Scattered over much of the world throughout most of their history, are the Jews one people or many? How do they resemble and how do they differ from Jews in other places and times? What have their relationships been to the cultures of their neighbors? To address these and similar questions, some of the finest scholars of our day have contributed their insights to Cultures of the Jews, a winner of the National Jewish Book Award upon its hardcover publication in 2002. Constructing their essays around specific cultural artifacts that were created in the period and locale under study, the contributors describe the cultural interactions among different Jews–from rabbis and scholars to non-elite groups, including women–as well as between Jews and the surrounding non-Jewish world. What they conclude is that although Jews have always had their own autonomous traditions, Jewish identity cannot be considered the fixed product of either ancient ethnic or religious origins. Rather, it has shifted and assumed new forms in response to the cultural environment in which the Jews have lived. Diversities of Diaspora, the second volume in Cultures of the Jews, illuminates Judeo-Arabic culture in the Golden Age of Islam; Sephardic culture as it bloomed first on the Iberian Peninsula and later in Amsterdam; and the Jewish-Christian symbiosis in Ashkenazic Europe. It also discusses Jewish culture in the Polish-Lithuanian Commonwealth; the culture of the Italian Jews of the Renaissance period; and representations of folklore and material culture through childbirth rituals throughout the Jewish diaspora.

In this magnificently illustrated cultural history—the tie-in to the pbs and bbc series The Story of the Jews—simon schama details the story of the jewish people, tracing their experience across three millennia, from their beginnings as an ancient tribal people to the opening of the new world in 1492 It is a story like no other: an epic of endurance in the face of destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life despite the steepest of odds. It spans the millennia and the continents—from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. In The Story of the Jews, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with gems and spices founder at sea. And a great story unfolds. Not—as often imagined—of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.

A Cultural History of Jewish Dress is the first comprehensive account of Jewish clothing, both profane and sacred, from its origins through to the present day. Fascinating and accessibly written, it will appeal to anybody with an interest in the central role of clothing in defining Jewish identity.

Series: Compendia Rerum Iudaicarum ad Novum Testamentum Section 1 - The Jewish people in the first century Historial geography, political history, social, cultural and religious life and institutions Edited by S. Safrai and M. Stern in cooperation with D. Flusser and W.C. van Unnik Section 2 - The Literature of the Jewish People in the Period of the Second Temple and the Talmud Section 3 - Jewish Traditions in Early Christian Literature

Scattered over much of the world throughout most of their history, are the Jews one people or many? How do they resemble and how do they differ from Jews in other places and times? What have their relationships been to the cultures of their neighbors? To address these and similar questions, some of the finest scholars of our day have contributed their insights to Cultures of the Jews, a winner of the National Jewish Book Award upon its hardcover publication in 2002. Constructing their essays around specific cultural artifacts that were created in the period and locale under study, the contributors describe the cultural interactions among different Jews–from rabbis and scholars to non-elite groups, including women–as well as between Jews and the surrounding non-Jewish world. What they conclude is that although Jews have always had their own autonomous traditions, Jewish identity cannot be considered the fixed product of either ancient ethnic or religious origins. Rather, it has shifted and assumed new forms in response to the cultural environment in which the Jews have lived. Mediterranean Origins, the first volume in Cultures of the Jews, describes the concept of the “People” or “Nation” of Israel that emerges in the Hebrew Bible and the culture of the Israelites in relation to that of neighboring Canaanite groups. It also discusses Jewish cultures in Babylonia, in Palestine during the Greco-Roman and Byzantine periods, and in Arabia during the formative years of Islam.

By shifting attention from the image of Jews as a textual community to the ways Jews understand and manage their bodies — for example, to their concerns with reproduction and sexuality, menstruation and childbirth— this volume contributes to a revisioning of what Jews and Judaism are and have been. The project of re-membering the Jewish body has both historical and constructive motivations. As a constructive project, this book describes, renews, and participates in the complex and ongoing modern discussion about the nature of Jewish bodies and the place of bodies in Judaism.

For some, the connection between Jews and athletics might seem far-fetched. But in fact, as is highlighted by the fourteen chapters in this collection, Jews have been participating in-and thinking about-sports for more than two thousand years. The articles in this volume scan a wide chronological range: from the Hellenistic period (first century BCE) to the most recent basketball season. The range of athletes covered is equally broad: from participants in Roman-style games to wrestlers, boxers, fencers, baseball players, and basketball stars. The authors of these essays, many of whom actively participate in athletics themselves, raise a number of intriguing questions, such as: What differing attitudes toward sports have Jews exhibited across periods and cultures? Is it possible to be a "good Jew" and a "great athlete"? In what sports have Jews excelled, and why? How have Jews overcome prejudices on the part of the general populace against a Jewish presence on the field or in the ring? In what ways has Jewish participation in sports aided, or failed to aid, the perception of Jews as "good Germans," "good Hungarians," "good Americans," and so forth? This volume, which features a number of illustrations (many of them quite rare), is not only accessible to the general reader, but also contains much information of interest to the scholar in Jewish studies, American studies, and sports history.

Defines the distinctive field of Jewish cultural studies and its basis in folkloristic, psychological, and ethnological approaches. Jewish Cultural Studiescharts the contours and boundaries of Jewish cultural studies and the issues of Jewish culture that make it so intriguing—and necessary—not only for Jews but also for students of identity, ethnicity, and diversity generally. In addition to framing the distinguishing features of Jewish culture and the ways it has been studied, and often misrepresented and maligned, Simon J. Bronner presents several case studies using ethnography, folkloristic interpretation, and rhetorical analysis. Bronner, building on many years of global cultural exploration, locates patterns, processes, frames, and themes of events and actions identified as Jewish to discern what makes them appear Jewish and why. Jewish Cultural Studiesis divided into three parts. Part 1 deals with the conceptualization of how Jews in complex, heterogenous societies identify themselves as a cultural group to non-Jews and vice versa—such as how the Jewish home is socially and materially constructed. Part 2 delves into ritualization as a strategic Jewish practice for perpetuating peoplehood and the values that it suggests—for example, the rising popularity of naming ceremonies for newborn girls, simhat bat or zeved habat, in the twenty-first century. Part 3 explores narration, including the global transformation of Jewish joking in online settings and the role of Jews in American political culture. Bronner reflects that a reason to separate Jewish cultural studies from the fields of Jewish studies and cultural studies is the distinctiveness of Jewish culture among other ethnic experiences. As a diasporic group with religious ties and varying local customs, Jews present difficulties of categorization. He encourages a multiperspectival approach that considers the Jewish double consciousness as being aware of both insider and outsider perspectives, participation in ancient tradition and recent modernization, and the great variety and stigmatization of Jewish experience and cultural expression. Students and scholars in Jewish studies, cultural studies, ethnic-religious studies, folklore, sociology, psychology, and ethnology are the intended audience for this book.