Fortune 500 exec, obsessive womanizer, and all-around jerk Patrick Dalton finds himself cursed by an angry, jilted lover - a curse that causes him to transform into a woman each night. With the tables turned, can he continue his misogynistic life?

Be careful who you take home, because you never know what you might catch from a stranger… Chad Mason has what looks like the perfect life from the outside: the hot, chiseled body of a surfer, an exciting job as a firefighter, and a different woman in his bedroom every night. But lately Chad’s perfect setup doesn’t feel so perfect to him anymore. Isn’t there more to life than this? Something is missing, and he can’t put his finger on what it is. When a smoking-hot redhead named Mina corners him in a bar and demands Chad’s attention, he immediately notices there’s something different about her… a hunger in her eyes that he’s irresistibly attracted to. He takes her back home, hoping that this might be the girl who can finally snap him out of his funk. Mina is exactly as wild in bed as Chad expected, and things get so kinky that Mina leaves him with a bite hard enough to draw blood before vanishing into the early morning dawn. But that bite isn’t all she left him with… Chad quickly discovers to his horror that Mina’s bite has turned him into a were-woman: man by day, sexy woman by night, with an insatiable desire to bring men back to her apartment and let them have her every which way. Can Chad adjust to his new moonlight transformations and embrace his new identity as Charlise, or can he break the curse and get back to his normal life before the next full moon? And then there’s the nagging question… does he even want to?

A provocative look at the way our culture deals with menstruation. The Curse examines the culture of concealment that surrounds menstruation and the devastating impact such secrecy has on women's physical and psychological health. Karen Houppert combines reporting on the potential safety problems of sanitary products--such as dioxin-laced tampons--with an analysis of the way ads, movies, young-adult novels, and women's magazines foster a "menstrual etiquette" that leaves women more likely to tell their male colleagues about an affair than brazenly carry an unopened tampon down the hall to the bathroom. From the very beginning, industry-generated instructional films sketch out the parameters of acceptable behavior and teach young girls that bleeding is naughty, irrepressible evidence of sexuality. In the process, confident girls learn to be self-conscious teens. And the secrecy has even broader implications. Houppert argues that industry ad campaigns have effectively stymied consumer debate, research, and safety monitoring of the sanitary-protection industry. By telling girls and women how to think and talk about menstruation, the mostly male-dominated media have set a tone that shapes women's experiences for them, defining what they are allowed to feel about their periods, their bodies, and their sexuality.

A raw, explicit memoir as high-intensity and riveting as any of Ellroy's novels. The theme: the author's obsessive pursuit of women. America's greatest living crime writer gives us a raw, brutally candid memoir-as high intensity and as riveting as any of his novels-about his obsessive search for "atonement in women." The year was 1958.Jean Hilliker had divorced her fast-buck hustler husband and resurrected her maiden name.Her son, James, was ten years old.He hated and lusted for his mother and "summoned her dead." She was murdered three months later. The Hilliker Curse is a predator's confession, a treatise on guilt and the power of malediction, and above all a cri de cœur. Ellroy unsparingly describes his shattered childhood, his delinquent teens, his writing life, his love affairs and marriages, his nervous breakdown and the beginning of a relationship with an extraordinary woman who may just be the long-sought Her. A layered narrative of time and place, emotion and insight, sexuality and spiritual quest, The Hilliker Curse is a brilliant, soul-baring revelation of self.It is unlike any memoir you have ever read.

"In its hard headed, richly documented concreteness, it is worth a thousand polemics." -- New York Times, from a review of the first edition "The Curse deserves a place in every women's studies library collection." -- Sharon Golub, editor of Lifting the curse of Menstruation "A stimulating and useful book, both for the scholarly and the general reader." -- Paula A. Treichler, co-author of A Feminist Dictionary

Ananna of the Tanarau abandons ship when her parents try to marry her off to an allying pirate clan: she wants to captain her own boat, not serve as second-in-command to her handsome yet clueless fiance. But her escape has dire consequences when she learns the scorned clan has sent an assassin after her. And when the assassin, Naji, finally catches up with her, things get even worse. Ananna inadvertently triggers a nasty curse — with a life-altering result. Now Ananna and Naji are forced to become uneasy allies as they work together to break the curse and return their lives back to normal. Or at least as normal as the lives of a pirate and an assassin can be. From the Trade Paperback edition.

Bestselling author of Odd Girl Out, Rachel Simmons exposes the myth of the Good Girl, freeing girls from its impossible standards and encouraging them to embrace their real selves In The Curse of the Good Girl, bestselling author Rachel Simmons argues that in lionizing the Good Girl we are teaching girls to embrace a version of selfhood that sharply curtails their power and potential. Unerringly nice, polite, modest, and selfless, the Good Girl is a paradigm so narrowly defined that it's unachievable. When girls inevitably fail to live up-experiencing conflicts with peers, making mistakes in the classroom or on the playing field-they are paralyzed by self-criticism, stunting the growth of vital skills and habits. Simmons traces the poisonous impact of Good Girl pressure on development and provides a strategy to reverse the tide. At once expository and prescriptive, The Curse of the Good Girl is a call to arms from a new front in female empowerment. Looking to the stories shared by the women and girls who attend her workshops, Simmons shows that Good Girl pressure from parents, teachers, coaches, media, and peers erects a psychological glass ceiling that begins to enforce its confines in girlhood and extends across the female lifespan. The curse of the Good Girl erodes girls' ability to know, express, and manage a complete range of feelings. It expects girls to be selfless, limiting the expression of their needs. It requires modesty, depriving the permission to articulate their strengths and goals. It diminishes assertive body language, quieting voices and weakening handshakes. It touches all areas of girls' lives and follows many into adulthood, limiting their personal and professional potential. Since the popularization of the Ophelia phenomenon, we have lamented the loss of self-esteem in adolescent girls, recognizing that while the doors of opportunity are open to twenty-first-century American girls, many lack the confidence to walk through them. In The Curse of the Good Girl, Simmons provides a catalog of tangible lessons in bolstering the self and silencing the curse of the Good Girl. At the core of Simmons's radical argument is her belief that the most critical freedom we can win for our daughters is the liberty not only to listen to their inner voice but also to act on it.

Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.

DIVDIVBefore she became Queen of the Amazons, young Hippolyta fought to break a goddess’s curse . . . /divDIV An ancient prophecy states that any Amazon who bears two sons must kill the second, lest he grow up to destroy all the Amazons. But Queen Otrere can’t bear to sacrifice her baby, so she gives him to her daughter, thirteen-year-old Hippolyta, begging her to take the child to his father, Laomedon, King of Troy. In order to save her baby brother’s life, Hippolyta must find a lost city and lift a goddess’s curse. Along the way, she will need help from an unexpected source: a newly discovered brother. But can Hippolyta bring herself to trust a boy in order to save the Amazons?/divDIV /divDIVThis ebook features personal histories by Jane Yolen and Robert J. Harris including rare images from the authors’ personal collections, as well as a timeline of the Heroic Age and a conversation between the two authors about the making of the series./div/div