A landmark event: the complete Hebrew Bible in the award-winning translation that delivers the stunning literary power of the original. A masterpiece of deep learning and fine sensibility, Robert Alter’s translation of the Hebrew Bible, now complete, reanimates one of the formative works of our culture. Capturing its brilliantly compact poetry and finely wrought, purposeful prose, Alter renews the Old Testament as a source of literary power and spiritual inspiration. From the family frictions of Genesis and King David’s flawed humanity to the serene wisdom of Psalms and Job’s incendiary questioning of God’s ways, these magnificent works of world literature resonate with a startling immediacy. Featuring Alter’s generous commentary, which quietly alerts readers to the literary and historical dimensions of the text, this is the definitive edition of the Hebrew Bible.

Why are there privileged people, mostly whites? God’s Covenant provides for it: • “Blessed shall you be in the city, and blessed shall you be in the field,” said the LORD to a people who were mostly whites. Why are the whites being disenfranchised today in many places? God’s Covenant also provides for it: • “If you break my covenant, cursed shall you be in the city, and cursed shall you be in the field,” said the LORD. In God’s scheme of things, whites and non-whites have similar potentials. • “[Is he] the God of the Jews only? [is he] not also God of the Gentiles (i.e., non-Israelites)? Yes, he is God of the Gentiles also,” said the Apostle Paul • “The sons of the stranger (non-Israelites), that…take hold of my covenant…will I bring to my Holy Mountain and make them joyful…” said the LORD. Read in this book what privileges God reserves for whites and non-whites who take hold of his Covenant! Written in simple, intelligible everyday English for people of all ages, gender, color and nationalities!

A history of ellipsis marks and their functions in major works of English literature over the past 500 years.

Curse of the Ellipsis... is the 3rd volume of Filmic Cut, short stories by Oli Jacobs. Featuring 13 stories that traverse the realms of horror, drama and comedy, with a little poetry in between, Curse of the Ellipsis... is possibly the darkest Filmic Cut yet. This time, prepare to meet 2 writers who can bend the world at their will, a dog whose situation grows more desperate, and Burlington Rathbone himself. There's plenty to enjoy within these pages, and Curse of the Ellipsis... is a delicious bitter addition to the Filmic Cuts series. Dare you taste it's nasty pleasures?

Japanese literature and film have frequently been approached using lenses such as language, genre and ideology. Yet, despite a succession of major social traumas that have marked, and in many ways shaped and defined much of modern Japan, Japanese fiction and cinema have not often been examined psychoanalytically. In this book, David Stahl conducts in-depth readings and interpretations of a set of Japanese novels and film. By introducing the methodology of trauma/PTSD studies, Stahl seeks to provide a better understanding of the insights of Japanese writers and directors into their societies, cultures and histories. In particular, by building on the work of practitioner-theoreticians, such as Pierre Janet and Judith Herman, Stahl analyses a number of key texts, including Kawabata Yasunari’s Sleeping Beauties (1961), Enchi Fumiko’s Female Masks (1958) and Imamura Sho- hei’s Vengeance is Mine (1979). Consequently, through using concepts of social trauma, dissociation, failed mourning, revenge and narrative memory, this book sheds new light on the psychological aftereffects and transgenerational legacies of trauma depicted in Japanese works. Trauma, Dissociation and Re-enactment in Japanese Literature and Film will be of interest to students and scholars of Japanese Literature and Cinema, as well as those interested in Japanese History and Trauma Studies.

Since first appearing in 1998, Garner's Modern American Usage has established itself as the preeminent guide to the effective use of the English language. Brimming with witty, erudite essays on troublesome words and phrases, GMAU authoritatively shows how to avoid the countless pitfalls that await unwary writers and speakers whether the issues relate to grammar, punctuation, word choice, or pronunciation. An exciting new feature of this third edition is Garner's Language-Change Index, which registers where each disputed usage in modern English falls on a five-stage continuum from nonacceptability (to the language community as a whole) to acceptability, giving the book a consistent standard throughout. GMAU is the first usage guide ever to incorporate such a language-change index. The judgments are based both on Garner's own original research in linguistic corpora and on his analysis of hundreds of earlier studies. Another first in this edition is the panel of critical readers: 120-plus commentators who have helped Garner reassess and update the text, so that every page has been improved. Bryan A. Garner is a writer, grammarian, lexicographer, teacher, and lawyer. He has written professionally about English usage for more than 28 years, and his work has achieved widespread renown. David Foster Wallace proclaimed that Bryan Garner is a genius and William Safire called the book excellent. In fact, due to the strength of his work on GMAU, Garner was the grammarian asked to write the grammar-and-usage chapter for the venerable Chicago Manual of Style. His advice on language matters is second to none.

For more than 250 years, biblical Hebrew poetry scholarship has been dominated by metrical assumptions and the idea of parallelism. While a consensus is emerging that biblical poetry is not metrical, no consensus has arisen regarding what parallelism is, or what makes biblical poetry "verse" or "poetry" in the absence of meter, graphical lineation, and end-marking of lines. Unparalleled Poetry claims that a new paradigm for biblical poetry is needed, a paradigm that is disentangled from parallelism as well as meter. Drawing from the Cognitive Poetics work of Reuven Tsur, Emmylou Grosser reorients the discussion of biblical poetic structure to how poetic structure can be heard and perceived. She argues that the line-units of biblical poetry emerge in the cognitive experience of the listener/reader and provides an account of the free-rhythm versification system of biblical poetry. Grosser's cognitive approach to biblical poetry accounts for the wide diversity of lines and poems in the Bible and illuminates both the structures of biblical poetry and the artistry of potential effects. Unparalleled Poetry presents a rewarding new paradigm for readers of the Bible, while modeling new possibilities for the study of nonmetrical poetries and phenomena called "parallelism" throughout the world.

Akkadian, a Semitic language attested in writing from 2600 BCE until the first century CE, was the language of Mesopotamia for nearly three millennia. This volume examines the language from a comparative and historical linguistic perspective. Inspired by the work of renowned linguist John Huehnergard and featuring contributions from top scholars in the field, Bēl Lišāni showcases the latest research on Akkadian linguistics. Chapters focus on a wide range of topics, including lexicon, morphology, word order, syntax, verbal semantics, and subgrouping. Building upon Huehnergard’s pioneering studies focused on the identification of Proto-Akkadian features, the contributors explore linguistic innovations in the language from historical and comparative perspectives. In doing so, they open the way for further etymological, dialectical, and lexical research into Akkadian. An important update on and synthesis of the research in Akkadian linguistics, this volume will be welcomed by Semitists, Akkadian language specialists, and scholars and students interested in historical linguistics. In addition to the editors, the contributors to this volume include Paul-Alain Beaulieu, Øyvind Bjøru, Maksim Kalinin, N. J. C. Kouwenberg, Sergey Loesov, Jacob J. de Ridder, Ambjörn Sjörs, Michael P. Streck, and Juan-Pablo Vita.