Three pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last.

A new poetry collection of startling beauty and thought by a great American poet.

The roadmap for finding purpose, meaning, and success as we age, from bestselling author, Harvard professor, and the Atlantic's happiness columnist Arthur Brooks. Many of us assume that the more successful we are, the less susceptible we become to the sense of professional and social irrelevance that often accompanies aging. But the truth is, the greater our achievements and our attachment to them, the more we notice our decline, and the more painful it is when it occurs. What can we do, starting now, to make our older years a time of happiness, purpose, and yes, success? At the height of his career at the age of 50, Arthur Brooks embarked on a seven-year journey to discover how to transform his future from one of disappointment over waning abilities into an opportunity for progress. From Strength to Strength is the result, a practical roadmap for the rest of your life. Drawing on social science, philosophy, biography, theology, and eastern wisdom, as well as dozens of interviews with everyday men and women, Brooks shows us that true life success is well within our reach. By refocusing on certain priorities and habits that anyone can learn, such as deep wisdom, detachment from empty rewards, connection and service to others, and spiritual progress, we can set ourselves up for increased happiness. Read this book and you, too, can go from strength to strength.

“RITA award winner Winters crafts an insightful second-chance romance that works all the better for the wish fulfilment of its premise.” —Publishers Weekly Megan Harris had hopes of seeing the world, but at twenty-five she’s never even left Florida. Now a wedding invitation lures her to Quebec . . . in February. When her ex-friend Scarlett offers to be her plus-one (yeah, that’s a whole story) and suggests they turn the journey into an epic road trip, Megan reluctantly agrees to the biggest adventure of her life. A week together in a car is a surefire way to kill a crush, and Scarlett Andrews has had a big one on Megan for years. The important thing is fixing their friendship. As the miles roll away, what starts as harmless road-trip games and rest-stop dares escalates into something like intimacy. And when a surprise snowstorm forces Megan and Scarlett to hunker down without the open road as distraction, they’ve got a bigger challenge than making it to the church on time: facing the true nature of their feelings for each other.

The remarkable prose poems in Rosmarie Waldrop's 'The Reproduction of Profiles' prove that startling new insights are possible when philosophical formulations are turned on their heads.

A philosophical tour de force melding astrophysics and grief by the American maestra of the prose poem “If memory serves, it was five years ago that yours began to refuse,” Rosmarie Waldrop writes to her husband in The Nick of Time. “Does it feel like crossing from an open field into the woods, the sunlight suddenly switched off? Or like a roof without edge or frame, pushed sideways in time?” Ten years in the making, Waldrop’s phenomenally beautiful new collection explores the felt nature of existence as well as gravity and velocity, the second hemisphere of time, mortality and aging, language and immigration, a Chinese primer, the artist Hannah Höch, and dwarf stars. Of one sequence, “White Is a Color,” first published as a chapbook, the Irish poet Billy Mills wrote, “In what must be less than 1000 words, Waldrop says more about the human condition and how we explore it through words than most of us would manage in a thousand pages.” Love blooms in the cut, in the gap, in the nick between memory and thought, sentence and experience. Like the late work of Cézanne, Waldrop’s art has found a new way of seeing and thinking that “vibrates on multiple registers through endless, restless exploration” (citation for the Los Angeles Times Book Prize).

As the author herself says, she "cultivates cuts, discontinuity, leaps, shifts of reference" in an attempt to compensate for the lack of margin, where verse would turn toward the white of the page, toward what is not.

The latest book of prose poems by one of America's premier philosophical poets. For the title of her newest collection of prose poems, Rosmarie Waldrop adopts a term"blindsight" used by the neuroscientist Antonio R. Damasio to describe a condition in which a person actually sees more than he or she is consciously aware. "This is one reason," explains Waldrop, "for using collage: joining my fragments to other people's fragments in a dialogue, a net relation that might catch a bit more of the 'world.'" The collectionthe author's fourth with New Directionsis divided into four thematic sections. The first, "HÜlderlin Hybrids," resonates against the German poet's twisted syntax, while using rhythmic punctuation in counterpoint to sense. "'As Were, '" says Waldrop, "began with looking at the secondary occupations of artistsfor example, Mallarme teaching English, Montaigne serving as mayor of Bordeauxbut this soon gave way to playing more generally with particular aspects of historical figures." The title section, "Blindsight," is most consistent in its use of collage, juxtaposing words and images to jolting, epiphanic effect. "Cornell Boxes," in contrast, has a formal unity, inspired by the constructions of Joseph Cornell, each prose poem "box" composed in a structure of fours: four paragraphs of four sentences each, with four footnotes.

Long before the natural-food movement gained popularity, Edna Lewis championed purity of ingredients, regional cuisine, and the importance of bringing food directly from the farm to the table. Gourley lovingly traces the childhood roots of Edna's appreciation for the bounties of nature. Full color.