes to be increasingly questioned, we focus on how different actors - from Trump to small-town newspaper editors - use their cultural power to define journalism, assess its value, and question what the news should look like. The chapters chronicle how Trump and his allies turned attacks on journalists into a central component of a rightwing populist formula, with journalists positioned as just one more self-interested, out-of-touch elite. Over time, this anti-press rhetoric escalated, with Trump regularly debasing journalists as the enemy of the people. While journalists responded by falling back on cherished norms of objectivity and neutrality to trumpet their democratic role, many among their ranks questioned whether past commitments still had value in a changed media culture and if their reporting practices did more harm than good. To move forward, News After Trump does not advocate for a nostalgic return to the past, but instead argues for a journalism that is more assertive in speaking in a moral voice on behalf of communities, more comfortable in rendering judgments, and more self-aware of its shortcomings"--